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Kafka F: Carta Al Padre

Carta Al Padre

Longlisted for the National Book Critics Circle Award Many worry that criticism is suffering from a crisis of authority. In a world where everyone's a critic, what is criticism for? Since her canonical essay "On Liking Women," the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a leading public intellectual and a bold cartographer of the new landscape of taste itself. Authority brings together sharp, illuminating essays on everything from musical theater to sci-fi novels, as well as an acclaimed tetralogy of personal essays first published in the magazine n+1. Throughout, Chu defies the imperative to leave politics out of art, charging fellow critics like Maggie Nelson and Zadie Smith with complacent humanism and modeling how the left might brave the culture wars with both its faculty of judgment and its sense of justice intact. In two magisterial new essays, Chu offers a fresh intellectual history of criticism's crisis of authority, tracing the surprisingly political contours of the discipline from its origins in the Enlightenment to our present age of social media. The desire to recover some lost authority, she argues, is neither new nor particularly freeing. Rather than being taken in by an endless cycle of trumped-up emergencies over the state of our culture, Authority makes a compelling case for how to do criticism in light of the actual crises, from climate change to rising authoritarianism, that confront us today.

Essays

Authority

A powerful and inspirational toolkit for fostering human connection through the handwritten letter, from the owner of Geulwoll; a beloved stationery shop in the heart of Seoul

The Healing Power of Korean Letter Writing

This fascinating book explores the numerous literary connections, themes, symbolism, and cultural and social references underlying The Silver Chair and The Horse and His Boy, the fourth and fifth books in C. S. Lewis's The Chronicles of Narnia series, following the same format of Paths in the Snow and Gold on the Horizon, Jem Bloomfield's popular explorations of the first three Narnia tales (both published under the DLT imprint). In Signs Among the Stones, Bloomfield considers the significance of the very different landscapes of The Silver Chair and The Horse and His Boy - subterranean caves and arid deserts, both a world away from the more familiar forests and castles of other Narnia tales - and explores what the books can tell us about Lewis's ideas on meaning, questing and storytelling.

A literary journey through The Silver Chair and The Horse and His Boy

Signs Among The Stones

L. Frank Baum's fantastical tale of a young girl named Dorothy's adventures in the magical land of Oz, now in a beautiful gift edition for the Union Square &amp; Co. Signature Gilded Classics line. Dorothy and her little dog, Toto, are swept away from their home in Kansas by a powerful tornado and dropped into an enchanting new land called Oz. To get home, the Witch of the North tells Dorothy she must follow the yellow brick road to the Emerald City and ask the mysterious Wizard of Oz for help. Along the way, she meets the Scarecrow, the Tin Woodman, and the Cowardly Lion, and together they embark on a strange and magical adventure.

The Wonderful Wizard of Oz

Spotting Red Flags from Across the Ballroom

The Jane Austen Romance Guide for Well-Bred Women

In a collection of linked tales filled with irony, humor, and magic, Talking with Boys introduces an unforgettable cast of characters in the Pakistani diaspora in Houston navigating crises of their own making and beyond their control. Via generations and geographies, the stories expand from Houston into tales from the characters' pasts in Dubai and Lahore. A community of Pakistani immigrants distract ICE with unlikely bait. A housekeeper in a Dubai mansion plots to liberate her fellow indentured workers. In Lahore, an empty nester finds herself bound by more than a jinxed bracelet. Throughout, Tayyba Kanwal's remarkable characters navigate economic upheavals, political turmoil, and personal betrayals to pursue love, plot for survival, and play subtle power games to triumph against patriarchal forces of all genders.

Talking with Boys

From the award-winning author of&nbsp;Herc, an enrapturing feminist tale that brilliantly reimagines the story of Aphrodite and how she transformed herself from a lowly outsider to the darling goddess of love, for readers of Madeline Miller and Jennifer Saint. Aphrodite saw the gods on Mount Olympus and decided she wanted a piece of what they had. Only problem is, she’s not a goddess, just a lowly being who's supposed to remain in a distant cave, keeping the threads of Fate woven neatly. But Aphrodite’s never let anyone tell her what to do… Weaving herself a web of lies and careful deceptions, she convinces everyone she’s the goddess of love and that her rightful place is among the Olympians, who lord it over everyone else at the top of the world, but under the stifling rule of Zeus. For the first time, she has the best of everything, as well as friends, peers, even loved ones. Only, being a goddess isn’t quite like she thought. Those who oppose Zeus tend to disappear, or worse. And one day, Aphrodite decides she’s had enough… "Rogerson's impressive talent leaps from the pages."&nbsp;—Carly Reagon, author of&nbsp;The Toll House,&nbsp;on&nbsp;Herc

Aphrodite

"The frantumaglia is an unstable landscape, an infinite aerial or aquatic mass of debris that appears to the I, brutally, as its true and unique inner self."-Frantumaglia: A Writer's Journey by Elena Ferrante
"An absorbing, tantalising journey into the private world of Elena Ferrante."-The Guardian
For readers of My Brilliant Friend, this collection is an invitation to Elena Ferrante's workshop. Gathering more than two decades of letters, essays, reflections, and interviews, it reveals the ideas, experiences, and obsessions that shaped one of contemporary literature's most celebrated voices.
Ferrante reflects on the creative process behind the Neapolitan Quartet, her decision to remain out of the public eye, the adaptation of her novels for the screen, and the pleasures and frustrations of writing.&nbsp;
Exploring motherhood, feminism, psychoanalysis, the cities that have shaped her, and the memories that continue to nourish her imagination, the result is a vivid and intimate self-portrait of a writer at work.&nbsp;

