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Haywood Jan: Leadership in Xenophon’s
Anabasis

Leadership in Xenophon’s Anabasis

IMAGINES – Classical Receptions in the Visual and Performing Arts

Employing a wide range of scholarly approaches, such as reception studies, feminist studies, racial studies and posthumanism studies, this volume examines the classical influence on the character of Wonder Woman. In particular, the contributors look at the cultural phenomenon of this female superhero across comic books and film. The result is an in-depth study that examines the influence ancient Greek mythology has on popular culture and, reversely, how modern media shapes contemporary views of the ancient Mediterranean world. Introduced to the world via Sensation Comics in 1941, Wonder Woman remains one of the most identifiable superheroes today, and her narratives that frequently involve love, inclusion and empathy continue to speak to readers and viewers around the world. Engaging with her long and complex history, the chapters examine the history of this influential character and her associates, alongside her relevance within the field of classical reception, and her gender identity. As such, this book presents Wonder Woman as the complex heroine that she is, and one who has both influenced and been influenced by our understanding of the ancient world.

The Classical Reception and Impact of Wonder Woman in Comics and Film

Routledge Worlds

Situated astride the continents of Asia and Europe, Ionia was a region of crucial importance throughout time. It was home to some of the most important cities of the ancient world, witnessed the unfolding of great historical events and was the birthplace of influential philosophical ideas. However, despite its great importance, it is often overlooked in many general historical surveys and this apparent lack of substantial and accessible publications when compared to other regions is at odds the huge popularity of archaeological sites such as Ephesos and the prominence of Ionian antiquities in the world’s great museums.Nevertheless, research into the region has increased greatly and the sheer range and diversity of debates, methods and data in The World of Ionia volume is a reflection of a subject area that is very much alive and flourishing and that continues to inspire international academic debate at a very highest level. With global contributors having divergent views and a plurality of approaches, the volume provides not a dull overview of the region but a lively debate and fresh perspectives on this important region of the ancient world.

The World of Ionia

Routledge World Archaeology

Prehistoric Italy

The Routledge Guides to the Great Books

Aristotle is one of the most important figures in western thought and his seminal work Metaphysics is a benchmark in the history of philosophy. This guidebook introduces and assesses: Aristotle's life and the background to the Metaphysics, the ideas and text of the Metaphysics and the continuing importance and contemporary relevance of Aristotle's work to philosophy. The Routledge Guidebook to Aristotle's Metaphysics is essential reading for all students of philosophy, and anyone approaching the work of Aristotle for the first time.

Aristotle is one of the most important figures in western thought and his seminal work Metaphysics is a benchmark in the history of philosophy. This guidebook introduces and assesses: <ul> <li>Aristotle’s life and the background to the Metaphysics </li> <li>The ideas and text of the Metaphysics including a chapter devoted to Metaphysics Theta</li> <li>The continuing importance and contemporary relevance of Aristotle’s work to philosophy. </li> </ul>The Routledge Guidebook to Aristotle’s Metaphysics is essential reading for all students of philosophy, and anyone approaching the work of Aristotle for the first time.

The Routledge Guidebook to Aristotle’s Metaphysics

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city's spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini's creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942.

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city’s spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini’s creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942. Mussolini was eager to reveal the ruins of the past to emphasize the ways in which Fascist Italy was a visible improvement on Imperial Rome, and how antiquity relied on modern policies for its very survival. Towards these ends, the Fascist regime was a great supporter of archaeological scholarship and many prominent archaeologists wrote analyses of Roman monuments in genuine support of Fascist principles. The construction of Fascist doctrine and aesthetics developed hand-in-hand with the rise of modern Roman archaeology. This volume seeks to excavate the cultural layer that Fascist ideology placed upon contemporary archaeology, and to understand the ways in which this context continues both to obscure and enlighten our vision of Roman antiquity.

