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Pike S: AI, AR, and VR in Theatre and
Performance

AI, AR, and VR in Theatre and Performance

Technology in the Present and Future of Live Creative Arts

New Encounters: Arts, Cultures, Concepts

Photography, Conflict Transformation, and Peacebuilding

Picturing Peace

In this book, Owen Cantrell focuses on politics and popular culture in the United States from 1980 to 2020 to argue that the twin structures of feeling of nostalgia and paranoia offered a pathway to address the changed relationship to history in this era that were a result of the backlash politics to the gains of the civil rights movement(s). Drawing on Bifo Berardi's contention that "the future is over" helps explain how the concept of the future effectively ended in this era and made the structures of paranoia and nostalgia eminently more desirable as a cultural response to political dilemmas. As the future lost its place as a locus of value, then, we entered a state of what Mark Fisher calls "a failed mourning" to describe how the narratives of paranoia and nostalgia offered compensation for a future that no longer felt relevant or even possible. Throughout the latter half of the twentieth century and the first two decades of the twenty-first century, the structures of paranoia and nostalgia mirrored the changing political relationship to history, race, and culture in the United States. From Back to the Future and The Matrix to Get Out and Black Panther, Cantrell demonstrates how paranoia and nostalgia have structured American political and cultural life over the past forty years Ultimately, this book addresses both how the structures of paranoia and nostalgia functioned in this era, as well as how popular films reflected the failure to imagine the future.

Paranoia and Nostalgia in American Popular Culture, 1980-2020

Bloomsbury Studies in Digital Cultures

Looking at the phenomenon of visibility labour and attention economies on social media, this open access book focuses on the Asia Pacific region to examine the use of 'drama' online for internet fame/infamy and financial gain. On social media, the attention economy shapes and governs our engagement. Social media actors use a variety of tactics to gain our attention, to 'go viral', and to become 'internet famous'. They manufacture extraordinary events, curate their lives for us to consume, and play on our emotions to draw us in. But relying on only the picture perfect, the pristine, and the prestigious a la 'aspirational' role-modelling is fast becoming stale to audiences in this very saturated space. Enter the use of 'online drama' to wrestle for the attention spans of audiences, when social media actors use discursive and visual narratives centred on angst, shock, fear, shame, pity to generate visibility, yield interest, and provoke conversations in the gladiatorial arena of social media. Through a range of lively case studies spanning platforms like Instagram, TikTok, Twitter, and YouTube, and popular online for a in the Asia Pacific region, this book explores topics such as 'shamelebrity', the 'influencer apology', 'call out culture', 'cancel culture', and 'meme factories' to unpack that peculiarly contemporary online phenomenon: the culture and economy of online drama. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by an Australian Research Council Discovery Early Career Researcher Award (DECRA) from the Australian government.

Looking at the phenomenon of visibility labour and attention economies on social media, this open access book focuses on the Asia Pacific region to examine the use of ‘drama’ online for internet fame/infamy and financial gain.
 On social media, the attention economy shapes and governs our engagement. Social media actors use a variety of tactics to gain our attention, to 'go viral', and to become 'internet famous'. They manufacture extraordinary events, curate their lives for us to consume, and play on our emotions to draw us in. But relying on only the picture perfect, the pristine, and the prestigious a la ‘aspirational’ role-modelling is fast becoming stale to audiences in this very saturated space.

Enter the use of ‘online drama’ to wrestle for the attention spans of audiences, when social media actors use discursive and visual narratives centred on angst, shock, fear, shame, pity to generate visibility, yield interest, and provoke conversations in the gladiatorial arena of social media.
 Through a range of lively case studies spanning platforms like Instagram, TikTok, Twitter, and YouTube, and popular online for a in the Asia Pacific region, this book explores topics such as 'shamelebrity', the ‘influencer apology’, ‘call out culture’, ‘cancel culture’, and ‘meme factories’ to unpack that peculiarly contemporary online phenomenon: the culture and economy of online drama.
The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by an Australian Research Council Discovery Early Career Researcher Award (DECRA) from the Australian government.

How Attention Economies are Changing

Provoking Online Drama

Afro-Latin America

Art and Anti-Racism in Latin America

Routledge International Handbooks

The Routledge International Handbook of Ethnographic Film and Video

Presidential Abuse of Power and Reforms

The Survival of American Democracy

A Very British Comedy Institution

The Cambridge Footlights

And Not Screwing It Up

The Essential Guide to Doing the School Play

Feminist Media Histories

Archiving the Past&nbsp;uncovers&nbsp;the story of the women in&nbsp;France who, from the 1920s to the 1970s, played critical roles in the production of global cinema's history: as&nbsp;archivists&nbsp;charged with collecting films and other materials, as&nbsp;witnesses&nbsp;tasked with remembering their own film careers, and as&nbsp;activists&nbsp;committed to recovering women's contributions to film history. Reflecting on how gender politics informs the production of film history, Aurore Spiers&nbsp;recasts the film archive as a site of women's agency, modeling strategies for inclusivity, recuperation, and liberation within feminist film historiography.

Women's Film History in France, 1927–1978

Archiving the Past

Cultural Histories of Theatre and Performance

The Victoria Theatre in Stoke-on-Trent, 1962-1986

Pioneering Theatre-in-the-Round

Methuen Drama Agitations: Text, Politics and Performances

The Star Power of Reagan, Trump, and Zelensky

Performing Presidents

Shakespeare and Adaptation

Negotiating Cultural Value

Shakespeare and Comics

AI, AR, and VR in Theatre and Performance

Weitere Titel zum Thema