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El-Arifi S: Cleopatra

Cleopatra

Penguin Modern Classics

Dubliners, Joyce's first major work and written when he was only twenty-five, brought his city to the world for the first time. His stories are rooted in the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. From 'The Sisters', a vivid portrait of childhood faith and guilt, to 'Araby', a timeless evocation of the inexplicable yearnings of adolescence, to 'The Dead', in which Gabriel Conroy is gradually brought to a painful epiphany regarding the nature of his existence, Joyce draws a realistic and memorable cast of Dubliners together in an powerful exploration of overarching themes. Writing of social decline, sexual desire and exploitation, corruption and personal failure, he creates a brilliantly compelling, unique vision of the world and of human experience.

Dubliners, Joyce's first major work and written when he was only twenty-five, brought his city to the world for the first time. His stories are rooted in the rich detail of Dublin life, portraying ordinary, often defeated lives with unflinching realism. From 'The Sisters', a vivid portrait of childhood faith and guilt, to 'Araby', a timeless evocation of the inexplicable yearnings of adolescence, to 'The Dead', in which Gabriel Conroy is gradually brought to a painful epiphany regarding the nature of his existence, Joyce draws a realistic and memorable cast of Dubliners together in an powerful exploration of overarching themes. Writing of social decline, sexual desire and exploitation, corruption and personal failure, he creates a brilliantly compelling, unique vision of the world and of human experience.

Dubliners

Routledge Studies in Archaeology

This book is the first to investigate early Roman religion on the basis of archaeological evidence. Author Elizabeth Colantoni uses the archaeological data to construct a new narrative about early Roman religious practices, examining the role and nature of sacred space; the religious calendar; gods, priests and worshippers; ritual and sacrifice; and death rites and ancestor cult in early Rome. The result is a fuller and more accurate picture of changing early Roman religious practices that also provides the basis for a better understanding of the more widely attested religion of the Romans who lived during the period of the Roman republic and after.

The religion of the people of Rome in the first centuries of the city’s history has long been a topic of interest for scholars, but it has been investigated primarily through literary evidence recorded in the first century BC and later, many centuries after an urban community first began to develop in Rome in the eighth century BC. The contemporary archaeological data from the eighth, seventh, and sixth centuries BC have been taken into account only sporadically, with the result that most scholarship supposedly focused on early Roman religion instead reproduces later Roman ideas about the origins and development of Roman religion—ideas that were often colored by the standards and principles of later Romans, supported by their own conjecture rather than by factual evidence. A standard scholarly method of dealing with the later written evidence about early Roman religious practices is to attempt to strip away any later or false information in order to isolate the genuine characteristics of early Roman religion. This teleological approach, however, causes early Roman religion to seem destined from the beginning to result in the later version of Roman religion. The only changes over time that can then be identified are those that show early Roman religion moving toward the model of the better known Roman religion of the first century BC and after. This book is the first to investigate early Roman religion on the basis of archaeological evidence.The earliest archaeological levels of Rome have been excavated in a number of areas around the city but, because of disciplinary divides between Classical studies, ancient history, religious studies, and archaeology, the archaeological evidence has not been incorporated in any significant way into discussions about the religion of the first Romans. And yet archaeological data can provide us with the baseline of factual evidence that is lacking in the later written sources and, in particular, the archaeological record allows the study of change through time in the characteristics of Roman religion in the earliest centuries of its existence. This book uses the archaeological data to construct a new narrative about early Roman religious practices, examining the role and nature of sacred space; the religious calendar; gods, priests and worshippers; ritual and sacrifice; and death rites and ancestor cult in early Rome as they can be understood through the archaeological evidence. The result is a fuller and more accurate picture of changing early Roman religious practices that also provides the basis for a better understanding of the more widely attested religion of the Romans who lived during the period of the Roman republic and after.

The Archaeology of Early Roman Religion

¿You are cordially invited to a most enchantingLondon Season...¿

??You are cordially invited to a most enchanting London Season...??

