The definitive introduction to acclaimed artist Chris Dorland’s dystopian digital aesthetic: a fusion of digital media and painting, exploring
themes of technological decay and post-capitalist aesthetics.
Explore the cutting-edge vision of Chris Dorland in his debut monograph, Future Ruins. With a groundbreaking essay by leading art historian Robert Hobbs, this richly illustrated volume captures Dorland’s hybrid process, blending digital distortion, surveillance aesthetics, and glitch technologies into a singular, cinematic language. This is a vital document of a practice at the edge of image culture and collapse and is essential for collectors, critics, and curators of postdigital, new media, and contemporary painting.
Januar 2026, 120 Seiten, Englisch
Hirmer
978-3-7774-4664-6
Hirmer
978-3-7774-4664-6

