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Illustrated by art-lover and animal enthusiast Nia Gould, A History of Portraits in 21 Dogs is an accessible, engaging and imaginative walk through art history.

Gould N: A History of Portraits in 21
Dogs

A History of Portraits in 21 Dogs

In this gorgeous stand-alone cozy fantasy romance perfect for fans of Margaret Rogerson and Allison Saft, a rebellious witch undertakes a last-ditch quest to restore magic to medieval Wales-as two princes vie for her heart. Magic is fading from Wales-choked off by King Offa's Dyke, the enemy earthworks that spans the entire border. Even the dragons have disappeared. And now an attack is imminent. Prince Taliesin would love to watch magic die. Prince Dafydd fears it, and the throne. But when their father promises the crown to whichever son can destroy the dyke and restore magic to Wales, the brothers are forced into an uneasy rivalry. Ffion works hedgewitch magic for poor folk, not princes. Unlike the power-hungry Foxhall coven, she uses only what nature can spare. But when the coven's greed costs Ffion everything, she will need power beyond her wildest dreams to get back what she's lost. So when Prince Taliesin arrives, begrudgingly seeking a witch's aid, Ffion agrees to help him-even if it means walking from one end of Wales to the other with the most useless peacock she's ever clapped eyes on. Even if it means striking a bargain with Dafydd behind Tal's back. The fate of Wales depends on their quest . . . and so might the fate of Ffion's heart.

In this gorgeous stand-alone cozy fantasy romance perfect for fans of Margaret Rogerson and Allison Saft, a rebellious witch undertakes a last-ditch quest to restore magic to medieval Wales—as two princes vie for her heart.Magic is fading from Wales—choked off by King Offa’s Dyke, the enemy earthworks that spans the entire border. Even the dragons have disappeared. And now an attack is imminent.Prince Taliesin would love to watch magic die. Prince Dafydd fears it, and the throne. But when their father promises the crown to whichever son can destroy the dyke and restore magic to Wales, the brothers are forced into an uneasy rivalry.Ffion works hedgewitch magic for poor folk, not princes. Unlike the power-hungry Foxhall coven, she uses only what nature can spare. But when the coven’s greed costs Ffion everything, she will need power beyond her wildest dreams to get back what she’s lost.So when Prince Taliesin arrives, begrudgingly seeking a witch’s aid, Ffion agrees to help him—even if it means walking from one end of Wales to the other with the most useless peacock she’s ever clapped eyes on. Even if it means striking a bargain with Dafydd behind Tal’s back. The fate of Wales depends on their quest . . . and so might the fate of Ffion’s heart.

The Hedgewitch of Foxhall

THE VISUALIST is an entertaining memoir, an experiential narrative, and tale that allows the pop culture fan, filmmaker to be, or budding academic a world view into a mind engaged, an unfiltered dive into image making and narrative for multiple mediums across multiple platforms. The Visualist: Storytelling, Process and Image Making from 1983-2020: MTV to Hollywood, Madison Avenue to the New Digital Era - A visual memoir by Mark Pellington A personal history and first-hand account of image making with amazing pop-culture icons, The Visualist offers a rare narrative of Pellington's creative process, cultural memory, and unique aesthetic experience to inspire creativity across all visual media. The Visualist is a survival guide for image making and storytelling for screen--from iPhone image blasts to IMAX size 360-degree tour visuals--images tell stories, evoke feelings, and leave lasting impressions. And only in The Visualist does Pellington share this hard-earned knowledge. Mark Pellington opens the curtain in this one-of-a-kind art book, photo book, director's memoir, and scrapbook to reveal his Master Videographer's unique and creative prowess in the world of image making, starting with his achievements in the realm of music videos from the birth of the genre in 1983 through the new technologies of 2017. Pellington shares his insights into what makes visual storytelling work: uncanny narrative instincts, revealing personal anecdotes, the structure of powerful images, first-hand telling of countless A-list collaborations, the toll and goal of making an emotional impact, successes and failures in conflict resolution, how and why to access the subconscious, and his unique perspective on balancing the clarity and ambiguity of visual meaning. Obsessed with the role of images and how they mesmerize, entertain, and entice--self-taught and untrained, filmmaker Mark Pellington has navigated the changing landscapes and fickle tastes of multi-media over his 36 years in the entertainment arts industry having directed an impressive 70 music videos, 9 movies, 20 TV episodes, and 6 documentaries among other productions. Through it all Pellington has matured, survived, sometimes thrived, sometimes struggled but always created as an image maker, image sharer...years before those terms existed. As a director, producer, writer, artist, and experimenter Pellington has shifted and adjusted the expectations and appetites of audiences across media platforms.

