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Gröschner R: Blindproben

Blindproben

The Crucial Role of Digital Technology in Intangible Cultural Heritage Preservation.- Reconstructing the Classification System of Intangible Cultural Heritage from a Digital Perspective.- Applications of Digital Technology in the Preservation of Intangible Cultural Heritage.- Advanced Development of Digital Technology in the Preservation of Intangible Cultural Heritage.- The Use of Intelligent Media Technologies in the Dissemination of Intangible Cultural Heritage.- The Multifaceted Relationships in the Development of the Digital Cultural Industry.- Characteristics and Guidance of Cultural Consumption in the Digital Economy Era.- 5G Technology Driving Innovation and Development in the Cultural Industry.- Artificial Intelligence Pioneering a New Era of Digital Cultural Industry Development.- High-Quality Development of the Digital Cultural Industry from an Industrial Chain Perspective.- Media Revolution Triggered by New Technology Development.- Mass Media and the Mass World.- Online Communities and Social Networking.- On Violence in Online Games and the Construction of Violence Indices.- Citizen Speech and Online Public Opinion.

This book explores the impact of digital technology on the preservation and transmission of intangible cultural heritage and the evolution of cultural industries. The first section highlights the crucial role of digital technology in the protection and dissemination of intangible heritage. The second section theoretically analyzes the multifaceted relationships in the development of digital and cultural industry and examines the characteristics of cultural consumption in the digital economy era and its guidance, the role of 5G technology on driving innovation and advancing development in the cultural industry, and issues related to artificial intelligence and the digital cultural industry. The third section primarily discusses issues including the media revolution triggered by the development of new technologies, online communication and public opinion guidance, cyber-communities and social networking, as well as the construction of violence evaluation indices in video gaming. This book represents considerable theoretical and practical significance for advancing the digital protection and dissemination of intangible cultural heritage and enhancing the competitiveness of cultural industries through the application of digital technologies.

Safeguarding Cultural Heritage and Promoting Economic-Cultural Growth in the Digital Era

Film

Die italienische Emigrationserfahrung ist Teil des kollektiven Gedächtnisses und findet in einem breiten Spektrum populärkultureller Praktiken ein starkes Echo. Film, Fernsehen, Musik und Literatur erzählen von dieser Utopie der Moderne: Von der Suche nach Glück, Freiheit und Selbstbestimmung, aber auch von Not, Elend und Armut, die zur Emigration führten und bis heute die kollektiven Vorstellungs- und Erinnerungswelten prägen. Vor allem das Kino verleiht dieser imaginären Topographie Gestalt. Antonio Salmeri erkundet cineastische Landschaften des Unbewussten und lotet ihre filmischen Potenziale aus.

Die italienische Emigrationserfahrung ist Teil des kollektiven Gedächtnisses und findet in einem breiten Spektrum populärkultureller Praktiken ein starkes Echo. Film, Fernsehen, Musik und Literatur erzählen von dieser Utopie der Moderne: Von der Suche nach Glück, Freiheit und Selbstbestimmung, aber auch von Not, Elend und Armut, die zur Emigration führten und bis heute die kollektiven Vorstellungs- und Erinnerungswelten prägen. Vor allem das Kino verleiht dieser imaginären Topographie Gestalt. Antonio Salmeri erkundet cineastische Landschaften des Unbewussten und lotet ihre filmischen Potenziale aus.

Entzauberungs- und Imaginationsarbeiten

Emigration im italienischen Kino

Routledge Studies in Culture and Sustainable Development

Examining the profound impact and significance of the Islamic World Educational, Scientific and Cultural Organization's (ICESCO) 'Capitals of Islamic Culture Programme', this book highlights its successes, critically assessing strategies and outcomes amid changing geopolitical conditions, and charting a path forward with actionable recommendations to enrich future aims.The 'Capitals of Islamic Culture Programme' is an initiative that promotes the Islamic world's dedication to education, science, and cultural growth. Rooted in Islamic ethical principles, it encourages the preservation, regeneration, and invigoration of cultural activity in the capitals, fosters cooperation across the Islamic world, and contributes vital insights into education and society. Set against the urgent need to comprehend how global organizations like ICESCO champion cultural heritage, science, and education, this book offers a substantial addition to the literature on supranational influences in non-Western contexts. From a deep dive into its historical evolution, to an analysis of its contributions to education, science, and culture, readers gain a holistic understanding of the programme. Each chapter applies a specific analytical lens, delivering a razor-sharp critical analysis of its objectives and impact, with discussion that draws on first-hand insights from ICESCO officials, amplifying voices at the heart of the initiative, alongside critical readings within broader geopolitics and global institutions. Cultivating Islamic Cultural Capitals will be a useful resource for scholars, educators, students, policymakers, and practitioners interested in culture and sustainable development, politics, governance, science, and education across the Arab region, Africa, Asia, and Latin America in particular.

