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History (R0)

Magdalena Eriksroed-Burger

Heidi Hein-Kircher

Julia Malitska

Consumption and Advertising in Eastern Europe and Russia in the Twentieth Century

Part I:&amp;nbsp;Introduction. Chapter 1:&amp;nbsp;Consuming and Advertising in Eastern Europe and Russia in the Twentieth Century. Introductory Remarks.- Part II:&amp;nbsp;Rise of Modern Consumption and Advertising before World War II.- Chapter 2:&amp;nbsp;Handmade by Peasants for Metropolitan Consumers. Textiles, Social Entrepreneurship and the Austro-Hungarian Countryside.- Chapter 3:&amp;nbsp;German Advertisements in the Late Russian Empire as a Reflection of Consumer Policies, Culture, and Communication.- Chapter 4:&amp;nbsp;The Role(s) of the Czechoslovak New Woman as a Consumer. The Case of the Women‘s Magazine Eva (1928-1938).- Part III: "Soviet Style” of Advertising and Consumption.- Chapter 5:&amp;nbsp;Fur Trade in Turmoil. Pelt Commodification in Leipzig from Fin de Siècle to Sovietization.- Chapter 6:&amp;nbsp;Early Soviet Consumption as a First “Battle” on the Cultural Front.- Chapter 7:&amp;nbsp;‘They even gave us pork cutlets for breakfast’. Foreign Tourists and Eating-out Practices in Socialist Romania during the 1960s and the 1980s.- Part IV:&amp;nbsp;Transformations in Socialist Consumer Cultures and Advertisements.- Chapter 8:&amp;nbsp;Socialism Without Future. Consumption as a Marker of Growing Social Difference in 1980s Hungary.- Chapter 9:&amp;nbsp;Eesti Reklaamfilm as a Jack-of-All-Trades. On the Untold Opportunities of a Late Soviet Advertising Bureau.- Chapter 10: Tobacco Product Design, Marketing, and Smoking in the USSR.- Part V:&amp;nbsp;Concluding Comment.- Chapter 11:&amp;nbsp;Concluding and Summarizing Comment.

'To see The Clash on the White Riot tour was like discovering how to be a rock star: you just did it yourself. You didn't wait for someone to come and discover you. That was the most important thing that came out of punk... We came home and we cut our hair and bought skinny trousers. It was year zero. That was the moment for me' Billy Bragg Punk Rock is a book like no other. It is an oral history of a radical movement which exploded in Seventies Britain. With its own clothes, hair, artwork, fanzines and radical politics, Punk boasted a DIY ethos that meant anyone could take part. The scene was uniquely vibrant and energetic, leaving an extraordinary legacy of notorious events, charismatic characters and inspirational music. John Robb has spent over a year interviewing more than 100 contributors including Glen Matlock, Mick Jones, Don Letts, Slash, Billy Bragg, Hugh Cornwell and Captain Sensible. Now, for the first time, they give the inside view on events such as The Sex Pistols' swearing live on the Bill Grundy TV show and staging their anti-Jubilee riverboat party on the Thames, famous gigs at The Roxy and 100 Club, and the groundbreaking records by The Pistols, The Clash, The Damned and others. From the widely debated roots of punk in the late-Sixties through to the fallout of the post-punk period in 1984, and the ongoing influence on today's bands, Punk Rock is the definitive oral history of an inimitable and exciting movement.

An Oral History

Punk Rock

To truly understand things, we need to know them. We need to taste them. This is a story of how food connects us all - not only at the table but to each other's cultures and histories. Durkhanai Ayubi was born in Afghanistan in the 1980s, and she and her family became refugees when she was a small child. She's grown to see her ancestral lands be misunderstood as a desolate war zone of helpless people, with no history or culture worthy of mention, when the reality is in fact steeped in rich, complex histories of incredible cultural significance. Living in Australia, Durkhanai's only tangible connection to the histories of her homeland was through food, first through cooking with her family, and then as an owner of her much-loved award-winning Adelaide family restaurant, Parwana. Years on, and following Afghanistan's systemic collapse in 2021, Durkhanai realised that it was time to revisit those histories and tell the previously untold stories that can help shape a more optimistic future. She Who Tastes, Knows is an expansive history of Durkhanai's homeland and a vivid, moving story about what it truly means to understand another's culture. Through stories of food, family, belonging and migration, the book traverses cultural boundaries, weaving a tapestry of dignity, empathy and understanding. Each chapter draws on a particular ingredient important to Durkhanai's cultural identity, and explores their life cycles to uncover unseen histories of Afghan culture, the complexities of migrant and refugee experience, and how we as a society might work towards unifying our disparate cultures and ways of seeing the world. In our modern world, which can feel so disjointed, this book shows us - with timeless prescience - how new possibilities for connection are just under the surface, waiting to bloom.

