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A pin-up and an oracle for millennial women.' Dolly Alderton In her remarkable literary debut, Taylor (AKA Self Esteem) will explore the devolution of a woman.

The extraordinary, subversive literary debut from Ivor Novello Award-winning musician and artist Rebecca Lucy Taylor (aka SELF ESTEEM)

Rebecca Lucy Taylor: A Complicated Woman

A Complicated Woman

The Instant Sunday Times Bestseller by SELF ESTEEM

In 1971, Surinder Arora stepped off a plane at Heathrow, a thirteen-year-old boy with limited English who was sent from the Punjab to find a future in a country so far from home. He had to learn a new language and discover shocking truths about his own family - all while working twice as hard as anyone else to prove his worth.

He never imagined that decades later, he would own the very skyline he first saw from the airplane window. From his early days as a waiter at the Penta hotel and trading on the Blackbushe market stalls to building a billion-pound empire, Surinder's journey is a masterclass in grit and Plan B thinking. Navigating the racial tensions of 1970s Britain, the 2008 financial crash and personal tragedy, he turned a struggle for survival into a legacy of hospitality.

Candid and inspiring, this is the definitive story of how one man conquered the high-stakes world of aviation hospitality.&nbsp;

Risk, Resilience and the Making of a Business Empire

Barefoot Billionaire

It is seldom, if ever, that readers and writers see the different stages of a piece of writing in progress. In this unique volume, 16 of the US's most distinguished writers pull back the curtain on their creative and revision processes whilst drafting their works of creative nonfiction. Using side-by-side examples of first drafts and final versions of their writing, including original full-page reproductions from the writers' personal notebooks, an original, illuminating essay accompanies each draft that recounts the journey from inspiration to completion. Offering a generous insight into the creative process from the rough bold strokes to refined, clear, elegant prose, this behind-the-scenes look delves into the creative minds of working writers, including African American, Latino, Asian American, and indigenous writers from across the US. An invaluable resource for students and instructors looking to enliven the classroom or just offering practicing writers a peak into the processes of their peers, this book presents the false starts and missteps, the self-editing, tinkering, cutting, rearranging, and craft working writers make in the plight for perfectly polished prose. With nothing like it on the market, The Art of Revising Creative Nonfiction is an enlightening and unparalleled collection of modern-day creativity in action, a must have for aspiring writers and teachers of all levels.

14 U.S. Writers on their Drafts, Craft, and Process

The Art of Revising Creative Nonfiction

Words and Pictures by Mo Willems

"One of the most affecting graphic novels I've read in some time. You'll root for Kirah as she navigates a county's institutional racism, her mysterious family history, and brutal Gatorman murders, written and artistically rendered with care and love and righteous anger. Don't miss this one." –PAUL TREMBLAY, New York Times bestselling author of Horror Movie and The Cabin at the End of the World&nbsp;&nbsp;A gripping graphic horror novel set in the Florida bayou, following a young biracial woman as she uncovers her estranged father’s role in a grisly hate crime.&nbsp;Kirah was born from an improbable interracial relationship that, in central Florida’s infamous Asurupa County, defied all the odds. But her idyllic childhood was shattered by an urban legend come to life. The “Gatorman” was a nightmare on the lips of kids and grown-ups alike all the way back to Jim Crow: a monster with the body of a man, the head of an alligator—and a taste for Black children. That’s who crawled into Kirah’s window when Kirah was just five years old. According to the police, it was Kirah’s own father who put on that gator mask and tried to kill her.Twenty years later, Kirah works hard to build a life unburdened by the traumatic events of her childhood.&nbsp;Just when it seems like she’s managed to find her stride, her dad, fresh out of prison, crashes back into her world with a chilling message: “He’s coming for you.”Finally forced to face the hideous family history she’s been avoiding, Kirah sets off to discover where, and who, she truly came from. And the more she learns, the more disturbing the whole picture becomes. Turns out there’s a lot more to the Gatorman than Kirah thought, and even worse: he isn’t through with her just yet.A clever hybrid of swamp noir, slasher horror, and social satire—and brought to life by Camilla Sucre’s vivid illustrations—Mama Came Callin’&nbsp;is a story about family and legacies, both the ones we inherit and the ones we can’t escape.

