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de Miramón C: A Feisty Woman

A Feisty Woman

The Memoir of Concha Lombardo de Miramón, 1835–1869

Lessons on Building a Beautiful Life

Still Bobbi

The first history of US federal law enforcement from the nation's founding to the creation of the Justice Department in 1870, showing how federal prosecutions have always been shaped by local institutions and interests. The public imagines the Department of Justice and its agencies as mighty juggernauts. The reality is strikingly different. The FBI is barely larger than the Chicago Police Department, federal courts handle far fewer cases than state courts do, and federal prosecutors rely heavily on state and municipal authorities. The feds cannot function without local support, which means that the projects on which DOJ intervention is most needed-the ones that local communities oppose or don't care about-are also those least likely to succeed. This is no accident. Fragile Authority shows that this weakness is built into the structure of federal enforcement. To understand why, Daniel Richman traces the present-day workings of the DOJ all the way back to the nation's founding. The system was so circumscribed at the start that districts went years without a single conviction; enforcement efforts were often just performances of sovereignty for foreign audiences. And while a stronger enforcement apparatus emerged from the 1850 Fugitive Slave Act, its protection of Black civil rights during Reconstruction lasted only a few years before the federal retreat. After its creation in 1870, the Justice Department concealed its limitations by turning the agendas of local police-such as prosecuting gangsters, car thefts, and prostitution-into ostensibly national priorities. For better and for worse, federal law enforcement missions without local buy-in remain rare and difficult to sustain. The resistance to President Trump's immigration enforcement surge in sanctuary jurisdictions showed yet again that this norm is not easily broken.

Federal Justice Before the Justice Department

Fragile Authority

As seen on Steven Bartlett's THE DIARY OF A CEO

The Making of a Permabear

Chapultepec Girls weaves together threads of cultural, intellectual, and social history to examine how girls articulated a unique and previously unacknowledged vision of Mexican American culture and politics distinct from--and in some cases directly oppositional to--the political cultures of adult male-led Mexican organizations. Through a vivid microhistory of Club Feminino Chapultepec, a Houston-based organization, this book identifies Mexican American girls' radical politics in manifestos, speeches, and organized labor actions, as well as in the choreography of folk-dance expositions, the planning of enchilada dinner fundraisers and birthday party entertainment, and the contours of everyday working-class life. Chapultepec Girls reinterprets pochitas not as culturally delinquent or even passive victims but as a social and political vanguard, embedded within a sprawling, transnational web of activists, scholars, and political organizations that stretched from New York City to Mexico City and beyond.

Mexican Americans and Radical Politics in the Great Depression

Chapultepec Girls

A manifesto in lectures about the material conditions and absurdities of being a writer and adjunct professor under capitalism-by turns funny, angry, despairing, and hopeful-from a writer who "has invented a new form" (Annie Ernaux). 
 
 In the spring of 2025, Heroines and Drifts author Kate Zambreno taught a weekly nonfiction "craft" lecture at Columbia University, thinking through the crises of the adjunct loop in the United States and the question of labor and writing in publishing and the university. This project became more absurd, and more urgent, as the Trump administration quickly turned to authoritarianism and the university became complicit with the administration, creating a dystopian and paranoid atmosphere in which students were kidnapped from university housing and student protestors were expelled. How can we study together and create under such conditions? 
 
 The resulting essays are funny, angry, often in despair, and somehow also full of optimism as to the future of writing, even amidst the collapse of the institutions meant to support writers and students. Zambreno engages with texts including Sofia Samatar's Opacities, Fred Moten and Stefano Harney's The Undercommons, Noémi Lefebvre's The Poetics of Work, Heike Geissler's Seasonal Associate, and Samuel Delaney's Times Square Red, Times Square Blue. 
 
 A craft book against a "craft" divorced from political and material realities, Against Nonfiction is for anyone trying to write and make art in impossible times.

Writing Through Capitalist Realisms

Against Nonfiction

Christine Lagarde is a woman of firsts: first female head of the IMF, first female President of the ECB - and all without a classic career path through the world of finance. In her first autobiography, she recounts her rise, her successes and setbacks, and her fight against prejudice. It sheds light on the great crises of the global economy, her courageous decisions, and her distinctive perspective on power, emancipation, and change. Complemented by the voices of her most important companions, the result is a multifaceted portrait of a woman who breaks boundaries and consistently challenges the status quo.

Lady First

This open access book offersa cultural history of lawsuits that traces the development of French performance rights from la Belle Époque, throughthe Roaring Twenties, and into thePost-War period. It does so by analysing the ways in which performers, composers, and playwrights took to French courtrooms, sought attention in mass media, and participated in political debates to claim their rights to create and control musical and theatrical performance. In 19th-century France, composers and playwrights organised in member-run societies that successfully used authors' rights legislation to curb the power of theatre managers. By the turn of the 20th century, these so-called collective management organisations had transformed French cultural industries by building out structures of royalty collection and improving litigation practices. From the café-concert culture in 19th-century Montmartre and the rise of modern celebrity culture, to mass media and radio entertainment, the book traces precedent-setting litigation that defined who creates and controls performance. The book challenges previous narratives that centre the individualisation of authors in the expansion of the international copyright regime while neglecting performers. Instead, it reveals the ways in which the personality and individuality of performers have played a constitutive role in discourses about genius, technology, and legal categories. Performance as Intellectual Property is for anyone interested in the emergence of modern European cultural industries and the relationships between intellectual property systems, creativity, and art. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com Open access was funded by the European Research Council.

