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Bean Susan S.: Clay Works

Clay Works

Earthen Sculpture in South Asia

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

A reprint of the sold-out 2007 first edition with a new introduction, Mapping Water embraces uncharted artistic terrains.&nbsp;Tuwaletstiwa writes, “In this vast desert, a thin membrane separates the daily world and the world of spirit. This elemental landscape holds a deep reservoir of the unconscious, continually reminding me of the fragility and tenacity of life. Whether writing, painting, working with fiber, sand, or glass, I seek to embody the elusive images that emanate from the unconscious.”The first section in Mapping Water explores the etymology of the word “genesis” alongside paintings that relate (and don’t relate) to parts of the text, evoking thoughts on the “genesis” of ideas. Subsequent sections continue this exploration with content that varies from the deconstruction of an iconic Holocaust photograph to the construction of a series using feathers and bones to honor the spirit of a dead crow.

Judy Tuwaletstiwa: Mapping Water (Reprint)

Dream Literacy and Practice for Social Science Researchers

Explorations in Practical, Pastoral and Empirical Theology

This book is founded upon the understanding that things matter to people. Exploring the renewing of practical theology through critical attention to the values and practices of everyday life, this book looks at how recent cultural and epistemological shifts have generated new agendas for theological thinking. Engaging with recent debates in many disciplines that have explored the relationship between persons and objects, Walton advocates a theological methodology which is radically incarnational, though proposing that incarnational theology itself must be rethought in the light of shifts in our understandings of materiality, epistemology and embodiment: when we speak of God integrally present in the material world, God as Word or God in flesh we can no longer assume that these affirmations carry the same meaning they once did. Introducing the work of new materialists focussing in particular on Miller and Bennett and their critique of materiality and appreciation of the sacred potentiality of things, Walton then explores the possibility of an affirmative approach to the created order - including material objects - which is based upon the radically incarnational aspects of the Franciscan tradition. Drawing upon insights offered in the work of Walter Benjamin, Michel de Certeau, Gaston Bachelard and others to construct a theological anthropology that celebrates the significance of things in human life, Walton goes on to argue that there can be discerned within the work of 20th century women writers a mystical appreciation of materiality which is congruent with the incarnational theology being developed within this work. Examples are drawn from the writings of Virginia Woolf, Ettie Hillesum, Elizabeth Smart and Michelle Roberts in order to establish how everyday material objects may become hugely spiritually significant to people. Finally, the book explores how habitual material interactions with things can be understood as sites of potential personal or political renewal.

This book is founded upon the understanding that things matter to people. Exploring the renewing of practical theology through critical attention to the values and practices of everyday life, this book looks at how recent cultural and epistemological shifts have generated new agendas for theological thinking. Engaging with recent debates in many disciplines that have explored the relationship between persons and objects, Walton advocates a theological methodology which is radically incarnational, though proposing that incarnational theology itself must be rethought in the light of shifts in our understandings of materiality, epistemology and embodiment: when we speak of God integrally present in the material world, God as Word or God in flesh we can no longer assume that these affirmations carry the same meaning they once did.  Introducing the work of new materialists focussing in particular on Miller and Bennett and their critique of materiality and appreciation of the sacred potentiality of things, Walton then explores the possibility of an affirmative approach to the created order - including material objects - which is based upon the radically incarnational aspects of the Franciscan tradition. Drawing upon insights offered in the work of Walter Benjamin, Michel de Certeau, Gaston Bachelard  and others to construct a theological anthropology that celebrates the significance of things in human life, Walton goes on to argue that there can be discerned within the work of 20th century women writers a mystical appreciation of materiality which is congruent with the incarnational theology being developed within this work. Examples are drawn from the writings of Virginia Woolf, Ettie Hillesum, Elizabeth Smart and Michelle Roberts in order to establish how everyday material objects may become hugely spiritually significant to people. Finally, the book explores how habitual material interactions with things can be understood as sites of potential personal or political renewal.