"One of the most affecting graphic novels I've read in some time. You'll root for Kirah as she navigates a county's institutional racism, her mysterious family history, and brutal Gatorman murders, written and artistically rendered with care and love and righteous anger. Don't miss this one." –PAUL TREMBLAY, New York Times bestselling author of Horror Movie and The Cabin at the End of the World&nbsp;&nbsp;A gripping graphic horror novel set in the Florida bayou, following a young biracial woman as she uncovers her estranged father’s role in a grisly hate crime.&nbsp;Kirah was born from an improbable interracial relationship that, in central Florida’s infamous Asurupa County, defied all the odds. But her idyllic childhood was shattered by an urban legend come to life. The “Gatorman” was a nightmare on the lips of kids and grown-ups alike all the way back to Jim Crow: a monster with the body of a man, the head of an alligator—and a taste for Black children. That’s who crawled into Kirah’s window when Kirah was just five years old. According to the police, it was Kirah’s own father who put on that gator mask and tried to kill her.Twenty years later, Kirah works hard to build a life unburdened by the traumatic events of her childhood.&nbsp;Just when it seems like she’s managed to find her stride, her dad, fresh out of prison, crashes back into her world with a chilling message: “He’s coming for you.”Finally forced to face the hideous family history she’s been avoiding, Kirah sets off to discover where, and who, she truly came from. And the more she learns, the more disturbing the whole picture becomes. Turns out there’s a lot more to the Gatorman than Kirah thought, and even worse: he isn’t through with her just yet.A clever hybrid of swamp noir, slasher horror, and social satire—and brought to life by Camilla Sucre’s vivid illustrations—Mama Came Callin’&nbsp;is a story about family and legacies, both the ones we inherit and the ones we can’t escape.

A Graphic Novel

Mama Came Callin'

Verso's Southern Questions

In 1960, as the Algerian War for Independence entered its sixth year, 22-year-old Djamila Boupacha was arrested for allegedly planting a bomb in a university cafeteria. While in custody, she was tortured and raped by French soldiers. Her case would have been buried like countless others had it not been for the efforts of her lawyer, Gisèle Halimi, and the philosopher Simone de Beauvoir to transform it into an international cause célèbre. Djamila Boupacha is the culmination of this campaign to expose the systemic violence of colonial rule. "To protest in the name of morality against ‘excesses’ or ‘abuses,’" Beauvoir writes, "is an error which hints at active complicity. There are no ‘abuses’ or ‘excesses’ here, simply an all-pervasive system." More than a historical document, the book is a profound exploration of morality, complicity and resistance. A classic text of anticolonialism, this is a story that demands to be read—and remembered.

Djamila Boupacha

What if we&nbsp;did&nbsp;abolish police, courts or prisons? Where would we turn for justice? Do we need to have laws? Punishment? These questions are not just the preoccupation of an abolitionist pipedream. Their answers exist already, if only we know where to look.

We Make Our Own Justice&nbsp;introduces the reader to communities around the world who are already resolving harms and conflicts themselves, without looking to the state or judiciary. The book explores a number of locations where alternative forms of justice, peace-keeping and adjudication are taking place. With particular focus on indigenous- and women-led movements from across Mexico, Argentina, Europe, East Africa, Rojava and the USA, Marina Sitrin looks at how each came to be, as well as the theoretical and political underpinnings of the process.

The book allows the reader to reflect on the ways in which the seeds of these alternative forms of justice and adjudication have been planted and nurtured over time-often over decades-and to consider the possibilities for other communities and regions to produce something similar.&nbsp;We Make Our Own Justice&nbsp;offers an invaluable resource as we seek to transform our neighbourhoods, groups and communities into abolitionist spaces in theory and practice.

Global Alternatives to Policing and Prisons

We Make Our Own Justice

Selected pieces on nature, history, politics, and urban culture from a master of the nonfiction narrative. Writing on subjects as diverse as the megafires that burned the grasslands of the Great Plains in 2018, the tragic secret life of the manufacturer of maraschino cherries, the world's largest beaver dam, and the invasive Burmese pythons of the Florida Everglades, Ian Frazier captures the multiplicity, the strangeness, and the wonder of contemporary life. This collection of pieces-consisting of features and reportage for The New Yorker and other magazines beginning in 1974, alongside work published as recently as 2024-showcases the wide-ranging play of Frazier's imagination. Astute and engaged, he is the supreme chronicler of the everyday, and a unique social and political anthropologist. More than fifty years of keen observation and avid curiosity come together in The Snakes That Ate Florida: wry, humane, and endlessly surprising, this volume once again confirms Frazier as one of the finest (and most delightful) essayists writing today.