A memoir of food, exile and awakening

She Who Tastes, Knows

'A captivating mosaic of wartime Berlin' Katja Hoyer, Financial Times 'Brilliant and beautifully written' Anne Applebaum 'Brings to life Berlin during World War II so vividly that you can imagine yourself blithely strolling the streets of the city or hunkering down in the bomb shelters' Barbara Demick 'A rich and fascinating portrait of Berlin at war' Literary Review 'Wonderfully nuanced' Guardian When war broke out in September 1939, what was most striking in the German capital at first was how little changed. Unless you were Jewish. Then life, already hard, soon got unfathomably worse. Drawing on diaries, letters and memoirs, Stay Alive chronicles daily life in wartime Berlin with extraordinary power and immediacy. Here are the movie stars and swing dancers, the resistance circles and SS patrols hunting deserters, the desperate calculations of survival and collaboration. As Allied bombs reduced the city to rubble and Soviet troops closed in, the common greeting of Berliners became not auf Wiedersehen or Heil Hitler but bleiben Sie übrig - 'Stay alive'. Revelatory, devastating and deeply humane, this book illuminates how ordinary people navigated the moral catastrophe of the Third Reich - what it meant to resist, to conform or simply to endure. Buruma shows how a society's accommodation to evil unfolds one compromise at a time, and why understanding this descent remains urgently relevant today.

Berlin, 1939–1945

Stay Alive

The Forgotten Women of British Intelligence

Her Secret Service

A warning to humankind from one of the world's greatest physicists 'What drives these pages is the guilty conscience of my profession, theoretical physics. My sole aim is to help avert what seems to me to be the unintended, yet scarcely avoidable, end point of the current politics of the governments we have elected: nuclear war.' The world is rearming and embroiled in endless conflict. The Doomsday Clock has now been set to 85 seconds to midnight, with the risk of nuclear war the highest it has ever been. Why do we always fail to learn from the past? In this urgent book, acclaimed physicist Carlo Rovelli reframes the history of nuclear weapons: from how the atomic bomb was born to why Germany didn't build it and why the US used it, to the narrowly averted disasters of the Cold War and the political brinkmanship careering out of control today. As he grapples with the legacy of his scientific forebears, Rovelli spotlights the true nature of the decisions being made by leaders around the world today. A timely and ardent warning, this searing reckoning with short-sighted politics is essential reading for anyone seeking sanity at our moment of greatest peril.

A Physicist's Argument Against Rearmament

85 Seconds to Midnight

Chairman Mao's extraordinary life and complex legacy laid bare.

Power and Contradiction

Routledge Frontiers of Political Economy

Analysing Soviet economic history through the lens of Marx's critique of political economy, this book argues that the Soviet Union was a young capitalist country and, further, explains the collapse of the Soviet Union as the result of a capitalist crisis.This book provides a comprehensive overview of the Soviet economy through a Marxist lens and provides a digestible definition of the capitalist mode of production according to Marx, refuting criticism of his thought based on association with the USSR. This book also refutes other theories about the Soviet Union, such as the theory of a degenerated workers' state, theories of the Soviet Union having a new mode of production, and even other theories of capitalist USSR, as inadequate because they take the Soviet economy to be 'superior' in some way and therefore cannot explain the Soviet economy's collapse. The goal is not to unearth, collect, and present new data on the Soviet economy but, rather, a Marxist analysis of the Soviet economy based on a synthesis of existing empirical studies. In doing so, the book shines a light on the political debate around the nature of the USSR.The book will be of interest to academic and non-academic Marxists alike in economics, politics, sociology, history, and beyond.