Educational Empowerment Under ICESCO

Cultivating Islamic Cultural Capitals

CRESC

Shanghai actively uses culture to promote itself as a global city. This book explores how this has been conceived and pursued, and what questions it raises for notions of 'culture' and 'economy' as understood in the West. If theoretical work around the 'cultural economy' has problematized these two, this book locates these debates empirically in a non-western metropolis.

Shanghai actively uses culture to promote itself as a global city. This book explores how this has been conceived and pursued, and what questions it raises for notions of ‘culture’ and ‘economy’ as understood in the West. If theoretical work around the ‘cultural economy’ has problematized these two, this book locates these debates empirically in a non-western metropolis.

Red Creative: Culture and Modernity in China

WINNER OF THE NOBEL PRIZE IN LITERATURE Missing, a young girl, Dora Bruder, age 15 One winter night in 1941, a Jewish girl runs away from her Paris boarding school. Stumbling across her disappearance listed in an old newspaper, Patrick Modiano finds himself propelled on a quest to exhume her fate. His search will go on to last a decade. Little more will be found, just fragments of a lost family history, a sense of the dark streets of occupied Paris, Dora's name on a list of those sent to Auschwitz. And the spectre of Modiano's own troubled past, from which he can no longer look away. 'One of France's most important novelists' The New York Times '[A] spokesman for the disappeared' Guardian

Dora Bruder

The Search Warrant

An FT Best Book of the Year'Saad Mohseni is one of the most remarkable figures in modern Afghanistan - brave, entrepreneurial, with a knack for imagining the impossible - he transformed the Afghan media landscape and brought serious news, and exceptional entertainment to millions in the most testing circumstances imaginable' Rory StewartThe deeply moving and surprising story of the attempt to build a truly independent media company in contemporary Afghanistan.
Saad Mohseni, chairman and CEO of Moby Group, Afghanistan's largest media company, charts a twenty-year effort to bring a free press to his country after years of Taliban rule, and how that effort persists even after the Taliban's return to power in 2021.In the heady early days of the American occupation, Mohseni returns to Kabul which he had last seen as a child before the Soviet invasion. Casting about for ways to be involved in the dawn of a new Afghanistan, Mohseni makes what seems like a quixotic decision to leave the comforts of a career in international banking to start a Kabul radio station with his three siblings. This unlikely venture quickly blossoms into a burgeoning television empire, bringing Mohseni and his family and employees into sometimes uncomfortable contact with everyone who has a stake in the country - from the government of Hamid Karzai to White House officials. Moreover, their radio and television networks soon become a necessary beacon for millions of Afghans, who rely on them not just for independent news but for joyful pleasures like soap operas and Afghan Star, a beloved national singing competition in a country whose previous rulers had banned (and would again ban) music.Mohseni's position at Moby affords him unique insights into this extraordinary yet troubled country, the youngest in the world outside of Sub-Saharan Africa, and his powerful account captures the spirit and resilience of the Afghan people - notably the hundreds of men and women still working in Moby's Kabul office today, who, once again under Taliban rule, create programs, report the news, and educate the public.Radio Free Afghanistan is a stunning, vibrant portrait of a nation in turmoil, poised between despair and hope.

