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Elliott R: A Critical Phenomenology of
Music

A Critical Phenomenology of Music

Disclosing/Transposing the Habitual Body Schema

"In this book, Robert L. Kendrick examines the way in which stories of biblical families were reconfigured and projected in the genre of the oratorio, a form of sacred opera, in the seventeenth and eighteenth centuries. Based to a great extent on the Old Testament, this largely Catholic musico-dramatic genre was popular in Italy, Austria, and southern Germany. Biblical Families in Music reveals how difficult stories of fratricide, child sacrifice, death, and forbidden love performed a didactic function in oratorios, teaching early modern audiences about piety and the rules of proper family life. In the century after 1670, the heavily adapted tales of Abraham and Isaac, Cain and Abel, or the Egyptian slave Hagar and her son Ishmael, were put to music by figures such as Alessandro Scarlatti and Antonio Sacchini and performed during Lent in churches and other sacred spaces for an audience of court nobility, clergy, and the urban patriciate. By looking at the resonance of Catholic oratorios within predominantly upper-class social realities, the book broadens our cultural understanding of the early modern European family and underscores the centrality of family and familial relation to social position, devotional taste, and identity"--

Conflict and Heterodoxy in Oratorios, 1670–1770

Biblical Families in Music

Focus on Dramaturgy

Drawing upon miscellaneous theories from Eugenio Barba, Friedrich Nietzsche and contemporary sound studies, Sonorous Dramaturgy: The Polyphony of Postdramatic Theatre looks into emerging, cutting-edge theatre artists who employ musicality as the driving force behind their creativity. Celebrating the polyphony of postdramatic theatre, this book incorporates diverse companies and artists from all over the world, including Song of the Goat Theatre company, Marta Górnicka's Chorus of Women, Complicite, Tan Dun, among others.

Drawing upon miscellaneous theories from Eugenio Barba, Friedrich Nietzsche and contemporary sound studies, Sonorous Dramaturgy: The Polyphony of Postdramatic Theatre looks into emerging, cutting-edge theatre artists who employ musicality as the driving force behind their creativity. Celebrating the polyphony of postdramatic theatre, this book incorporates diverse companies and artists from all over the world, including Song of the Goat Theatre company, Marta Górnicka’s Chorus of Women, Complicite, Tan Dun, among others.

The Polyphony of Postdramatic Theatre

Sonorous Dramaturgy

California Studies in Music, Sound, and Media

Making Music in Cybernetic America

The Composer's Black Box

A stunning, official book of pictures from George Michael's life by renowned music photographer Brian Aris. It includes many unseen images of George at different stages of his career.

A stunning, official book of pictures from George Michael's life by renowned music photographer Brian Aris. It includes many unseen images of George at different stages of his career. George Michael hated having his photo taken, which makes this stunning collection of images spanning over 20 years such an unusual and beautiful tribute to one of the most consummate performers the music world has ever seen. Brian Aris first met George when he shot him and his Wham! colleague Andrew Ridgeley in 1984. He gained George's trust and subsequently took some of the most iconic shots of the star that provide an illuminating document of a complex character. With text documenting George's life and Brian's memories of his sessions and meetings with the star, together with iconic images, contact sheets and previously unseen images, this is a beautiful tribute to pop's most likeable and talented singer.

George Michael: A Life in Pictures

The Music, Culture and World De La Soul Made

Living in a D.A.I.S.Y. Age

Abhandlungen zur Literaturwissenschaft

Von „Hamlet“ zu „Othello“ und „Lear“

Shakespeare mit Hegel

Contributions To Phenomenology

This book examines and elucidates the concept of spirit in Stein’s philosophical work, particularly the role it plays in her philosophical anthropology and her understanding of intersubjectivity and community. Although she draws from and synthesizes the ideas of thinkers such as Husserl, Dilthey, and Conrad-Martius, Stein’s approach is distinctive and uniquely suited to comprehensively addressing these topics and questions. Despite the significance of the notion of spirit, however, very little Stein scholarship focuses directly on examining it, and there has never been an attempt to trace its development over the whole of Stein’s corpus. This book fills this lacuna by undertaking a comprehensive study of Stein’s understanding of spirit.&nbsp;The author argues that the key to understanding Stein’s notion of spirit is to understand it as expressive, and in so doing to recognize expression as a fundamental characteristic of the human person. This view of the person as expressive provides an understanding of the person as an embodied being that lives in the world and shares it with other embodied beings, but in this very living and sharing, moves beyond the material bounds of embodiment and constitutes the world as a world of meaning and value. The notion of expression is not only crucial to making sense of Stein’s own account of spirit, but furthermore, provides a way of understanding the person as inextricably bound up in community without compromising the individual. In going out toward others in spiritual expression, one not only forms community with the other; one also becomes more oneself. Thus, Stein’s understanding of spirit as fundamentally expressive helps make sense of what it means to be an individual human being and what it means to be a part of the human community. This volume appeals to students and scholars working in phenomenology.

Spirit, Expression and Community in the Philosophy of Edith Stein

Walking In The Footsteps Of David

BOWIELAND

Bloomsbury Aesthetics

Aesthetics and Music

The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene. In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. Each of the 10 plays is treated to a close dramatic and musical analysis and placed in its broader context of musical life in the twelfth century.

2018 will mark the 800th anniversary of the consecration of the Abbey of St BenoÃ®t-sur-Loire - or Fleury Abbey - the previous home and namesake of the Fleury Playbook, a collection of 10 medieval music-dramas that has long held been a source of fascination, and not a little perplexity, for scholars in a variety of disciplines: history, music history, literary studies, art history in particular. The Fleury Playbook has been justly celebrated as the most comprehensive extant collection of medieval music-dramas, containing in a single manuscript examples of non-biblical miracle plays, and settings of the Nativity and Resurrection stories, together with accounts of the conversion of Paul and Mary Magdalene.  In this the first full-length monograph on the Playbook, Wyndham Thomas places the collection in its historical, cultural and musical context. The first three chapters introduce and then explore the issues raised by the collection: following an introduction, chapter 2 is devoted to the history and traditions of the Abbey, making a persuasive argument for that institution as the original home of the collection, and perhaps the venue in which the plays were first performed. Chapter 3 discusses medieval saints’ cults, placing the dramas, and particularly the four devoted to St Nicholas, in this context. The remaining chapters are devoted to a close musical and dramatic analysis of the 10 plays themselves.

The Fleury Playbook in Context

Medieval Music-Drama

A highly-enjoyable and sophisticated exploration of the history, debates and ideas at play in the aesthetics of music.

An IndependentBest Non-Fiction Book 2024A Publishers Weekly Top 10 Best Book 2024"A vibrant, multifaceted portrait of a music enigma" Guardian"A powerful portrait" Irish Independent"Displays a bracing rigour and an exhilarating curiosity about its subject, coming closer than most to catching up with Mitchell on her lonely road" Times

On the Path of Joni Mitchell

Travelling

A Critical Phenomenology of Music

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

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