Reporting, Essays, and Criticism

The Snakes That Ate Florida

A ground-breaking look at the science of love and connection - and an urgent corrective to some of our most fundamental assumptions about attraction. 'In a world saturated with cynical advice about dating and gender, this book is a revelation.' DANIEL H. PINK, author of Drive and The Power of Regret 'One of the most joyfully uplifting antidotes to 21st-century gloom.' THE TIMES --------------------- We're told that what men and women desire from relationship is different - he's looking for novelty, she's looking for commitment; he's concerned with looks, she's concerned with status. We're told that we live in a hierarchy of romantic inequality - where some are 10s and others are 2s; where some people are marriage material and others are wired for promiscuity. But this narrative is unscientific. Such ideas have their roots in a branch of science called evolutionary psychology, and over the past few decades its ideas have permeated our culture and fuelled a narrative that inspires despair and anxiety - and, in its most extreme form, these ideas have been hijacked in the service of misogyny and violence. But the truth about human attraction - and the way evolution plays out in our romantic lives - is much more interesting and optimistic. Bonded by Evolution offers a radical new picture of the roots of enduring chemistry. Distilling evolutionary biology, anthropology and psychology and informed by his pathbreaking research and original experiments at the Attraction and Relationships Research Laboratory in California, psychology professor Paul Eastwick reveals how attraction is best depicted as a process of finding - and, often, creating - a compatible relationship. Once we understand how ancestral humans sought compatible partners in small networks, we can build a clearer - and brighter - picture of how attraction, sex and relationships really work. --------------------- More praise for Bonded by Evolution: 'Profound and pragmatic, suggesting an entirely different approach to the study - and pursuit - of love.' ERIC KLINENBERG, co-author of Modern Romance 'Rarely have scientific rigor and exuberant optimism been such congenial companions . . . Bonded by Evolution presents an optimistic new paradigm, one that provides clear guidance for romantic success.' ELI FINKEL, author of The All or Nothing Marriage

What We’ve Got Wrong About Love and Connection

Bonded by Evolution

Vancouver Storm Series

NATIONAL BESTSELLER • In this steamy hockey romance, a single dad and hockey coach must mentor his biggest temptation—from the viral TikTok author of the Vancouver Storm series. Former star player Tate Ward has become easily the best coach in professional hockey, leading the Vancouver Storm team to victory. Everyone is in love with the handsome, authoritative single dad—except Jordan Hathaway, the newest staff member on the Vancouver Storm team. Jordan was more than comfortable behind her bar at the team’s favorite watering hole. When her father threatens to sell the team, though, she’s forced to put her grievances aside and work with the man who likes everyone but her—: Coach Tate Ward. But beneath his controlled exterior, Tate is funny, encouraging, and protective. He moves her Jordan into his guest house, trusts her with his daughter, and fires the person who made her cry. He’s her boss, and a relationship would ruin both their careers, but Jordan still finds herself dreaming of a life with Tate. As the lines between them blur and Jordan encourages him to be selfish, Tate realizes what he wants . . . is her.

NATIONAL BESTSELLER • In this steamy hockey romance, a single dad and hockey coach must mentor his biggest temptation—from the viral TikTok author of the Vancouver Storm series. Former star player Tate Ward has become easily the best coach in professional hockey, leading the Vancouver Storm team to victory. Everyone is in love with the handsome, authoritative single dad—except Jordan Hathaway, the newest staff member on the Vancouver Storm team. Jordan was more than comfortable behind her bar at the team’s favorite watering hole. When her father threatens to sell the team, though, she’s forced to put her grievances aside and work with the man who likes everyone but her—: Coach Tate Ward. But beneath his controlled exterior, Tate is funny, encouraging, and protective. He moves her Jordan into his guest house, trusts her with his daughter, and fires the person who made her cry. He’s her boss, and a relationship would ruin both their careers, but Jordan still finds herself dreaming of a life with Tate. As the lines between them blur and Jordan encourages him to be selfish, Tate realizes what he wants . . . is her.

