<div class="raw-html-embed"> Newsletteraktion: Abonnieren Sie jetzt unseren Newsletter und sichern Sie sich bis zum 8. August 2025 10% Rabatt auf Ihre Onlinebestellungen. <a href="/newsletter">Infos und Anmeldung.</a></div>

NL_Doormat: Hintergrundfarbe des Newsletter Banners unten in der Doormat. Mit # eingeben z.B. #1405BE

NL_Doormat: Verlinkung zur Newsletter Seite

Über uns

À propos de nous

Nachhaltigkeit

Durabilité

Open Access

Karriere

Carrière

Datenschutz

Protection des données

Impressum

Mentions légales

Zahlung und Lieferung

Paiement et livraison

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Sortiment und Funktionen

Assortiment et recherche

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Pestilli Livio: Canova and his World

Canova and his World

Hatje Cantz Text

ZERO war ein Neuanfang. Ende der 1950er-Jahre stellten
Heinz Mack, Otto Piene und Günther Uecker die tradierte
Kunst infrage. Das gilt auch für die Mode. Die renommierte
Expertin Barbara Vinken zeigt, dass beide unter
einer Decke stecken, ein konzeptuelles Interesse teilen und
mal spielerisch und witzig, mal verrückt und verschoben
Konventionen über den Haufen werfen. Stets das Performative
in der Kunst betonend, zeigt sich hier die Verbindung
von Objekten aus Licht und Bewegung: von den
Modekreationen von Lucio Fontana und Yves Klein bis hin
zum »ZERO-Kleid«.

Die 2008 in Düsseldorf gegründete ZERO foundation
widmet sich mit dieser Publikation dem gänzlich unerforschten
Thema. Aus interdisziplinärer Perspektive werden
Kunst und Dokumente der ZERO-Avantgarde zusammengetragen,
kontextualisiert und vorgestellt.BARBARA VINKEN (*1960, Hannover) ist seit 2004 Professorin für Allgemeine und Französische Literaturwissenschaft an der Ludwig-Maximilians-Universität München. Die prominente Modetheoretikerin veröffentlichte zuletzt u. a. Ver-kleiden. Was wir tun, wenn wir uns anziehen (2022) und Diva. Eine etwas andere Opernverführerin (2023).

ZERO-Kunst und Mode: Revolutionäre Verbindung von Kunst und DesignTauchen Sie ein in die faszinierende Welt der ZERO-Kunst und ihrer außergewöhnlichen Verbindung zur Mode. Dieses Buch beleuchtet, wie die Avantgarde-Bewegung um Heinz Mack, Otto Piene und Günther Uecker ab Ende der 1950er-Jahre die Grenzen von Kunst und Mode verschob. Renommierte Modetheoretikerin Barbara Vinken deckt auf, wie Künstler und Designer wie Lucio Fontana und Yves Klein durch Licht, Bewegung und performative Objekte eine völlig neue Ausdrucksform schufen.Pionierarbeit: Das erste Buch, das die Verbindung von ZERO-Kunst und Mode umfassend beleuchtet.Interdisziplinär: Spannende Perspektiven aus Kunstgeschichte, Modetheorie und Performance-Kunst.Exklusive Einblicke: Seltene Dokumente der ZERO-Avantgarde und Modekreationen wie das „ZERO-Kleid“.Renommierte Expertin: Barbara Vinken, führende Modetheoretikerin, analysiert spielerisch und prägnant.Hochwertige Ausstattung: Anspruchsvolle Gestaltung und inspirierende Bildwelten.Diese Publikation der ZERO foundation widmet sich einem bisher unerforschten Thema und zeigt, wie Kunst und Mode in den 1960er-Jahren nicht nur parallel existierten, sondern einander radikal inspirierten. Perfekt für Kunst- und Modeinteressierte, Sammler und alle, die sich für avantgardistische Bewegungen begeistern.BARBARA VINKEN (*1960, Hannover) ist seit 2004 Professorin für Allgemeine und Französische Literaturwissenschaft an der Ludwig-Maximilians-Universität München. Die prominente Modetheoretikerin veröffentlichte zuletzt u. a. Ver-kleiden. Was wir tun, wenn wir uns anziehen (2022) und Diva. Eine etwas andere Opernverführerin (2023).

ZERO-Kunst und Mode

In this first comprehensive overview of his drawing practice from 1980 to the present, artist and sculptor Antony Gormley reflects on the ideas, processes and histories behind his craft. 'What is drawing?' the artist asks in the prologue to Drawing: Antony Gormley. 'What does it take to draw?' This book, the first to provide a complete overview of four decades of Gormley's drawing practice, offers a window into his vision and working methods from 1980 to the present. His drawings - done mostly at night, 'when it is easier to withdraw into the inner realm' - represent experimental journeys of the soul, providing an intimate counterpoint to his landmark installations. Drawing: Antony Gormley is an alternative chronology of the creative output of one of the most critically respected artists working today, told through four decades of drawing. The drawings are organized into themes - from 'Early Drawings' and 'Loose Earth' to 'Cosmic' and 'Learning to Think' - and punctuated by Gormley's own thoughts and reflections, in his own words. New essays by novelist Daisy Hildyard, art historian W.J.T. Mitchell, art theorist Margaret Iversen and mycologist-of-the-moment Merlin Sheldrake also provide thoughtful and occasionally moving responses to the work. This book offers an accessible overview of Gormley's drawings, providing creative inspiration to those who would like to pick up a pen - or linseed oil, or milk, or blood, all of which Gormley has used - for the first time, or anyone setting off on a journey 'into the unarmed parts of our internal landscape, or out into the unknown'. After all, as Gormley reminds us, 'a day passed without drawing is a day lost'.