How To Charm A Viscount

You are cordially invited to a most enchanting London Season…

Bank Management & Financial Services

The epic sequel to the Waterstones Fantasy Book of the Month The Adventures of Amina Al-Sirafi.

Untitled Amina Al-Sirafi Book 2

Virago Modern Classics

A timeless historical novel about poetry, music and power by the classic queen of Ancient Greek retellings

A Virago Modern Classic

The Praise Singer

The Echoing Grove

From the Irish Times and New York Times bestselling author comes a historical novel about an orphaned Victorian flower seller, a lost sister and a hidden diary...

From the Irish Times and New York Times bestselling author comes a historical novel about an orphaned Victorian flower seller, a lost sister and a hidden diary…

A Memory of Violets

In a future shaped by new world wars and advanced facial recognition technology, two agents from rival government entities find themselves working together on a mission to track down the world’s most wanted criminals. Roman Grant is an FBI agent and a war veteran with a stalwart desire to defend his country. Julia is CIA and also a veteran whose mission is to protect her country so why does she have so much hostility towards Roman? Could it be their romantic past? His arrogant but obnoxiously attractive attitude? Or is there something more sinister going on? With time running out and old grudges simmering just below the surface, Roman and Julia must figure out if their loyalties to their agencies and country also leave room for loyalty to each other.

In a future shaped by new world wars and advanced facial recognition technology, two agents from rival government entities find themselves working together on a mission to track down the world’s most wanted criminals. Roman Grant is an FBI agent and a war veteran with a stalwart desire to defend his country. Julia is CIA and also a veteran whose mission is to protect her country so why does she have so much hostility towards Roman? Could it be their romantic past? His arrogant but obnoxiously attractive attitude? Or is there something more sinister going on? With time running out and old grudges simmering just below the surface, Roman and Julia must figure out if their loyalties to their agencies and country also leave room for loyalty to each other.

Sovereign Context

<div>“This is Burroughs’s most accessible, tightly knit work of fiction. . . . Laid out as a stripped-down movie script it’s almost as if this is the form that Burroughs has always needed.”—Kirkus Reviews Before he was gunned down in the Palace Chop House in Newark, New Jersey, in October 1935, Arthur Flegenheimer, alias Dutch Schultz, was generally considered New York’s number one racketeer. Taken to a hospital following the gangland shooting, Schultz survived for two days. His room was guarded around the clock, and a police stenographer was stationed at his bedside in the hope of learning who is assailant or assailants were. Instead, what was recorded were Dutch’s fevered fantasies, stemming from his childhood and youth, as well as his recent past. Taking these “last words” as a starting point, Burroughs has created in this work a fantasia on Dutch Schultz, a narrative that takes the form of a film script and explores themes including crime, addiction, and power. </div>

A Revised Screenplay Version of The Last Words of Dutch Schultz

Come in with the Dutchman

Following the events of one single day in Dublin, the 16th of June 1904, and what happens to the characters Stephen Dedalus, Leopold Bloom and his wife Molly, Ulysses is a monument to the human condition. It has survived censorship, controversy and legal action, and even been deemed blasphemous, but remains an undisputed modernist classic: ceaselessly inventive, garrulous, funny, sorrowful, vulgar, lyrical and ultimately redemptive. It confirms Joyce's belief that literature 'is the eternal affirmation of the spirit of man'. This new edition is based on the original 1922 edition, now the preferred text of Joyce's masterwork, and includes an introduction by world-renowned Joycean scholar, Andrew Gibson.

Following the events of one single day in Dublin, the 16th of June 1904, and what happens to the characters Stephen Dedalus, Leopold Bloom and his wife Molly, Ulysses is a monument to the human condition. It has survived censorship, controversy and legal action, and even been deemed blasphemous, but remains an undisputed modernist classic: ceaselessly inventive, garrulous, funny, sorrowful, vulgar, lyrical and ultimately redemptive. It confirms Joyce's belief that literature 'is the eternal affirmation of the spirit of man'. This new edition is based on the original 1922 edition, now the preferred text of Joyce's masterwork, and includes an introduction by world-renowned Joycean scholar, Andrew Gibson.

Ulysses

Cleopatra

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