A Marxist Analysis of the Soviet Economy

The first comprehensive history of mothers and mothering from antiquity to today, by the acclaimed author of UNWELL WOMEN 'Cleghorn's aim is to reclaim mothering as a radical, intentional act - not purely a biological function, devoid of thought, creativity, or labour . . . Engrossing' OBSERVER 'An essential history' LEAH HAZARD 'This is the book we need right now . . . powerful and astonishing' MARIANNE LEVY 'Thoughtful, smart, and, sadly, really bloody urgent' CLAIRE LYNCH Mothers make history. For centuries, motherhood has sparked social and political change. Yet the acts of growing, birthing and nurturing children - and the power they hold - have been pushed to the margins, overlooked in our narratives of the past. In A Woman's Work, Elinor Cleghorn reveals the mothers, othermothers, midwives, activists, and community leaders who have shaped this extraordinary history. They include Hildegard of Bingen, the medieval nun and mystic with pioneering views about the maternal body; Mary Wollstonecraft, who laid the intellectual groundwork to release motherhood from male control; and Sojourner Truth, who drew attention to the abhorrent treatment of mothers under chattel slavery. Beginning in the ancient world, we learn how in each era, the patriarchy constructed its own idealised notion of motherhood - from the misogynistic dogma of the early church and the stigmatisation of single mothers in 17th century England all the way through to the post-war myth of the perfectly contented housewife. But we also learn how mothers of all classes and circumstances fought back, and lobbied to be valued, respected and supported - not as reproductive vessels, but as people. A Woman's Work is a radical and inspiring new history of mothering, and a timely reminder that the fight for reproductive freedom is far from over.

The first comprehensive history of mothers and mothering from antiquity to today, by the acclaimed author of UNWELL WOMEN

Reclaiming the Radical History of Mothering

A Woman’s Work

Routledge Studies in Luxury Management

This book critically analyses and documents a shift of ethical consumption patterns through Western yoga commodities, services, and transformational experiences that affect women within consumer culture. Western yoga uses fashion and luxury branding strategies to promote commodities that support an individualised, exclusive, and privatised quest for meaning, ritual, belonging, and community. These new status signifiers demonstrate how Western yoga has become an essential contemporary sign and symbol of the aspirational class. This book thus discusses how aspirational Western yoga brands, yoga studios, and social media influencers commodify wellness by distributing cultural capital as postfeminist spiritual capital through the promotion of exclusive and consciously minded aesthetic and ethical transformational experiences within the wellness industry.Through the contemporary case studies presented in this book, the reader will be exposed to the complex tactics that yoga brands, yoga studios, and 'yogalebrities' use to generate aspirational conscious luxury commodities that promise entangled physical and spiritual distinction. This book reveals how yoga practitioners are encouraged to arrive at self-optimisation and self-empowerment not after the trials and tribulations of the human experience but after a highly controlled and exclusive experiential economic transaction that anchors the ego to bodily labour and elitist luxury fashion design ideals. These case studies will expose the reader to how these new consumption patterns converge, stylising and commodifying the psychic life of women.This book will appeal to an academic audience with an interest in fashion and luxury studies, luxury management, consumer culture, gender studies, and critical spiritual practices.

Conscious Luxury, Western Yoga and Fashion

The Commodification of Wellness

There is a specific energy to it. Cafes and shops close their shutters. Darkness descends. 'The air begins to tingle', wrote John Dos Passos of twenties New York. 'It's tonight if you drink enough, talk enough, walk far enough, that the train of magical events will begin.'Barely four centuries ago, music, fashion, sex, architecture, art and booze first fused to create what we now call nightlife. It happened, strangely enough, in 17th-century Japan, in a remote marshland outside the shogun's capital. This den of hedonism and iniquity became a breeding ground for new ideas - and while the venues have changed, nightlife has been at the frontier of cultural innovation ever since. Up All Night is the story of the good times and the great ones. Who invented jazz? What did 18th century Londoners do for entertainment? Why was Detroit the birthplace of techno? Who built Las Vegas? And what, in our increasingly online lives, are we missing when we pass up the chance of a big night out? Join party historian Imogen Willetts for a guided tour of history's wildest nights out - piecing together tantalising ephemera and foggy reminiscences from shogunate Japan to noughties Hollywood, and every iconic scene in between. 'Spills over with colourful anecdotes . . . Reading Up All Night makes you want to put it down - if only to step out into the seductive, thrilling night' DAILY TELEGRAPH'A sparkling cultural history . . . Its procession of nocturnal scenes is immersive, intoxicating and full of surprises' MIKE JAY, author of PSYCHONAUTS'A jaunty, jam-packed history of big nights out that revels in spectacle and theatricality' EMMA WARREN, author of DANCE YOUR WAY HOME