Drawing: Antony Gormley

English architect and designer Halsey Ricardo (1854-1928) was a champion of craftsmanship and the Arts &amp; Crafts movement as well as an influential thinker and teacher. Mark Bertram's engaging illustrated biography, which draws on previously unpublished correspondence, is the first book to place Ricardo's work and ideas within a broader social and cultural context. It includes a complete survey of Ricardo's architecture, including all his built works, many of which have been listed, as well as unexecuted proposals and competition entries. Ricardo was well known as an Arts &amp; Crafts figure on account of his business partnership of 10 years with William De Morgan, for whom he designed tiles, vases, and other artefacts, as well as for his role as head of architecture at the Central School of Arts and Crafts, and his lectures and essays. From his letters, talks and articles, quoted here for the first time, Ricardo emerges as a most engaging personality, as well as an intelligent and forward-looking thinker and a gifted lecturer and essayist. His architectural work is revealed as individualistic, sometimes exceptional, and his best-known buildings, 8 Addison Road, London (designed for Ernest Debenham in 1905) and Howrah Station, Calcutta (1901), both reflect his innovative use of colour and glazed materials. This book paints a fascinating picture of the life of a jobbing architect and lecturer, with insights into the architectural training and professional practice of this period, as well as into the thinking behind the Arts &amp; Crafts movement.

English architect and designer Halsey Ricardo (1854-1928) was a champion of craftsmanship and the Arts &amp; Crafts movement as well as an influential thinker and teacher. Mark Bertram’s engaging illustrated biography, which draws on previously unpublished correspondence, is the first book to place Ricardo’s work and ideas within a broader social and cultural context. It includes a complete survey of Ricardo’s architecture, including all his built works, many of which have been listed, as well as unexecuted proposals and competition entries.Ricardo was well known as an Arts &amp; Crafts figure on account of his business partnership of 10 years with William De Morgan, for whom he designed tiles, vases, and other artefacts, as well as for his role as head of architecture at the Central School of Arts and Crafts, and his lectures and essays. From his letters, talks and articles, quoted here for the first time, Ricardo emerges as a most engaging personality, as well as an intelligent and forward-looking thinker and a gifted lecturer and essayist. His architectural work is revealed as individualistic, sometimes exceptional, and his best-known buildings, 8 Addison Road, London (designed for Ernest Debenham in 1905) and Howrah Station, Calcutta (1901), both reflect his innovative use of colour and glazed materials.This book paints a fascinating picture of the life of a jobbing architect and lecturer, with insights into the architectural training and professional practice of this period, as well as into the thinking behind the Arts &amp; Crafts movement.

A Life in Arts and Crafts

Halsey Ricardo

Ever-popular, Klimt's art will light up any room, and every wall. A fine new mini wall art calendar from Flame Tree. Gustav Klimt’s work is instantly recognizable, and this beautiful mini wall calendar showcases some of his most stunning work. The pieces range from Klimt’s golden designs for the Stoclet Frieze, to some of his elegant portraits of society women. In this mini wall calendar with a foiled cover, informative text accompanies each work, and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Gustav Klimt Mini Wall Calendar 2026 (Art Calendar)

No other female portrait artist had the notoriety or esteemed clientèle that Amalia Kussner did. One of the most sought-after miniaturists of the Gilded Age, Amalia painted Gilded Age elites (including Astors and Vanderbilts) and European royals alike. She led a life both fascinating and mysterious that included not only fame and fortune, but also a few lawsuits, scandals, and lies.

Amalia Kussner’s Gilded Age Pursuit of Fame and Fortune

The Miniature Painter Revealed

Routledge Research in Art History

Embodying Baudelairean Modernity

A Neuroarthistory of The Painters of Modern Life

Russian Shorts

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Vasily Surikov, Viktor Vasnetsov, and the Remaking of the Past

Russia's History Painters

The Art of Fairy Tales

Artisan Art Blank Notebooks

New title in the colourful Artisan Art Blank Notebook collection by Flame Tree Studio, in a range of hues to suit the mood and the moment, crafted with decorated page edges and embellished with beautiful tactile art on the cover. Artisan Art Blank Notebooks, the new Journals from Flame Tree, come in a range of hues to suit the moment and are embellished with a wide variety of well-known art on their tactile, vegan leather covers. They’re carefully crafted with decorated page edges overflowing with petals, teasing vines and patterns. A unique blend of the practical and beautiful, with two ribbons and blank pages, the Artisan Art Notebooks are perfect for sketches, notes, creative writing, poetry, doodles and lists. And, with robust flexi covers, they’re easy to slip into your bag and a pleasure to use. Simply, they feel good! Vincent van Gogh is considered one of the world's greatest painters, his work having had a huge and far-reaching influence on 20th-century art as well as remaining visually and emotionally powerful to this day. Van Gogh painted Almond Blossom as a gift in celebration of the birth of his nephew. He had previously been greatly inspired by flowering trees, and appreciated their power as symbols of rebirth.

Vincent Van Gogh: Almond Blossom Artisan Art Blank Notebook (Flame Tree Journals)

Material Culture of Art and Design

"The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of ¹5,199,822 in today's currency. As someone who made, but didn't sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 which featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery's focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. By examining Linwood's replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century"--

The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. 

When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today’s currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists. 

Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery’s focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion.

This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood’s extant and destroyed works. By examining Linwood’s replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.

Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845

The Art of Mary Linwood

Displaying Art and Society in Late Georgian London

The Gallery at Cleveland House

Earthen Sculpture in South Asia

Clay Works

Canova and his World

Weitere Titel zum Thema