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Plath S: Ariel

Ariel

A lyrical memoir about fishing, love and loss from the UK's best-known female angler

The inspiring and uplifting memoir about fishing, rivers and the power of water

Cast Catch Release

International Forensic Science and Investigation

An in-depth examination of the empirical knowledge base on violence and criminal offending in girls and women provides scholars and policy makers with critical information on this neglected topic.

An in-depth examination of the empirical knowledge base on violence and criminal offending in girls and women provides scholars and policy makers with critical information on this neglected topic.

Handbook of Assessment and Treatment of Female Crime and Violence

Flesh

Black Feminist Theory and Praxis in Academia and Beyond

Spaces for Resistance

Rethinking Art's Histories

The Art and Architecture of Begum Samru

Marks She Made

Women's freedom is a myth. Or so we're told. If there is one thing that right and left can agree on, it's that this is a very bad time to be female. Misogyny is everywhere and, as the right would have it, thanks to a big fat liberal lie known as the sexual revolution, it is worse than ever. The death of courtship, duty and marriage are nails in the coffin of female happiness. The left has its own muddled ideas about sex, duty and marriage, but it knows this: girls' and women's bodies are an inventory of pain and suffering that needs to be outed, from period pain to menopause to endometriosis. Indeed, the narrative of female bodily disadvantage is so extreme that experts are beginning to admit it is at least partially responsible for the 5,000 per cent rise in girls reporting to gender clinics claiming to be boys. Increasingly, in the schemes of both right and left, women's agency is vanishing. In both, they are fragile, eminently breakable, and constantly facing a risk of permanent damage. Fear is everywhere and yet we're at a moment and a place in which women have never ever had it so good. This book is a call for women - and society - to get back in touch with the joy, freedom and power that Zoe and her female peers, evidently born in a lucky window (post-feminism, pre-Internet), saw opening up before them and, to some degree, have realised.

Why Sex, Money and Power Are Great for Women

Good Slut

'More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John CareyOriginally published in 1969, Seamus Heaney's second collection, Door into the Dark, pushes further into territory so startlingly opened up in Death of a Naturalist (1966).

'More than any other poet since Wordsworth he can make us understand that the outside world is not outside, but what we are made of.' John CareyOriginally published in 1969, Seamus Heaney's second collection, Door into the Dark, pushes further into territory so startlingly opened up in Death of a Naturalist (1966).

Door into the Dark

In defence of female promiscuity...

In Defence of Female Promiscuity

The Forgotten Women of British Intelligence

Her Secret Service

100 poems for the first 100 days of life

Tender

Studies in Modern French and Francophone History

Elite Jewish Women in Nineteenth-Century France

Herminie and Fanny Pereire

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

Judy Tuwaletstiwa: Mapping Water (Reprint)

Ariel

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Bibliografische Angaben

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