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Gesamtkatalog

Catalogue complet

The ethical and philosophical conversations around conflict photography are discussed alongside the technical and logistical considerations, drawing on the perspectives of a range of contributors.

In today’s image-saturated culture, the visual documentation of suffering around the world is more prevalent than ever. Yet instead of always deepening the knowledge or compassion of viewers, conflict photography can result in fatigue or even inspire apathy.

Walsh Lauren: Conversations on Conflict
Photography

Conversations on Conflict Photography

Foreword by Sebastian JungerIntroductionA Note on the InterviewsA Note on the Nachtwey Photo INTERVIEWSSection 1: Behind the Lens1. Introductory essay: “The World of Conflict Photographers” The Photographers:2. Andrea Bruce3. Marcus Bleasdale4. Susan Meiselas5. Shahidul Alam6. Ron Haviv7. Spencer Platt8. Eman Helal9. Benjamin Lowy10. Nina Berman11. Alexander Joe 12. Laurent Van der Stockt 13. Newsha Tavakolian Section 2: In the Newsroom and Beyond14. Introductory essay: “Industry Practices, Conflict Photography, and Critical Debates” The Photo Editors and Directors of Photography:15. Santiago Lyon, former Vice President and Director of Photography, The Associated Press16. MaryAnne Golon, Assistant Managing Editor and Director of Photography, The Washington Post 17. Aidan Sullivan, Founder and CEO of Verbatim Agency and former Vice President of Photo Assignments, Getty Images 18. Marion Mertens, Senior Digital Editor, Paris Match Section 3: Advocacy and Aid19. Introductory essay: “Photographs of Crisis: Human Rights and Humanitarian Organizations” The Human Rights and Humanitarian Agency Representatives:20. Michael Goldfarb, Director of Communications, Doctors Without Borders/Médecins Sans Frontières (MSF)-USA21. Peter Bouckaert, former Emergencies Director, Human Rights Watch22. Ellen Tolmie, former Senior Photography Editor, UNICEF Conclusion“Conflict Photography: Looking Ahead”Acknowledgements

Combat

Philippines 1944–45

Us Soldier Vs Japanese Infantryman

Political Struggle and Activist Art in the Uk, 1960-Present

Grassroots Artmaking

An Untold Story of Black Resistance Along a Southern Waterway

The Inner Passage

Wisden Cricketers' Almanack 2026

Parasocial Interaction in a Shifting Media Landscape

Parasocial Media

This book is a blueprint for artists looking to engage with activist movements with a persistent longevity and a reminder that art has the power to be more dangerous than words.
Front Lines: A Lifetime of Drawing Resistance is Susan Simensky Bietila's story of her six decades as a movement artist and activist and a lifetime of artistic collaborations rooted in her activist experience. Growing up during McCarthyism, she rejected the nationalist masculinity of elite art and conformist culture and found feminism and collectivism as new forms of resistance. She became an artist in the New Left, creating illustrations for radical underground publications including RAT, Subterranean News, and comics for the anarchic World War 3 Illustrated.
With more than one hundred images, Front Lines documents her art on the page and in action featuring protest banners and giant puppets of birds and fish carried in the streets, masks of notorious dictators for street theater, posters pasted on walls and hung in radical spaces, community art builds, and more. Visual storytelling and detailed captions contextualize and bring to life her work with movements including antiwar protests during the Viet Nam era, Indigenous led antimine and antipipeline struggles, water protection, immigrant rights, anticorporate globalization convening, protests against the state and capital, Palestinian liberation actions, and collaborations with groups throughout the Great Lakes region and beyond. She agitates from the roots and the front lines to this day.

A Lifetime of Drawing Resistance

Front Lines

How Conservatives Built a Movement Against the Press

Making the Liberal Media

Ruth Finley's Fashion Calendar

In American Fashion

Practical Strategies for a Career in Art

The Artist's Roadmap

How Pop Culture Turned a Generation of Women Against Themselves

Girl on Girl

Edition Medienwissenschaft

In einer global vernetzten, digital durchdrungenen Welt genügt es nicht mehr, in geschlossenen Systemen zu denken. Der Blick richtet sich vielmehr auf das, was Systeme verbindet und definiert: das Spiel der Schnittstellen. Als Orte der Übertragung, Filterung, Übersetzung und Sinnbildung werden sie zu den zentralen Erkenntnisobjekten überhaupt. Zwischen Mensch und Maschine, Kultur und Technik, Sprache und Material ermöglichen sie nicht nur Austausch, sondern auch ständige Veränderung. Christian Stein führt interdisziplinäre Perspektiven aus&nbsp;Medien-, Kultur-, Technik- und Naturwissenschaften zusammen.&nbsp;So öffnet er ein neues Denken - eines, das Schnittstellen offenlegt und zu ihrer aktiven Mit- und Umgestaltung anregt.

Eine interdisziplinäre Theorie des Zwischen

Schnittstelle(n)

Conversations on Conflict Photography

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