A History of Going Out

Up All Night

'Smart, spiky, and straight-up necessary, One Bad Mother undresses the landmined label 'bad mum' with wit and receipts. Ej Dickson turns our favorite moral panics into a clear-eyed invitation to ditch impossible standards and parent like a person.' Amanda Montell, NYT-bestselling author of Wordslut, Cultish, and The Age of Magical OverthinkingWe all have an idea what it means to be a good mum: little screen time, kids hitting (or beating) their milestones, endless patience and understanding and self-sacrifice on behalf of one's children. But what does it mean to be a 'bad mum' in modern society? Women as wide-ranging as Meghan Markle, Hannah Neelman (of Ballerina Farm), or anyone giving birth over 40, have been given labels as a 'bad mum.' In a world where the rules are constantly changing, it feels like women simply cannot win. With this notion in mind, in her first book, Ej Dickson takes a sharp, provocative look at one of society's most polarising labels: the 'bad mum.' What makes a mother 'bad,' and what are the cultural stakes of that judgment? Through the lens of pop culture and American history, Ej Dickson explores how this trope has evolved - from Victorian 'angels in the house' to the infamous Mommie Dearest, from Instagram influencers like EmRata and Mormon mumfluencers to fictional icons like The Marvelous Mrs. Maisel. Each chapter dives into a different archetype of so-called bad motherhood - like the Stage Mum, the Tiger Mum, the MILF, the MLM hun - challenging readers to rethink their assumptions about femininity, parenting, and societal expectations. Drawing on insightful analysis and interviews, Dickson unpacks why our culture is obsessed with vilifying mums and how issues of race and class shape these narratives. Are bad mums truly 'bad,' or do they simply defy norms we don't fully understand - or fear?But don't mistake this as just a pop culture analysis. To actually make women stop feeling like they're bad mums and start actually enjoying the experience of motherhood, it's important to deconstruct the trope and actually learn about where it comes from, what purpose it serves, and the insidious ways it continues to pop up in popular culture to this day. Because if we really take a close look, we might find that some of the women we've reviled throughout history aren't actually that bad after all - and in doing so, mums today may take some much-needed pressure off themselves. In tackling these urgent questions, One Bad Mother exposes the deeper forces driving our fascination with bad mom culture and reveals what it says about our world today. Thoughtful, eye-opening, and downright funny at times, One Bad Mother is a vital exploration of modern motherhood.

In Praise of Psycho Housewives, Stage Parents, Momfluencers, and Other Women We Love to Hate

One Bad Mother

'Utterly engrossing and timely' INDIA KNIGHT 'A true act of bravery and sisterhood' ELIZABETH DAY 'Fascinating...truly valuable' JULIA SAMUEL 'I gobbled this book up. It's a gem' HELEN BONHAM CARTER A fascinating blend of social history and first-person stories looking at women and their secrets - and what they tell us about our changing times Do you want to know a secret? The average person is keeping thirteen secrets at any one time, five of which they've never shared with a soul. A secret can thrill one person and destroy another; and the deepest ones echo far down the generations. The Book of Revelations is a book about the secrets women keep: the ones they are forced into, the ones they hold through shame, and the ones they share. Told through a kaleidoscopic blend of first-person stories and memoir, from the 'silent generation' of women in the 1950s to the influencers of the 2020s, we witness long-buried family secrets aired at last and the repercussions which occur when women who have been forced to keep quiet find their voice. Finally, we are compelled to wonder whether women are once again in danger of being silenced by censure, caution and fear. 'A fascinating hybrid of memoir and social history... transforms the highly personal into something universal' London Standard 'A time-travelling investigation... it has a depth charge and a sense of the now that is so timely and important' Jeanette Winterson

A History of the Secrets Women Keep and Tell from the 1950s to the Present Day

The Book of Revelations

Consumption and Advertising in Eastern Europe and Russia in the Twentieth Century

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