The Rights of Performers, Composers and Playwrights in France 1890-1950

Performance as Intellectual Property

Iberian and Latin American Studies

Refutes contemporary stereotypes about Mexico by sharing first-hand experiences from men who support the feminist movement in their country.The Mexican Feminist Movement responds to the Trumpian generalization that branded Mexican men as rapists, drug dealers, killers, and "bad hombres." Contrary to what Trump has expressed, many Mexican men are deeply concerned about the number of femicides in their country, and they express that concern in varied ways--they debate the issue with family and friends, participate in rallies in support of women's rights, and some have seen their own daughters, sisters, and partners suffer violence and daily harassment. This book offers Mexican men a space to share their lived experiences and everyday praxis in support of ending the violence that Mexican women face in society; it highlights these men's challenges to misogyny, their stand in solidarity with women, and their work toward building more just and equitable relationships at home, at work, and in the public sphere.

Mexican Men’s Perspectives and Praxis

The Mexican Feminist Movement

Nicole will show you how to have a kid financially, how to raise that kid, and how to manage your newfound promotion to Mom status without going broke or insane.

The Guide to Generational Wealth

Rich Mom

This book examines the Royal Commissions on Patent (1864) and Copyright (1878) by exploring the people, procedures, and politics behind into intellectual property reform of the late nineteenth century. In examining copyright and patent law from the ground up, commission members were necessarily forced to grapple with fundamental questions about the nature of property itself. Commissioners' views on the nature and purpose of copyright and patent influenced their views on how far the rights should extend-in time, geography, and scope. Close analysis of the Commissions provides insight into our own debates about the nature of intellectual property and provide a model for future attempts at law reform. The book is a contribution to the history not only of intellectual property law but also of royal commissions in the nineteenth century. The author gives a well-rounded picture of developments in thought about intellectual property as a whole in the period, which are still critical in the way we understand and approach the subject today.

This monograph examines the Royal Commissions on Patent (1864) and Copyright (1878) by exploring the people, procedures, and politics behind these in-depth inquiries into intellectual property reform of the latter half of the nineteenth century, and by placing them within their historical and ideological context. In examining copyright and patent law from the ground up, commission members were necessarily forced to grapple with fundamental questions about the nature of property itself. Commissioners’ views on the nature and purpose of copyright and patent influenced their views on how far the rights should extend—in time, geography, and scope. Close analysis of the Commissions provides insight into our own debates about the nature of intellectual property and provide a model for future attempts at law reform. The book is a contribution to the history not only of intellectual property law but also of royal commissions in the nineteenth century.

The author gives a well-rounded picture of developments in thought about intellectual property as a whole in the period, which are still critical in the way we understand and approach the subject today.

The Royal Commissions on Patent and Copyright

Intellectual Property and Victorian Inquiry

A fresh interpretation of the Enlightenment that reshapes our understanding of political economy and its intellectual foundations.The origins of political economy are often told as a story of increasing certainty, rationality, and scientific progress. But what if its earliest thinkers were instead preoccupied with uncertainty? In Doubtful Knowledge, Richard Adelman offers a striking new interpretation of eighteenth-century political economy by tracing its roots to the skeptical philosophy of the European Enlightenment.Moving between Scotland and France, Adelman reveals how figures including David Hume, Adam Smith, Denis Diderot, Jean Le Rond d'Alembert, François Quesnay, and the Physiocrats developed a shared understanding of the limits of human knowledge. Rather than presenting markets or societies as systems that could be fully understood or controlled, they emphasized the complexity of the social world, the fallibility of human judgment, and the need for intellectual humility. Through close readings of major philosophical and political-economic texts, Adelman demonstrates that skepticism was not peripheral to early political economy but fundamental to its emergence. Challenging long-held assumptions about the history of economics and Enlightenment thought, Doubtful Knowledge reframes debates about commerce, governance, progress, and human nature.By bringing together intellectual history, literary studies, philosophy, and the history of political economy, Adelman offers a compelling account of how eighteenth-century thinkers understood knowledge itself--and why their questions remain relevant to contemporary discussions about economics, politics, and the limits of expertise.

Skepticism and the Birth of Political Economy

Doubtful Knowledge

Literatures, Cultures, Translation

Interpreting The Amistad Trials traces the signal importance of interpreters and translators in the famous 19th-century Amistad case and discusses how race, ethnicity, slavery, and colonialism shaped this story. From the recruitment process to the various oral to sign languages that mediated linguistically in the Africans' life inside and outside the courtroom, and from evidentiary documents to fraudulent translations to credible testimonies, Jeanette Zaragoza-De León demonstrates the crucial importance of translation and interpretation in the Amistad plot and outcome. De León examines handwritten letters, pamphlets, newspapers, and judicial files, and adopts a critical race theory and postcolonial lens to analyze these materials. Although these critical interpretations and translations travelled transatlantically via Europe, Africa, the Caribbean, and the United States, De León highlights the common thread which also geographically unites Venezuela, Puerto Rico, and the Dominican Republic as part of the Amistad story. One of the most comprehensive studies of recorded events in the history of interpretation and translation in the Americas, Interpreting The Amistad Trials is a valuable resource for researchers studying coloniality, enslavement, race and ethnic studies and examining how these issues mattered then and now.

How Interpreters and Translators Make and Shape History

Interpreting the Amistad Trials

A Feisty Woman

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