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Zilliacus C: Beckett and Broadcasting

Beckett and Broadcasting

On Works by Samuel Beckett for and in Radio and Television

Routledge Monographs in Classical Studies

This book sheds new light on the dramatic works of the American playwright, poet, and lyricist Maxwell Anderson, assessing the pervasive influence of Greek and Roman antiquity on his plays that dominated Broadway in the first half of the twentieth century.

The Muses in America

Maxwell Anderson and the Classical Tradition

Routledge Interdisciplinary Perspectives on Literature

This book explores the ways in which Latin American writers produced aesthetic and political discourses on World War I as a Latin American literary event. Siskind sheds light on the possibility of understanding World War I not just as a European affair, but also as a privileged symbolic horizon against which some of the most important Latin American writers of that period worked through collective and individual anxieties. This corpus sheds light on the interwoven meaning of the nation, modernity, cosmopolitan ethical demands, and the globalization of mass violence. It proposes productive dialogues and polemics with the fields of war literature and global modernisms.

This book explores the ways in which Latin American poets, novelists, journalists, public intellectuals, and a vast number of unknown soldier-memorialists produced aesthetic and political discourses on World War I as a Latin American literary event. Siskind presents a unified Latin American corpus that sheds light on the possibility of understanding World War I not just as a European affair, but also as a privileged symbolic horizon against which some of the most important Latin American writers of that period worked through collective and individual anxieties. This corpus sheds light on the interwoven meaning of the nation, modernity, cosmopolitan ethical demands, and the globalization of mass violence. The book interrogates wars (and world wars in particular) as they break down and rearrange the spatial meaning of particular world mappings, and how Latin American writers anxious about their place in the universalized order of modernity might have perceived these shifts as an opportunity to negotiate symbolic re-inscriptions of their political and aesthetic horizon. Looking at texts on ruins and trenches, on spies and politics, on everyday life and affective engagements with the traumatic core of the war, this book unveils a historical and literary archive that reconceptualizes and expands the globality of World War I, inscribing Latin American writers in its discursive making. It proposes productive dialogues and polemics with the fields of British, French, and German war literature (whether modernist, moralist, or sentimental), as well as with the emerging critical discourses of postcolonial war literature and global modernisms.

On the Globality of World War I

Latin American Literature and the Great War

The Politics of Form in Contemporary British Performance

Proper Theatre

Oxford World's Classics

Doctor Faustus

Text and Afterlives

Shakespeare's First Folio 1623-2023

Very Short Introductions

From the motorcar to the radio, modern technology radically transformed urban life by the first decade of the twentieth century. This Very Short Introduction explores the ideas, works, key figures, and development of the Futurist movement in Italy and beyond, in the context of the turmoil and rapid change of the early 20th Century.

From the motorcar to the radio, modern technology radically transformed urban life by the first decade of the twentieth century. This Very Short Introduction explores the ideas, works, key figures, and development of the Futurist movement in Italy and beyond, in the context of the turmoil and rapid change of the early 20th Century.

A Very Short Introduction

Futurism

Critical Companions

The Theatre of Laura Wade

Routledge Revivals

First published in 1974, Investigating Drama offers a holistic understanding of drama.

Investigating Drama

An engaging account of how Shaftesbury revolutionized Western philosophyAt the turn of the eighteenth century, Anthony Ashley Cooper, the third Earl of Shaftesbury (1671-1713), developed the first comprehensive philosophy of beauty to be written in English. It revolutionized Western philosophy. In A Philosophy of Beauty, Michael Gill presents an engaging account of how Shaftesbury's thought profoundly shaped modern ideas of nature, religion, morality, and art-and why, despite its long neglect, it remains compelling today. Before Shaftesbury's magnum opus, Charactersticks of Men, Manners, Opinions, Times (1711), it was common to see wilderness as ugly, to associate religion with fear and morality with unpleasant restriction, and to dismiss art as trivial or even corrupting. But Shaftesbury argued that nature, religion, virtue, and art can all be truly beautiful, and that cherishing and cultivating beauty is what makes life worth living. And, as Gill shows, this view had a huge impact on the development of natural religion, moral sense theory, aesthetics, and environmentalism. Combining captivating historical details and flashes of humor, A Philosophy of Beauty not only rediscovers and illuminates a fascinating philosopher but also offers an inspiring reflection about the role beauty can play in our lives.

Shaftesbury on Nature, Virtue, and Art

A Philosophy of Beauty

A new edition of Arthur Conan Doyle's His Last Bow, featuring a collection of Sherlock Holmes stories that take place against the backdrop of the First World War. This edition contains a new introduction which offers a richly detailed contextual backdrop for understanding the stories of this volume as a work of war service.

A new edition of Arthur Conan Doyle's His Last Bow, featuring a collection of Sherlock Holmes stories that take place against the backdrop of the First World War. This edition contains a new introduction which offers a richly detailed contextual backdrop for understanding the stories of this volume as a work of war service.

His Last Bow

Black Literary and Cultural Expressions

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa's foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition - including his adoption of izibongo, Zulu praise poetry - and the role of the artist as a chronicler of his people's history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene's profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art - in this 21st-century moment of climate crisis - as both a form of activism and a political tool to the African creative writer.

An interrogation of the poetry of Mazisi Kunene that places his work in the context of African literature and the richness of the oral tradition, as well as his political activism that connects him to the wider African diaspora.
 
As Africa’s foremost epic poet, Mazisi Kunene occupies a unique place in history. In this study, Dike Okoro illuminates the penetrating insights found in Kunene's poetry and the reasons why his art has been considered as masterpieces grounded in geography, history, and culture. He situates Kunene as a theorist who embraces African tradition – including his adoption of izibongo, Zulu praise poetry – and the role of the artist as a chronicler of his people’s history, committed to art as a catalyst for change, not justd South Africa but for Africans around the globe.
 
 These essays and interviews address the post-apartheid reality of South Africa and draw from a repository of rich images found in Kunene's poetry to provide examples of depictions of colonial exploitation in Africa; the rootedness of traditional African culture; women and children who bring hope; and art as a way to effect change. They demonstrate Kunene’s profound influence on and in world literature, interrogating his work for its style and connections with poetry by Native Americans and other Indigenous literary traditions. 
 
The Epic Poetry of Mazisi Kunene argues that Mazisi Kunene's poetry centers non-human beings (animals and plants), the pristine environment of the olden days, and the cosmology of his Zulu ethnicity, asserting the relevance of his art – in this 21st-century moment of climate crisis – as both a form of activism and a political tool to the African creative writer.

African Literature, Aesthetic, and Transatlantic Formulation

The Epic Poetry of Mazisi Kunene

Beckett and Broadcasting

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Schlagworte

Bibliografische Angaben

Schlagworte

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