THE VISUALIST is an entertaining memoir, an experiential narrative, and tale that allows the pop culture fan, filmmaker to be, or budding academic a world view into a mind engaged, an unfiltered dive into image making and narrative for multiple mediums across multiple platforms. The Visualist: Storytelling, Process and Image Making from 1983-2020: MTV to Hollywood, Madison Avenue to the New Digital Era - A visual memoir by Mark Pellington A personal history and first-hand account of image making with amazing pop-culture icons, The Visualist offers a rare narrative of Pellington's creative process, cultural memory, and unique aesthetic experience to inspire creativity across all visual media. The Visualist is a survival guide for image making and storytelling for screen--from iPhone image blasts to IMAX size 360-degree tour visuals--images tell stories, evoke feelings, and leave lasting impressions. And only in The Visualist does Pellington share this hard-earned knowledge. Mark Pellington opens the curtain in this one-of-a-kind art book, photo book, director's memoir, and scrapbook to reveal his Master Videographer's unique and creative prowess in the world of image making, starting with his achievements in the realm of music videos from the birth of the genre in 1983 through the new technologies of 2017. Pellington shares his insights into what makes visual storytelling work: uncanny narrative instincts, revealing personal anecdotes, the structure of powerful images, first-hand telling of countless A-list collaborations, the toll and goal of making an emotional impact, successes and failures in conflict resolution, how and why to access the subconscious, and his unique perspective on balancing the clarity and ambiguity of visual meaning. Obsessed with the role of images and how they mesmerize, entertain, and entice--self-taught and untrained, filmmaker Mark Pellington has navigated the changing landscapes and fickle tastes of multi-media over his 36 years in the entertainment arts industry having directed an impressive 70 music videos, 9 movies, 20 TV episodes, and 6 documentaries among other productions. Through it all Pellington has matured, survived, sometimes thrived, sometimes struggled but always created as an image maker, image sharer...years before those terms existed. As a director, producer, writer, artist, and experimenter Pellington has shifted and adjusted the expectations and appetites of audiences across media platforms.

Storytelling and Image Making From MTV to Movies, Madison Avenue to the New Digital Explosion

The Visualist

Russian Shorts

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Vasily Surikov, Viktor Vasnetsov, and the Remaking of the Past

Russia's History Painters

Published to coincide with an exhibition of the same name, Black Gold showcases recent and newly commissioned artworks reflecting on the resilience, struggles, and triumphs of African Americans who lived in California during its early statehood, from the Gold Rush in 1848 to the Reconstruction era.The project highlights figures and events often omitted from California's history, including the presence of slavery and the struggle for legal rights within this "free" state, the successes of Black entrepreneurs, and the experiences of the African American army regiments known as the Buffalo Soldiers.Black Gold brings together an essay by the exhibitions curator, Cheryl Haines; an artist roundtable discussion moderated by Key Jo Lee, chief of curatorial affairs and public programs, Museum of the African Diaspora, San Francisco, CA; new and archival materials addressing California's hidden history of slavery and anti-Black legislation; and texts detailing the contributions of each of the exhibitions artists—including&nbsp;Akea Brionne, Demetri Broxton, Adrian L. Burrell, the artists of Creativity Explored, Adam Davis, Cheryl Derricotte, Carla Edwards, Mildred Howard, Sir Isaac Julien CBE, Tiff Massey, Umar Rashid, Trina Michelle Robinson, Alison Saar, Yinka Shonibare CBE, Bryan Keith Thomas, Cosmo Whyte, and Hank Willis Thomas.Led by the FOR-SITE Foundation, Black Gold will be on view at San Francisco's historic Fort Point from June 4-November 1, 2025.

