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Robey Tim: Box Office Poison

Box Office Poison

Hollywood’s Story in a Century of Flops

The official art book for the movie Ant-Man, the 11th title reissue of the 24-book Marvel Studios: The Infinity Saga series published as a resized matching set.

The official art book for the movie Ant-Man, the 11th title reissue of the 24-book Marvel Studios: The Infinity Saga series published as a resized matching set.

Marvel Studios' The Infinity Saga - Ant-Man: The Art of the Movie

"Josslyn Luckett's lovingly detailed history of UCLA's Ethno-Communications Program (1969-1973) will permanently alter the way '1970s film' is understood and taught. It also makes a definitive case for approaches to cultural history that do not replicate siloed racial logics but are attentive to racial/ethnic/gender intersections and alliances."--Gayle Wald, Professor of American Studies, George Washington University, author of It's Been Beautiful: "Soul!" and Black Power Television "A brilliant, long-overdue account of UCLA's legendary Ethno-Communications Program and the multiracial 'New Los Angeles' it radically envisioned, between the insurrectionist fires of 1965 and 1992, in contrast to its more prestigious peers of New Hollywood. A must-read for independent media artists and activists and their ardent communities."--Glen Mimura, author of Ghostlife of Third Cinema: Asian American Film and Video

Multiracial Media Activism Made in L.A

Toward a More Perfect Rebellion

Playfully blending personal memoir, criticism and candid new interviews with filmmakers from across the LGBTQ+ spectrum, Ryan Gilbey's engaging and dynamic It Used to be Witches is a non-chronological treasure-hunt through queer cinema past and present.

Under the Spell of Queer Cinema

It Used to be Witches

Cinema Cultures in Contact

"I have been waiting for this publication for what feels like decades. But today, as we face ever-growing migration for numerous forms of exile, José Miguel Palacios's book is more important than ever for the story it tells of survivance as a collective undertaking across cultures. Moving beyond the discourse of solidarity to open the lens into the vectors and vibrancies of friendship and what he terms 'cinematic kinship, ' Palacios tells of the broad and deep transits for Chilean film and filmmakers in exile, with women filmmakers at the center of the book. The prose is lovely, the author's voice is compelling, and the research detail, the archival treasures, and the argumentation will be a great gift to readers."--Susan Lord, Professor of Film &amp; Media and Director of the Vulnerable Media Lab, Queen's University "A rich and timely exploration of the intertwined relationship of exile, solidarity, and the archive in Chilean cinema. Meticulously researched, and going far beyond the usual canon, this book is both a treat and indispensable reading for any scholar of political and transnational cinema, as well as anyone interested in the issues of construction of cinematic heritage through exhibition and preservation practices."--Masha Salazkina, author of Romancing Yesenia: How a Mexican Melodrama Shaped Global Popular Culture "In this significant contribution, Palacios presents a rare and compelling case for the vital role of film archives, underscoring the urgent need for collaboration between film scholars and archivists. Adopting a transnational perspective across cultures and geographies rooted in solidarity, Palacios's research actively contributes to the preservation of film heritage and directly shapes the discourse on archival return and the rewriting of film history."--Giovanna Fossati, Professor of Media Heritage, Technology, and Culture, Utrecht University, and author of From Grain to Pixel: The Archival Life of Film in Transition "As an investigation of the production and the international exhibition history of Chilean exile films, Transnational Cinema Solidarity reveals connections across cultures, among institutions such as festivals, museums, and archives, and between individual artists. In doing so, it addresses two projects: a new mapping of global film history of the last fifty years and potential transnational digital futures."--Kathleen Newman, Associate Professor of Spanish, University of Iowa

Chilean Exile Film and Video after 1973

Transnational Cinema Solidarity

Global Exploitation Cinemas

Discourses of cult cinema primarily centre around the West, with a particular emphasis upon Anglo-American cinema and fandom. Meanwhile, scholarship on world cinema privileges art cinema traditions and downplays those areas of popular cinema that intersect with cult. Global Cult Cinemas makes a decisive intervention by specifically addressing the transnational dynamics underpinning cult cinema. From studies of film reception that trace the international spread of cult film practices through to accounts of cult filmmaking traditions from a diverse range of film cultures, Global Cult Cinemas works towards the goal of de-Westernizing the discipline.

With contributors and topics from across the globe, Global Cult Cinemas explores this de-Westernization through filmmakers and current events such as Alejandro Jodorowsky in the era of #MeToo, cinephilia in Pakistan, and the reception of the Czech Crazy Comedy. While broadening the study of cult cinema beyond its predominant US focus, this book disrupts the realm of traditional cult cinema scholarship.

Global Cult Cinemas calls for a decolonisation of cult film studies. 
 
To date, discourses of cult cinema have predominantly focused upon Anglo-American cinema and its reception in the West. Even when cult scholarship has expanded to include non-English language cinema from regions such as East and Southeast Asia, what nevertheless tends to define these cinemas as cult has been the subcultural fandom for those films in the West. Shifting the focus onto cult film traditions and fandoms beyond the Anglosphere, Global Cult Cinemas makes a decisive intervention in the field by calling for a decolonisation of cult film studies. 
 
This volume therefore interrogates both the coloniality and gendered nature of much cult scholarship and the extent to which an implicit white male perspective needs challenging in an age of decolonising the academy. Our contributors focus their research on circuits of cult film production and reception beyond the predominant Anglophone centres, with particular attention to cult practices across the Global South. Chapters include investigations of specific cult film traditions within countries such as Brazil, Indonesia and Pakistan, alongside explorations of the politics of indigenous cult filmmaking, the global circulation of cult icons such as El Santo, and the status of auteurs such as Alejandro Jodorowsky in the era of #MeToo. In sum, this collection critiques the Eurocentric assumptions that lie at the heart of much existing cult film scholarship, and offers new ways of theorizing global cult cinemas to work towards the goal of decolonising cult film studies.

Decolonising Cult Film Studies

Global Cult Cinemas

Routledge Contemporary Introductions to Philosophy

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area. Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students' further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area.Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students‘ further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

An Introduction

Philosophy of Film

The Definitive Guide to Horror Movies

Film and Culture Series

Brian Jacobson traces the surprising and inextricable connections between extractive industries and cinema, developing new ways to read films in light of the typically unseen material practices out of which they are built.

Brian Jacobson traces the surprising and inextricable connections between extractive industries and cinema, developing new ways to read films in light of the typically unseen material practices out of which they are built.

Film Materials and Their Forms

The Cinema of Extractions

Observing the Body in Physical and Visual Culture

Soviet Spectatorship

On 29 February 1940, African American actor Hattie McDaniel became the first person of colour, and the first Black woman, to win an Academy Award. The moment marked the beginning of Hollywood's reluctant move toward diversity and inclusion. Since then, minorities and women have struggled to attain Academy Awards recognition within a system designed to discriminate against them. For the first time, Hollywood Blackout reveals the untold story of their tumultuous journey from exclusion to inclusion; from segregation to celebration. Author Ben Arogundade interweaves the experiences of Black actors and filmmakers with those of Asians, Latinos, South Asians, indigenous peoples and women. Throughout the decades their progression to the Oscars podium has been galvanized by defiant boycotts, civil rights protests and social media activism such as #OscarsSoWhite. Whether you are a film fan, history lover or diversity advocate, Hollywood Blackout is the quintessential choice for all those who wish to know the real story of Hollywood, the Oscars and the talents who fought to make change.

The battle for inclusion at the Oscars

Hollywood Blackout

Box Office Poison

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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