A New Theology of Everyday Life

God in Things

Rethinking Why and How Childhood Adversity Shapes Development

The Nature of Nurture

An Introduction to Multispecies Anthropology

Humans and Other Forms of Life

Museum Meanings

Museums and Indigenous Peoples provides an international, comparative exploration of relationships between Indigenous Peoples and museums. Indigenous Peoples are increasingly involved in the representation and curation of their heritage in museums and are engendering major changes in the way museums think and work. This volume examines the demands put forward by Indigenous Peoples to museums and critically discusses their effects on museum theory and practice. Museums and Indigenous Peoples through international case studies provides a better understanding of how Indigenous Peoples are transforming museum work.

Museums and Indigenous Peoples provides an international, comparative exploration of relationships between Indigenous Peoples and museums. Indigenous Peoples are increasingly involved in the representation and curation of their heritage in museums and are engendering major changes in the way museums think and work. This volume examines the demands put forward by Indigenous Peoples to museums and critically discusses their effects on museum theory and practice. Museums and Indigenous Peoples through international case studies provides a better understanding of how Indigenous Peoples are transforming museum work.

rethinking museum theory and practice through indigenous perspectives

Museums and Indigenous Peoples

Routledge New Religions

Worldview, Ritual, Identity

21st Century Irish Paganism

New Directions in Contemporary Art

The field of AI Art is a hotbed for strange, uneasy partnerships between big tech, big art and critical culture. Not since Walter Benjamin's Age of Mechanical Reproduction has there been a similar challenge to humanist art criticism. This book examines how a contemporary critic should best engage with, contextualise and effectively critique machine-learning-based art. In considering this question, Nora Khan looks at the rush of institutions to place AI Art within an art-historical lineage while they simultaneously accept significant funding from technology companies. She discusses the scale and speed at which technological production, machine learning, and AI have abraded the individual's capacity for critical evaluation, moving us to consider what a shared, collective criticism of AI might sound like.

The field of AI Art is a hotbed for strange, uneasy partnerships between big tech, big art and critical culture. Not since Walter Benjamin's Age of Mechanical Reproduction has there been a similar challenge to humanist art criticism. This book examines how a contemporary critic should best engage with, contextualise and effectively critique machine-learning-based art. In considering this question, Nora Khan looks at the rush of institutions to place AI Art within an art-historical lineage while they simultaneously accept significant funding from technology companies. She discusses the scale and speed at which technological production, machine learning, and AI have abraded the individual’s capacity for critical evaluation, moving us to consider what a shared, collective criticism of AI might sound like.

AI Art, Machine Learning and the Stakes for Art Criticism

Routledge Advances in Art and Visual Studies

This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

Charles Darwin’s theory of evolution bore a decisive influence on aesthetic thought that was nothing if not diverse. From biological models to European paintings, Darwinian theory offered art historians and artists a rich, evocative lens through which to view the world anew. This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

The Darwin Effect

Evolutionary Theory and Visual Culture

What can one city tell us about the global textile waste problem? This Open Access study is the first detailed ethnography of clothing waste infrastructures that starts where the problem starts - the Global North. Based on more than 100 interviews, cultural anthropologist Heike Derwanz follows the journey of fast fashion in Hamburg, Germany: starting with two women from different socio-economic backgrounds sorting through their wardrobes, travelling through local flea markets, eBay, church clothes banks, upcycling brands and recycling sites, only to end up in homes and waste heaps in the Global South. Bringing together human agents such as designers, social workers and vintage sellers with objects from containers, plastic sacks and internet platforms to piles of sorted textiles, this on-the-ground cultural study reveals how the global economic system of fast fashion shapes local infrastructures entangled in everyday lives. Combining material culture, waste studies and economic perspectives to scrutinize the so-called circular economy of today's global textile recycling market, Derwanz investigates what agency modern consumers really have in the lifecycle of their clothes. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Bloomsbury Open Collections Library Collective.

The Circulation of Used Clothes in the Global North

Sorting Out Clothes

Overexposed

Clay Works

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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