A Writer’s Journey

Frantumaglia

'A captivating mosaic of wartime Berlin' Katja Hoyer, Financial Times 'Brilliant and beautifully written' Anne Applebaum 'Brings to life Berlin during World War II so vividly that you can imagine yourself blithely strolling the streets of the city or hunkering down in the bomb shelters' Barbara Demick 'A rich and fascinating portrait of Berlin at war' Literary Review 'Wonderfully nuanced' Guardian When war broke out in September 1939, what was most striking in the German capital at first was how little changed. Unless you were Jewish. Then life, already hard, soon got unfathomably worse. Drawing on diaries, letters and memoirs, Stay Alive chronicles daily life in wartime Berlin with extraordinary power and immediacy. Here are the movie stars and swing dancers, the resistance circles and SS patrols hunting deserters, the desperate calculations of survival and collaboration. As Allied bombs reduced the city to rubble and Soviet troops closed in, the common greeting of Berliners became not auf Wiedersehen or Heil Hitler but bleiben Sie übrig - 'Stay alive'. Revelatory, devastating and deeply humane, this book illuminates how ordinary people navigated the moral catastrophe of the Third Reich - what it meant to resist, to conform or simply to endure. Buruma shows how a society's accommodation to evil unfolds one compromise at a time, and why understanding this descent remains urgently relevant today.

Berlin, 1939–1945

Stay Alive

In early October 2023, Palestinian Plestia Alaqad was a recent graduate with dreams of becoming a successful journalist. By the end of November, she would be internationally known as the 'Eyes of Gaza'. Millions of people would be profoundly moved by her social media posts depicting daily life in Gaza amid Israel's deadly invasion and bombardment. Written as a series of diary extracts, The Eyes of Gaza relates the horrors of her experiences while showcasing the indomitable spirit of the men, women and children who share her communities. From the epicentre of turmoil, while bombs rain around her and devastation grips her people, she is witness to their emotions, their gentle acts of quiet, necessary heroism, and the moments of unexpected tenderness and vulnerability amid the chaos. Through the raw honesty and vulnerability of a normal 21-year-old woman trying to make her way through a human tragedy, The Eyes of Gaza is a potent reminder of the horrors of violence and a powerful testament to the human spirit. It recounts a harrowing experience, but it is not a heart-breaking lamentation. Rather, it is a deeply intimate love letter to a girl's home: demolished before her eyes, yes, but forever present in her heart.

A Diary of Resilience

The Eyes of Gaza

In his final novel, the Nobel Prize winner Mario Vargas Llosa returns to his native Peru. Toño Azpilcueta, proletarian intellectual, writer of sundry articles, aspirant to the now-defunct professorship of Peruvian studies, is an expert in the vals, a genre of music descended from the European waltz but rooted in New World creole culture. When he hears a performance by the elusive guitarist Lalo Molfino, Toño is convinced not only that he is in the presence of the country's finest musician, but also that his own love for Peruvian music, as he has long suspected, has a profound, provable social function. If he could just write the biography of the man before him and tell the story of both the vals and its attendant inspiring ethos, huachafería (Peru's great contribution to world culture, as per Toño), he might capture his country's soul and inspire his fellow citizens to remember the ties that bind them. Through music, the populace might come together, lay down their arms, and embrace a harmonious and unified Peruvian culture. Both a send-up of parochial idealism and a love song to the culture of his homeland, Mario Vargas Llosa's I Give You My Silence is the moving final novel of the Peruvian Nobel Prize winner, whose enduring works captured a changing Latin America. The tragic hero Toño and his belief in a democratic, proletarian music at odds with the culture and politics of a modern Peru scarred by violence is the writer's last statement on the revelatory, maddening, foolhardy, yet irrepressible conviction that art has profound transformative power.

I Give You My Silence

Mit Carl Zuckmayers Wechsel vom Ullstein Verlag zum S. Fischer Verlag nahm 1935 eine enge Freundschaft mit Peter Suhrkamp ihren Anfang, die dieser Briefwechsel dokumentiert.

Nach der 'Arisierung' des Ullstein Verlags 1934 fand Carl Zuckmayer, einer der erfolgreichsten Dramatiker der Weimarer Republik, im S. Fischer Verlag eine neue verlegerische Heimat. Dort war Peter Suhrkamp sein wichtigster Ansprechpartner bei der Vorbereitung der schließlich von den NS-Behörden verbotenen Veröffentlichung des Romans 'Salwàre oder die Magdalena von Bozen'. Damit nahm eine enge Freundschaft ihren Anfang. Sie war nicht zuletzt die Basis dafür, dass Zuckmayer nach dem Zweiten Weltkrieg ebenso wie Bertolt Brecht die Verhandlungen mit deutschen Theatern über die Vergabe von Aufführungsrechten seiner Stücke ohne jedes Zögern Peter Suhrkamp anvertraute. Umgekehrt suchte Suhrkamp Zuckmayers Rat, als sich nach der Währungsreform abzeichnete, dass eine ursprünglich beabsichtigte Zusammenführung des von 1936 an von Suhrkamp geleiteten S. Fischer Verlags in Deutschland mit dem von Gottfried Bermann Fischer geleiteten Verlagsteil, der ins Exil gezwungen worden war, wegen wachsender Differenzen scheitern wird.

Briefwechsel 1935-1959

Carta Al Padre

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