Cutting-edge contemporary: art at the intersection of paintinge and digital media The definitve introduction to acclaimed artist Chris Dorland's dystopian digital aesthetic: a fusion of digital media and painting, exploring themes of technology decay and post-capitalist aesthetics. With a groundbreaking text by leading art historian Robert Hobbs, this richly illustrated volume captures Dorland’s hybrid process-blending digital distortion, surveillance aesthetics, and glitch technologies into a singular, cinematic language. This is a vital document of a practice at the edge of image culture and collapse and is essential for collectors, critics, and curators of postdigital, new media, and contemporary painting.
Januar 2026, 120 Seiten, Englisch
Hirmer
978-3-7774-4664-6
Hirmer
978-3-7774-4664-6

