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Hall Sarah: Burning Snowflake

Burning Snowflake

Why do we write poetry? Who should write it? And where do you even start? Well, Brian Bilston, one of the UK's most hilarious and best-loved poets, is here to take us through the hows, whys and whats of reading, writing and enjoying poetry every day. With his characteristic wit and charm, Bilston accompanies us through the jungle of imagination to the source of inspiration, takes us under the bonnet of a sonnet and over the fear of literary devices. He gives us a whirlwind tour through the history of verse, and shows us why human poetry will always triumph over any attempts by AI. Showcasing over a hundred brand-new poems, and including practical critiques of some of his greatest hits, every page is an immensely pleasurable deep-dive into the life-affirming craft of poetry and a passionate argument for why we should all pick up a pen. How to Lay an Egg with a Horse Inside is for anyone who loves words and all the things they can do.

An Alternative Guide to Writing and Enjoying Poetry

How to Lay an Egg with a Horse Inside

Multi-Genre Creative Writing

A Writer's Craft

How to Master the Art of the Verb and Transform Your Writing

Verb Your Enthusiasm

Mining Midlife for Powerful Writing

Writing Through the Pause

Research in Creative Writing

Writing Human in the Age of AI

Mixtures and Margins

A Writer's Guide to Multimodal Poetry

Carcosa

Ein Raumschiff strandet auf einem fernen Planeten, buchstäblich am Ende des Universums. Die kleine Gruppe von Frauen und Männern findet sich in einer lebensfeindlichen Einöde wieder und muss versuchen, auch nur die ersten Tage gemeinsam zu überstehen. Als die Männer stattdessen hochfliegende Pläne schmieden, wie diese Welt zu 'kolonisieren' sei, kommt es zur Katastrophe ... 
Mit ihrem erstmals 1976 erschienenen Roman "Wir, die wir sehr bald ..." verfasste Joanna Russ die definitive Antithese zu den Werken ihrer männlichen Kollegen: Hier tragen keine strahlenden Helden die Zivilisation in die Weiten des Weltraums hinaus. Hier stellt sich eine Frau den existenziellen Fragen des Daseins. Bis zur letzten Konsequenz. // Der abschließende Band unserer Russ-Werkausgabe enthält außerdem zwei längere Erzählungen, eine Folge repräsentativer Buchkritiken und einen Essay aus der dritten Schaffensphase der Autorin.

Werke 3

Jenseits der Grenzen

An invaluable aid for writers and other innovators seeking to envision and attract their inspired dreams.A writing practice isn’t static—it ebbs and flows. In times when it feels small and tight, or doesn’t match the vision in our heads, Write Free&nbsp;offers new ways to help our endeavors—and our souls—breathe and expand.Equal parts writer’s workshop and creative journey, this open-hearted guide shows writers and other artists how to ease into positive, fruitful practices. Based on a time-tested principle and using methods developed by the authors, Write Free provides a wealth of tools and examples to feed our wild imaginations.&nbsp;Write Free&nbsp;is an invaluable aid for writers and other innovators seeking to envision and attract their inspired dreams. Now in its third edition, authors have expanded the introduction and other parts of the book, providing a fresh modern day take on the writing process.

Attracting the Creative Life, REV 3e

Write Free

Skills for Scholars

A playful and irreverent argument for—and practical guide to—writing in a rich and extraordinary style When it comes to literary style, the commonplace wisdom of composition classrooms, newsrooms, and editorial offices has long been that less is more. Students are taught that the best prose is that which eschews ornamentation and rhetorical flourish. But what if sometimes more is more? In Praise of Purple Prose playfully and cheekily contests a century worth of convention that rejects the baroque and byzantine as “purple prose,” making the case that fun and joy in language can be as important as concision and comprehension. Part style guide and part manifesto, the book rewrites the rules on writing. Ed Simon encourages writers to embrace the extraordinary, to call upon the classical rhetorical devices, and to relish in the richness of description and the erudition of allusion. He demonstrates that serpentine syntax, eccentric diction, and idiosyncratic punctuation, when used judiciously, can express the complexity of experience, bring out the pleasures of language, and help readers develop a unique voice in a world where AI threatens to make everyone sound alike. To illustrate its arguments, the book features examples of extraordinary prose from dozens of writers, including John Donne, Virginia Woolf, Joan Didion, Salman Rushdie, Marilynne Robison, and Zadie Smith. Playful and provocative, In Praise of Purple Prose will leave readers with a new appreciation for fancy prose and inspire writers to draw on all of the liveliest and most powerful resources of English in their work.

A Guide to Writing with Elegance, Opulence, and Indulgence

In Praise of Purple Prose

The essential guide for authors at all levels of their career, updated with fresh film and literary references. Creative writing is what you used to get that first draft down. Now it's time to become objective about your own words! This guide book will show you how to fix sagging structure and deliver a satisfying story for your readers. This second edition contains all-new sections including Editing with AI, and The Personal Six and The Plot Six.The Ticking Clock device is also fully expanded.Written by an award-winning romance author, this friendly, plain-speaking guide takes the self-editing process and breaks it down into achievable smaller tasks.Authors will learn to embrace formula, while steering clear of the formulaic."The editing advice in section one is brutally kind and just potent enough to help the quailing writer find their own, ruthless inner editor." Sage Wolfsong"Perfect for pantsers (and) people who write organically." Renee Conoulty"Run, do not walk, and buy this book." Elda Minger

Editing Fiction Second Edition

The first book to investigate, analyze and theorize the creative processes of literary writers, Creativity and Contingency in Literary Writing uses author interviews, manuscript genetics and textual evidence to explore creativity from the authorial perspective. Studying an author's practice, literary form and contextual contingencies as elements that affect literary creativity, Karin Kukkoken develops theoretical models for examining the age-old problem of artistic creation and how it has been put to works by authors from the nineteenth century to the age of digital fiction, across a range of languages. With insights from the cognitive sciences, anthropology and philosophy of mind as well as literary studies, the book calls upon interviews with Siri Hustvedt, Marina Warner, Anne Weber, Camille Laurens, Gwenaëlle Aubry, Kate Pullinger, Gunnhild Øyehaug, Maria Stepanova and György Dragomán and studies the manuscripts of Charlotte Brontë, Cora Sandel, Elsa Morante and Italo Calvino. Overcoming the traditional distinction between creative agent, process and creative product, Creativity and Contingency in Literary Writing is as accessible and illuminating as it is important to understandings of human creativity.

Creativity and Contingency in Literary Writing

Those of us who identify as multi-cultural and exist in-between and across places, spaces, cultures and languages are in search of poetic means to understand and represent the experiences of being an insider-outsider. This volume responds to that challenge: taking Venice and the Veneto as a creative site, the author demonstrates how poetry focussed on hybrid, interstitial subjectivity can be mapped into this storied location. Using the structuring metaphor of the archipelago, the book exemplifies how the islands of the Venetian lagoon reflect the way that poetry - as individual works that coalesce to form a focussed collection - can be used to create a cartography of the self that is multiple but interconnected. Drawing upon scholarship around literary nomadism, flânerie, self-translation and cultural geography, the author shows how a personal relationship to a creative space opens a Third Space that challenges fixed ideas about belonging, alienation and nationality. In doing so, in-between-ness is revealed as a generative position from which to write and translate poetry.

A Poet’s Guide to Venice and the Veneto

Burning Snowflake

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