Roman Archaeology Under Italian Fascism

Through a series of case-studies of nine Aegean and Ionian islands, the contributors examine the ancient epigraphic culture of each island's political, social and religious history from the archaic age until late antiquity. These Mediterranean islands - Delos, Thera, Crete, Chis, Samos, Kos, Rhodes, Amorgos and the Ionian islands - were a world in themselves with their own dialects, cults, customs and political structures. Through a careful reading of a range of inscriptions, new interpretations arise concerning our understanding of their constitutional history, economic transformation, relationship with major powers, as well as notions of identity and connectivity. Inscribing for public display was a feature of Greek civilization that was carried out not only by priests, politicians and the elite, but also by individual citizens. The Greeks developed a plethora of distinct categories of inscriptions, going beyond the standard of epitaphs and dedications to the gods, to include decrees of the people, honorific inscriptions cut into the bases of statues and monuments dedicated to benefactors and athletes. However, the intensity of inscribing varied from one century to the other, and these fluctuations can be represented from a quantative approach as epigraphic curves. The significance of this volume is that it offers an overview of the history of these lesser states, which are not necessarily well documented in literary evidence to the degree comparable with Athens or Sparta.

Ancient Epigraphic Culture on the Aegean and Ionian Islands

<div>Combining historic engravings with an accessible modern commentary, The Ancient World: A Visual History offers a uniquely visual approach to exploring the cultures of the key civilizations of ancient times.</div>

Combining historic engravings with an accessible modern commentary, The Ancient World: A Visual History offers a uniquely visual approach to exploring the cultures of the key civilizations of ancient times.

A Visual History

Ancient World

Routledge Classical Translations

Translation with Explanatory Essays

Musonius Rufus and his Contexts

The Babylonian, Persian, and Greco-Roman Eras

The Routledge Introduction to Judaism

Routledge Critical Thinkers

Students in literary studies frequently come across Plato, Aristotle and Longinus, either directly through their names and concepts or indirectly, in the work of writers and theorists responding to them. Eaglestone argues that while great thinkers of antiquity may seem far away, their ideas still shape how we think about literature and culture even today. Contemporary examples illustrate the meaning of the original texts and highlight their continuous relevance.

This Routledge Critical Thinker is an introduction to the literary thought of three major classical thinkers: Plato, Aristotle and Longinus. Students in literary studies frequently come across Plato, Aristotle and Longinus, either directly through their names and concepts or indirectly, in the work of writers and theorists responding to them. Eaglestone argues that while great thinkers of antiquity may seem far away, their ideas still shape how we think about literature and culture even today. Contemporary examples illustrate the meaning of the original texts and highlight their continuous relevance.Including an annotated bibliography this guide offers a literary introduction to these classical thinkers and is ideal for Literature students studying theory and criticism.

Plato, Aristotle, Longinus

Classical Philosophers on Literature

Routledge Monographs in Classical Studies

Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an 'archaeology' of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

Metafiction, the practice in fictional texts of displaying an awareness of their fictional status, highlighting it, or even exploring it after the manner of literary criticism, existed in ancient Greek and Roman literature. The significance of metafiction to this field is very great—arguably even more so than within modern literature studies, despite the greater prevalence of metafictions in later texts—because it necessarily implies that a text is fictional, and that its author was aware of it as such. Some have argued that the ancients had no clear concept of ‘fiction’, nor the literary-critical tools to think about and analyse it. While some other scholars have recently begun to refer to metafiction in studies devoted to individual literary texts, no general study exists of the use of metafiction in ancient literature and the implications of this for our understanding of fiction in antiquity.This book demonstrates by cumulative weight of examples the existence of metafiction in classical literature, and in so doing constitutes an ‘archaeology’ of the origins of metafiction in Western literature. Author Owen Hodkinson engages with a wide range of approaches to fiction and metafiction, and explores detailed examples or case studies from ancient texts. This book provides for the first time for classical and modern literature scholars a full definition of metafiction which uses the earliest metafictional texts in western literature as its examples rather than only modern novels, and the first general but detailed and theoretically-grounded discussion and definition of metafiction aimed at scholars and students of classical literature.

The Invention of Self-Conscious Fiction

Metafiction in Classical Literature

The Lost Voices of Pompeii

Leadership in Xenophon’s Anabasis

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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