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Henrichs A: Albert Henrichs: Collected
Papers / Dionysos: Myth, Image, Identit

Albert Henrichs: Collected Papers / Dionysos: Myth, Image, Identity

Sammlung Tusculum

Unter dem Namen des ,Orpheus' kursieren in der Kaiserzeit und der Spätantike verschiedene Texte bzw. Textkorpora, deren wichtigste hier in neuer deutscher Übersetzung und mit Anmerkungen vorgelegt werden: die Orphischen Hymnen (ca. 2. Jh.), die Lithika (ca. 4. Jh.) und die Argonautika des Orpheus (ca. 5. Jh.).

Unter dem Namen des ‚Orpheus‘ kursieren in der Kaiserzeit und der Spätantike verschiedene Texte bzw. Textkorpora, deren wichtigste hier in neuer deutscher Übersetzung und mit Anmerkungen vorgelegt werden: die 
 Orphischen Hymnen
 (ca. 2. Jh.), die 
 Lithika
 (ca. 4. Jh.) und die 
 Argonautika des Orpheus
 (ca. 5. Jh.).

Texte aus Kaiserzeit und Spätantike

Dichtung des ›Orpheus‹

The Shared Religious Landscape of Late Antiquity

An Enchanted World

Griechische Dramen

Die neue Reihe Griechische Dramen erschließt die großen Tragödien und Komödien des klassischen Athen in neuen, textnahen Prosaübersetzungen mit eingehender sprachlicher und sachlicher Kommentierung. Ungewöhnlich ist die gewählte Form der Präsentation, die es erlaubt, Text und Erläuterungen ohne Umblättern mit einem Blick zu erfassen: Dem griechischen Text und seiner deutschen Übersetzung auf der linken Buchseite stehen auf der rechten Buchseite die Anmerkungen zu eben dieser Textpassage gegenüber. Diese Anmerkungen enthalten detaillierte Sacherklärungen, Überlegungen zu Struktur und Gedankengang, Stoffgeschichte, dramatischer Technik und szenischer Realisierung sowie Interpretationshinweise. Eine Einleitung bietet darüber hinaus die wichtigsten Angaben zu Autor, Stoff und Aufführungszeit und gibt Orientierung zu Dramaturgie und Gesamtinterpretation des Dramas. Ein unverzichtbares Hilfsmittel für Dozenten und Studierende der Klassischen Philologie ebenso wie für Vertreter der Germanistik und Neuphilologien, Komparatistik, Theaterwissenschaft und Theaterpraxis.

Plutos

How One Ancient Language Went Global

Proto

Scientific Studies of Religion: Inquiry and Explanation

Essays in Honor of Panayotis Pachis

Studying Religion, Past and Present

The Babylonian, Persian, and Greco-Roman Eras

The Routledge Introduction to Judaism

Rome's Age of Revolution

Loeb Classical Library

Pacuvius. Minor Tragic Poets. Unidentified Dramatists

Fragmentary Republican Latin, Volume VII

A story of lying miracles, wonder and ways of the imagination.

The One and Only Tree

Routledge Monographs in Classical Studies

Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an 'archaeology' of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. The significance of metafiction to this field is very great—arguably even more so than within modern literature studies, despite the greater prevalence of metafictions in later texts—because it necessarily implies that a text is fictional, and that its author was aware of it as such. Some have argued that the ancients had no clear concept of ‘fiction’, nor the literary-critical tools to think about and analyse it. While some other scholars have recently begun to refer to metafiction in studies devoted to individual literary texts, no general study exists of the use of metafiction in ancient literature and the implications of this for our understanding of fiction in antiquity.This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an ‘archaeology’ of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

The Invention of Self-Conscious Fiction

Metafiction in Classical Literature

BibleWorld

The Bodies of Christ

Together the Dacians and the Getae were the creators of the largest unified power of ancient Europe outside of the Roman Empire, yet each was colonized and integrated into the Roman imperial system differently. Unlike the short-lived but intense Roman experience of the Dacians, the Getae met first Greek colonists, followed by Roman integration in stages over many years. This volume utilizes high-resolution GIS mapping, remote sensing data, and aerial and satellite imagery to demonstrate changes to the landscape and to reconsider human settlement in antiquity. It provides a fresh investigation of the evolution of urbanization and developments in local economy, as well as long-term changes in material culture, social behavior, and identity over more than a thousand years. The Getae offers a realistic appreciation of the character of Roman military occupation and participation of provincial subjects in the Roman imperial system.

Together the Dacians and the Getae were the creators of the largest unified power of ancient Europe outside of the Roman Empire, yet each was colonized and integrated into the Roman imperial system differently. Unlike the short-lived but intense Roman experience of the Dacians, the Getae met first Greek colonists who settled along the western Black Sea shore, followed by Roman expansion and integration of the territory in stages over many years. As the imperial system gradually changed its ideology, priorities, and control mechanisms, the Getae were afforded numerous opportunities for contact and cultural change. The data and literature on the Getae to date has however emerged from traditional site-based investigations and surveys, resulting in heavily biased and fragmented understandings of the scale, nature, and impact of their conquest and colonization. This sweeping volume utilizes high-resolution GIS mapping, extensive analysis of remote sensing data, and archival aerial and satellite imagery to present a holistic view of changes to the landscape and to reconsider the extent of human settlement in antiquity. It offers a fresh investigation of the evolution of urbanization, developments in local economy, taxation, and administration, as well as long-term changes in material culture, social behavior, and identity over a period of more than a thousand years. The Getae offers a uniquely realistic appreciation of the nature and character of Roman military occupation and the participation of provincial subjects in the Roman imperial system.

Changing Landscapes of Colonization, Imperialism, and Memory

The Getae

Albert Henrichs: Collected Papers / Dionysos: Myth, Image, Identity

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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