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An expansive look at the contemporary artists confronting, challenging, and reimagining R. Buckminster Fuller’s techno-utopianism to envision sustainable futures

An expansive look at the contemporary artists confronting, challenging, and reimagining R. Buckminster Fuller’s techno-utopianism to envision sustainable futures

Diaz E: After Spaceship Earth

After Spaceship Earth

Art, Techno-utopia, and Other Science Fictions

A nuclear historian gives a new, surprising account of one of the most controversial actions in history-how the United States deployed the atomic bomb on Hiroshima and Nagasaki during World War II-and the fallout that continues to haunt us. In the eight decades since the United States deployed the most destructive weapon ever used, conventional wisdom has held that American leaders were faced with a difficult choice: Invade Japan, which would have cost millions of Japanese and Allied lives in bloody combat, or use the fearsome atom bomb in the hopes of convincing the Japanese emperor to surrender. President Truman-in what many have come to regard as an immoral decision-ordered the military to drop the bomb. Now, historian Alex Wellerstein offers a revisionist narrative of what happened in the spring of 1945, uncovering new research that points to a very different chain of events. Wellerstein reveals a much more complex situation in which American leaders, limited by time, knowledge, and authority, and under great secrecy, each jockeyed to influence if and how the bomb would be used. Refuting previous accounts, Wellerstein explains how there was no official decision to use the bomb, nor did President Truman likely know that Hiroshima or Nagasaki were heavily populated cities. Once the bombs were dropped, Truman began a years-long struggle for control of the awesome power of atomic weapons, the ramifications of which are still felt today. The Most Awful Responsibility documents the little-known truth of the circumstances leading to this momentous event, painting a more complete picture of the end of World War II and of Truman himself. It is essential reading for all who want to truly understand not only why the bomb was dropped on Japan, but also why it has not been used since.

A nuclear historian gives a new, surprising account of one of the most controversial actions in history—how the United States deployed the atomic bomb on Hiroshima and Nagasaki during World War II—and the fallout that continues to haunt us.In the eight decades since the United States deployed the most destructive weapon ever used, conventional wisdom has held that American leaders were faced with a difficult choice: Invade Japan, which would have cost millions of Japanese and Allied lives in bloody combat, or use the fearsome atom bomb in the hopes of convincing the Japanese emperor to surrender. President Truman—in what many have come to regard as an immoral decision—ordered the military to drop the bomb.Now, historian Alex Wellerstein offers a revisionist narrative of what happened in the spring of 1945, uncovering new research that points to a very different chain of events. Wellerstein reveals a much more complex situation in which American leaders, limited by time, knowledge, and authority, and under great secrecy, each jockeyed to influence if and how the bomb would be used. Refuting previous accounts, Wellerstein explains how there was no official decision to use the bomb, nor did President Truman likely know that Hiroshima or Nagasaki were heavily populated cities. Once the bombs were dropped, Truman began a years-long struggle for control of the awesome power of atomic weapons, the ramifications of which are still felt today.The Most Awful Responsibility documents the little-known truth of the circumstances leading to this momentous event, painting a more complete picture of the end of World War II and of Truman himself. It is essential reading for all who want to truly understand not only why the bomb was dropped on Japan, but also why it has not been used since.

Truman and the Secret Struggle for Control of the Atomic Age

The Most Awful Responsibility

Cultural Histories of Theatre and Performance

Culture and Experiment in the Irish Free State

Performing Modernity

A revolution is occurring among parents who see their children failing because of a broken education system. This book joins the change movement by approaching the topic of education policy from the front lines as a direct advocate for students. The author argues that at federal, state and local levels, the policy network needs reorganization, and she provides concrete recommendations for reforms which can bring about performance improvement at the level of student experience as well as organizationally and politically.

A revolution is occurring among parents who see their children failing because of a broken education system. This book joins the change movement by approaching the topic of education policy from the front lines as a direct advocate for students. The author argues that at federal, state and local levels, the policy network needs reorganization, and she provides concrete recommendations for reforms which can bring about performance improvement at the level of student experience as well as organizationally and politically.

Redefining the American Educational System

The Student Struggle Factor

For fans of Ben Macintyre, the gripping story of the assassination of Soviet revolutionary Leon Trotsky and the deadly game of cat and mouse that preceded it On August 20, 1940, Leon Trotsky invited a man he knew only as Jacques Mornard into his study. Mornard waited for Trotsky to sit, then smashed an ice pick he had hidden in his raincoat into his skull. &nbsp; For over a decade, Trotsky’s greatest enemy, Joseph Stalin, had been trying to arrange his murder. His agents had hunted him across Europe and into a lonely, bitter exile in Mexico. He had liquidated Trotsky’s family and friends, and yet Trotsky had always escaped his clutches. The man who changed this all was Ramón Mercader, a minor Spanish aristocrat and Soviet agent who had posed as Mornard, a dissolute Belgian playboy, and infiltrated Trotsky’s inner circle.&nbsp; In The Death of Trotsky, Josh Ireland traces the separate paths walked by each of these protagonists as they steadily draw closer and closer to that fateful encounter on August 20. Blending intimate historical detail and thrilling historical narrative, swinging from Moscow to Paris to Mexico, and taking in a cast of morally conflicted Russian spies, fanatical Mexican painters, and innocent American idealists, The Death of Trotsky delves into the lives of two fascinating, complex men locked in a life-or-death struggle that will bend the course of history.

The True Story of the Plot to Kill Stalin's Greatest Enemy

The Death of Trotsky

Lindsay Gordon Crime Series

Booked for Murder

On Impunity, Pinochet in England and a Nazi in Patagonia

38 Londres Street

The Irish Midwives

The Irish Midwife at War

Unreliable Narrator

Meltdown at Fukushima

The Definitive Biography

Sir Lewis

Ashgate Interdisciplinary Studies in Opera

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst's operas and figure into his reception as a composer of operas.

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst’s operas and figure into his reception as a composer of operas.

From Bayreuth to Aldeburgh

Gustav Holst and British Operatic Culture

After Spaceship Earth

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