A Vancouver Storm Novel

The Wild Card

This is a study of elite English men of English law and the methods they used to retain and justify their power and privilege, through controlling the story of the legal person. It looks at how these men of legal authority thought of themselves and their institution; how they studied and explained law; and how they put themselves in the middle of it, as the standard human in need of legal regulation and protection and in charge of that regulation and protection, and assigned to women an inferior legal role and being. The main strategy used to do all this was manipulation of the concept of 'the legal person'. From the 1860s to the 1920s the courts declared that women were not 'persons' who could exercise public power - to vote, to sit in Parliament, to gain degrees, to be lawyers. Up to the end of the 20th century, and into the 21st, women's personhood remained precarious in the private sphere, for rape was excused within a marriage and female reproduction remained under state control (as it still does). The book examines the active exclusion of women from the means of making legal meaning, especially the ability to shape law's central concept and shows the epistemological effects of this sex differential of legal power which are still felt today. Leading legal thinkers who helped to masculinise the concept of the person, to the detriment of women, are still revered. Law's continuing male orientation is neither seen nor acknowledged and the legal person is treated (falsely) as if he had always been and remains anyone.

Why the Legal Person Remains a Man

Manning the Law

Don Winslow’s acclaimed fiction collection, featuring “Crime 101,” soon to be a major motion picture starring Chris Hemsworth, Halle Berry, Mark Ruffalo, Barry Keoghan, and Monica Barbaro.No matter how you come into this world, you come out broken . . .&nbsp;Hailed as “one of America’s greatest storytellers” (Stephen King), #1 international bestseller Don Winslow presents&nbsp;six intense short novels with characters—some familiar, some new—&nbsp;connected by the themes of crime, vengeance, guilt, and redemption. It includes:<ul><li>Crime 101: A string of high-level jewel heists up and down the Pacific Coast Highway has gone unsolved for years, mostly because the perpetrator has lived by a strict code he calls “Crime 101.”&nbsp;Police attribute the thefts to the Colombian cartels.&nbsp;But Detective Lou Lubesnick’s gut says it’s the work of just one man.&nbsp;Now the lone-wolf jewel thief is looking for that fabled final last score.&nbsp;And Lou breaks all the rules of Crime 101…</li><li>Broken: Police dispatcher Eva McNabb takes the call on a police officer’s brutal murder by a vicious drug gang.&nbsp;It’s her own kid, Danny.&nbsp;Then Eva makes her own call.&nbsp;Summoning her elder son, Jimmy, also a cop, Eva commands: Avenge your brother.&nbsp;I want you to kill them all.</li><li>The Last Ride: To former soldier and cowboy-turned-Border Patrol agent Cal Strickland, the illegals who try to jump his stretch of the Texas-Mexico border are a nameless, faceless group who need to be sent back to their side of the line. That is, until he sees the little girl in the cage. And Cal knows that the time has come to make a stand and help her escape.</li></ul>With his trademark blend of insight, humanity, humor, action, and the highest level of literary craftsmanship, Winslow delivers a collection of tales that have become classics of crime fiction.“While Winslow is in widely fluent in many different prose techniques&nbsp;— from the twisty punchline felonies of Elmore Leonard and Robert B. Parker to the&nbsp;rebop riffs of James Ellroy to mega-works of dark literature a la Cormac McCarthy and James Lee Burke&nbsp;— he's not 'copying' anyone. He's writing his OWN masterpieces and just happens to do so in the fashion appropriate to the work. . . . Every piece in&nbsp;Broken&nbsp;is a winner and compellingly different.”&nbsp;—&nbsp;The Day&nbsp;(CT)“Broken&nbsp;will make you laugh and cry, but in the end will explain why&nbsp;The New York Times&nbsp;thinks Winslow is simply ‘the greatest.’ . . . He crafts every sentence until it beats to a rhythm of its own. . . .&nbsp;Broken&nbsp;is devastating and brilliant.” —&nbsp;Sydney Morning Herald

A Novella

Crime 101 [Movie Tie-in]

The Leadership Playbook for the Age of Shock

One Week to Live

A Complicated Woman

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