Black Gold

A definitive six-volume catalogue raisonné documenting the entire body of paintings made by Amedeo Modigliani

Catalogue Raisonne of Painting

Amedeo Modigliani

The Orient Within

Art and Identity in Spain, 1833-1956

The Female Body in Art

The al-Sabah Collection

"Dar al-Athar al Islamiyyah - The al-Sabah Collection, Kuwait."--Title page.

Metalwork from the Arab World and the Mediterranean

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

"A complete knockout. Readers will be thinking of this story long after they finish the final page." -Adalyn Grace, New York Times bestselling author of Belladonna"Utterly compelling and impossible to put down." -Rachel Griffin, New York Times bestselling author of Bring Me Your Midnight"I've never read a book that felt so much like picking up pieces of a broken heart-powerful, poignant, and true." -Axie Oh, New York Times bestselling author of The Girl Who Fell Beneath the Sea and XOXOAtlas has lost her way. In a last-ditch effort to pull her life together, she's working on a community service program rehabbing trails in the Western Sierras. The only plus is that the days are so exhausting that Atlas might just be tired enough to forget that this was one of her dad's favorite places in the world. Before cancer stole him from her life, that is. Using real names is forbidden on the trail. So Atlas becomes Maps, and with her team-Books, Sugar, Junior, and King-she heads into the wilderness. As she sheds the lies she's built up as walls to protect herself, she realizes that four strangers might know her better than anyone has before. And with the end of the trail racing to meet them, Maps is left counting down the days until she returns to her old life-without her new family, and without King, who's become more than just a friend.

“A complete knockout. Readers will be thinking of this story long after they finish the final page.” —Adalyn Grace, New York Times bestselling author of Belladonna“Utterly compelling and impossible to put down.” —Rachel Griffin, New York Times bestselling author of Bring Me Your Midnight“I’ve never read a book that felt so much like picking up pieces of a broken heart—powerful, poignant, and true.” —Axie Oh, New York Times bestselling author of The Girl Who Fell Beneath the Sea and XOXOAtlas has lost her way.In a last-ditch effort to pull her life together, she’s working on a community service program rehabbing trails in the Western Sierras. The only plus is that the days are so exhausting that Atlas might just be tired enough to forget that this was one of her dad’s favorite places in the world. Before cancer stole him from her life, that is.Using real names is forbidden on the trail. So Atlas becomes Maps, and with her team—Books, Sugar, Junior, and King—she heads into the wilderness. As she sheds the lies she’s built up as walls to protect herself, she realizes that four strangers might know her better than anyone has before. And with the end of the trail racing to meet them, Maps is left counting down the days until she returns to her old life—without her new family, and without King, who’s become more than just a friend.

The Atlas of Us

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

First Steps with Spot

Lift the flaps to help Spot choose what to do on his busy day!Join Spot as he has fun at home and nursery. Lift the flaps on every page to choose what he does next. What should he have for breakfast? What will he wear?Packed with talking points, enjoy shared moments with your little one and Spot, a trusted friend in early learning for over 40 years. First Steps with Spot is a brand new range of books perfect for curious learners aged 18 months-2 yearsFun flaps help young children develop key fine motor skills and encourage them to make their own creative choicesEach First Steps with Spot book has been developed with the help of educational experts to support your child in this early stage of developmentJoin Spot on an early learning adventure that supports and develops curious young minds.

First Steps with Spot: What's Next, Spot?

A History of Portraits in 21 Dogs

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