A Twenty-Year Odyssey for an Independent Voice in Kabul

Radio Free Afghanistan

TRANSitions / Transdisciplinary, Transmedial and Transnational Cultural Studies / Transdisziplinäre, transmediale und transnationale Studien zur Kultu

This volume offers an interdisciplinary exploration into the multifaceted ways human realities are constructed, perceived, and navigated through linguistic structures, cultural frameworks, and affective responses. This volume brings together scholars from diverse fields to investigate how experiences, ranging from the intimate sense of 'home' to societal phenomena like violence and disinformation, are articulated and understood across various contexts. By integrating these diverse analytical perspectives and case studies spanning multiple languages and historical periods, the volume illuminates the intricate, dynamic interplay between our linguistic tools, cultural inheritances, and affective lives. It offers valuable insights for scholars and students interested in how meaning of human experience is made, contested, and experienced in a complex world.

Language, culture and affect

Framing human experience

Numanities - Arts and Humanities in Progress

This book offers a comprehensive review of concepts from general Structuralist Semiotics, and their application to the study of fashion systems and the objects they originate. It goes beyond the visual aspect of images and material culture, exploring the relations of narrative and meaning that crystallize the "mechanism of change" that governs fashion systems. Furthermore, the author argues that the system of dress, accessories, and self-presentation are not the only manifestations of a fashion system, interrogating the pertinence of the model developed throughout its sections to the study of knowledge. The book presents three case studies. The first focuses on the construction of body and dress as agents, and their dynamic interaction as the core of fashion changes. In the second case study, the foundations of cultural opposition between Western practices and the "Islamic Other" are challenged, utilizing the semiotic analysis to test the semantic pertinence of this "false contrariety". The book closes with the reassessment of the assumption that fashion occurs only in dress and, perhaps, other objects and forms of life belonging to consumable culture.
Through these case studies the book makes a statement about the value of cross-discipline and cross-paradigm explorations. As the three sections of this work present the results of a search for a "theory of everything", this manuscript demonstrates the comprehensiveness and urgency of semiotic studies that cross areas and push the limits of the theory.

This book offers a comprehensive review of concepts from general Structuralist Semiotics, and their application to the study of fashion systems and the objects they originate. It goes beyond the visual aspect of images and material culture, exploring the relations of narrative and meaning that crystallize the “mechanism of change” that governs fashion systems. Furthermore, the author argues that the system of dress, accessories, and self-presentation are not the only manifestations of a fashion system, interrogating the pertinence of the model developed throughout its sections to the study of knowledge. The book presents three case studies. The first focuses on the construction of body and dress as agents, and their dynamic interaction as the core of fashion changes. In the second &nbsp;case study, the foundations of cultural opposition between Western practices and the “Islamic Other” are challenged, utilizing the semiotic analysis to test the semantic pertinence of this “false contrariety”. The book closes with the reassessment of the assumption that fashion occurs only in dress and, perhaps, other objects and forms of life belonging to consumable culture.
 
 Through these case studies the book makes a statement about the value of cross-discipline and cross-paradigm explorations. As the three sections of this work present the results of a search for a “theory of everything”, this manuscript demonstrates the comprehensiveness and urgency of semiotic studies that cross areas and push the limits of the theory.

The Body, Dress, Identity, and Knowledge

Fashion Semiotics

Gegenwartsliteratur in Mitteleuropa

Respekt!
 widmet sich dramatischen Werken von österreichischen Autorinnen unterschiedlicher Generationen, die nach 2000 entstanden sind und auf immer schnellere und weitreichendere gesellschaftliche Veränderungen reagieren.
Die BeiträgerInnen zeigen in ihren Skizzen auf, dass die Dramatikerinnen aus Österreich das Theater als Ort kritischer Reflexion und gesellschaftlichen Dialogs verstehen. Ausgehend von sozial relevanten Konflikten wie Flucht und Migration, dem anthropogenen Klimawandel und seinen Folgen, geschlechtsspezifischen Ungleichheiten und Ungerechtigkeiten oder Prekarisierungsprozessen lassen sie ihre in der Alltäglichkeit der Spätmoderne untergehenden ProtagonistInnen in intimen Situationen und privaten Krisen agieren. Dabei suchen sie nach neuen theatralen Formen und stellen theaterspezifische Fragen nach dem Sprach- und Bühnenexperiment, neuen Figurenkonzeptionen oder Chören als narrative Instanzen zur Diskussion. Analysiert werden dramatische Texte von Elfriede Jelinek, Natascha Gangl, Gerhild Steinbuch, Silke Hassler, Kathrin Röggla, Sophie Reyer, Miroslava Svolikova, Teresa Dopler, Julya Rabinowich und Magdalena Schrefel.

Österreichische Dramatikerinnen der Gegenwart

Respekt!

This book is an invitation to pause and wonder at the spectacular yet mundane practice that we have come to call legal sightseeing.Increasingly, international courthouses are becoming top tourist destinations that host public events, exhibitions, and tours. But international law also pops up in more everyday spaces: as the theme for an organised city run or as a symbol printed on a T-shirt or an image on a cookie jar. Legal sightseeing stands for this broad category of encounters between 'international law' and 'the public' that encompasses many different activities, sites, artefacts, and participants. The book presents a rich collection of images and research that introduces legal sightseeing as both the phenomenon under study and an experimental research methodology. Structured as a catalogue, the book covers a wide range of iconic and surprising instances of legal sightseeing, located, for example, at the former American Embassy in the Netherlands, the Museum of White Terror in Taipei, in Bulgaria's capital city, Sofia, and at more traditional sites such as the Peace Palace in The Hague and Courtroom 600 in Nuremberg. Moreover, every chapter advances a particular aspect of legal sightseeing as an innovative, visually oriented, and collaborative method of research. By revisiting a selection of projects curated under the legal sightseeing umbrella, the book contributes to academic discussions on international law's visual turn, its spaces and materiality, and the plurality of international law's audiences. Concretely, it offers readers hands-on examples of how to integrate art-based methods such as collaging, drawing, and photography into legal research and teaching practices.Legal Sightseeing and International Law is an interdisciplinary catalogue that will be a timely resource to students of public international law, politics, and art. The book will also engage readers interested in the intersections of socio-legal studies, critical legal studies, legal anthropology, and international relations. Moreover, it will appeal to legal professionals, artists, and members of the general public.The Open Access version of this book, available at http://www.taylorfrancis.com, has been made available under a Creative Commons Attribution (CC-BY) 4.0 International license.

Legal Sightseeing and International Law

Routledge Frontiers of Criminal Justice

This title explores the growing phenomenon of cyberviolence against women, analyzing its causes, manifestations, and consequences from a multidisciplinary perspective.It aims to fill the gap in existing literature by not only diagnosing the issue but also providing comprehensive legal and policy solutions. Unlike other works, this book uniquely integrates perspectives from human rights law, digital governance, gender studies, and cybersecurity, making it both an academic resource and a practical guide for policymakers and advocates. Cyberviolence against women is a pressing global issue, merging the long-recognized problem of gender-based violence with the pervasive reach of digital technology.With insights from legal frameworks and expert recommendations, it is an essential resource for policymakers, academics, and advocates committed to tackling online gender-based violence.

A New Face of an Old Problem

Cyberviolence against Women

„Organizations matter“ – kulturelle und künstlerische Wertschöpfung findet in der Moderne ihren Weg zu Publika, Rezipienten und Nutzern nicht mehr primär über private, elitäre Zirkel von Adel oder Klerus, sondern wird seit der Entfaltung bürgerlicher Öffentlichkeiten durch Kulturorganisationen vermittelt. Die Wahrnehmung und Nutzung von Kunst und Kultur ist seitdem primär das Resultat eines Organisationsprozesses, der von korporativen Akteuren – privatwirtschaftlichen Unternehmungen, öffentlichen und staatlichen Organisationen, gemeinnützigen Stiftungen – angeleitet wird und welcher durch seine immer stärke Ausrichtung am Markt sowohl neue Freiheiten aber auch Zwänge für Künstler einerseits und Nutzer andererseits geschaffen hat. Kulturorganisationen und ihr Personal bestimmen maßgeblich über die Produktion, Distribution und Rezeption von Kunst und Kultur. Sie legen z. B. die Kontexte und Orte ihrer Aufführung und Vermittlung fest, oder nehmen sogar Einfluss auf deren Pro-duktion und Nutzung/Re-Produktion, etwa durch die Einflussnahme auf künstlerische Wertschöpfung oder die Reklamation von Leistungsschutzrechten.

Die strategische Organisation von Kultur und Wandel

Kulturorganisationen (weiter-)entwickeln

Blindproben

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