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James Grieve: 100 Notes on Theatre
Directing

100 Notes on Theatre Directing

Performance Books

An Introduction to the Work and Principles of Augusto Boal

The Theatre of the Oppressed in Practice Today

the new magical mystery from the bestselling author of Spells for Forgetting

A Sea of Unspoken Things

Fabrication for Theatre and Entertainment

Fabrication for Theatre and Entertainment: Wood and Fiber Products is a complete reference guide to the process of working with wood products for scenic and properties construction for theatre and entertainment arts.

Fabrication for Theatre and Entertainment: Wood and Fiber Products

DI Ryan Wilkins Mysteries

The gripping fourth book in the DI Ryan Wilkins Mysteries, which started with A Killing in November.

the razor-sharp fourth book in the DI Ryan Wilkins Mysteries

A Voice in the Night

Few women in the history of cinema have taken on as many creative roles as Ida Lupino. Her forty-eight-year career spanned five decades and a variety of genres, mediums and diverse roles. This book delves into who Ida Lupino was on either side of the camera, both as a constructed screen persona and a creative individual working in the industry. Born in London in 1918 into a prestigious and long-established theatrical family, a teenage Lupino relocated to Hollywood to pursue a career in acting, signed first to Paramount Pictures and then Warner Brothers. By the 1950s she was acting for leading Hollywood studios and directing, producing, and writing social realist films for her own independent film company, The Filmakers. This book examines Ida Lupino's impressive cinematic and televisual career by exploring key themes that regularly occurred throughout her work and life. Concerned specifically with gender relations, alienation, and isolation and disability, the study argues both for Lupino's importance within cinematic history and the position of women within the industry more generally. The volume aims to better highlight Lupino's legacy, shining light on her overlooked and under-researched acting skills and star persona, as well as her established position as a serious filmmaker.

Multifaceted Performer and Cinematic Pioneer

Ida Lupino

Networked Bollywood&nbsp;provides interdisciplinary analysis of the role of the stars in the transformation of Hindi cinema into a global entertainment industry. The first Indian film was made in 1913. However, filmmaking was recognized as an industry almost a hundred years later. Yet, Indian films have been circulating globally since their inception. This book unearths this oft-elided history of Bollywood's globalization through multilingual, transnational research and discursive cultural analysis.&nbsp;The author illustrates how over the decades, a handful of primarily male megastars, as the heads of the industry's most prominent productions and corporations, combined overwhelming charismatic affect with unparalleled business influence. Through their ¿star switching power,¿ theorized here as a deeply gendered phenomenon and manifesting broader social inequalities, India's most prominent stars instigated new flows of cinema, industrial collaborations, structured distinctive business models, influenced state policy and diplomatic exchange, thereby defining the future of Bollywood's globalization.

Networked Bollywood&nbsp;provides interdisciplinary analysis of the role of the stars in the transformation of Hindi cinema into a global entertainment industry. The first Indian film was made in 1913. However, filmmaking was recognized as an industry almost a hundred years later. Yet, Indian films have been circulating globally since their inception. This book unearths this oft-elided history of Bollywood's globalization through multilingual, transnational research and discursive cultural analysis.&nbsp;The author illustrates how over the decades, a handful of primarily male megastars, as the heads of the industry's most prominent productions and corporations, combined overwhelming charismatic affect with unparalleled business influence. Through their “star switching power,” theorized here as a deeply gendered phenomenon and manifesting broader social inequalities, India's most prominent stars instigated new flows of cinema, industrial collaborations, structured distinctive business models, influenced state policy and diplomatic exchange, thereby defining the future of Bollywood's globalization.

How Star Power Globalized Hindi Cinema

Networked Bollywood

This collection analyzes Joshua Oppenheimer's diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. 

Featuring a new interview with Joshua Oppenheimer himself, On the Act of Looking affirms Oppenheimer's use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.

This collection analyzes Joshua Oppenheimer’s diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. 

Featuring a new interview with Joshua Oppenheimer himself, On the Act of Looking affirms Oppenheimer’s use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.

Reading Joshua Oppenheimer’s Diptych: The Act of Killing and The Look of Silence

On the Act of Looking

Modern European Cinema and Love

Below the Waist: Pads, Hoops, Crinolines and Bustles provides a wide range of historical patterns and instructions to construct a range of underpinnings, simple pads, a farthingale, 18th century hoops, 19th century crinolines and bustles.

Below the Waist: Pads, Hoops, Crinolines and Bustles provides a wide range of historical patterns and instructions to construct a range of underpinnings, simple pads, a farthingale, 18th century hoops, 19th century crinolines and bustles.The silhouette that enables us to recognize and date historical female garments owes a great deal to the underpinnings that support the costume. Historical underpinnings were constructed to hold and shape the outer garment, creating a silhouette unique to a particular period. The examination of a wide range of original garments forms the basis for each pattern in this book and includes historical information to support each pattern, providing a unique shape that gives a wider choice for the costumer to create an accurate period silhouette. Many of the garments are from unseen collections and present new patterns for the reader. Clear step-by-step instructions, with supporting diagrams, will enable the reader to produce an accurate period undergarment.Mandy Barrington‘s method of pattern drafting allows anyone, from students on costume construction courses to professionals working in the costuming industry, to draft and make an authentic historical underpinning.

Below the Waist: Pads, Hoops, Crinolines and Bustles

Ethiopia, 1982: After a decade of conflict, the government is determined to quash the Eritrean insurgency once and for all. As head of propaganda, it''s Tsegaye''s job to keep the people onside. When the Red Star Campaign lands him in Asmara, Tsegaye is swept up in the city''s nightlife, the bars and coffeehouses buzzing with spies and government agents. But even as Tsegaye begins to fall in love with Asmara ¿ and with bold, dazzling, enigmatic Fiammetta ¿ his misgivings about the campaign grow, and soon his loyalties will be tested to their limit. Tsegaye is confronted with the horror of war when the army attacks the insurgents'' mountain stronghold, and encounters betrayals that shake his faith in both the regime and human nature. A masterpiece of Ethiopian literature, Oromay is a thrilling political satire and a turbulent tale of love and war. It became an instant sensation when first published in 1983 and was quickly banned. Baalu Girma vanished in 1984, most likely kidnapped and murdered by the same regime in retaliation for this novel. Translated from Amharic by David DeGusta and Mesfin Felleke Yirgu

"Astonishing and compelling . . . Impossible to put down" Maaza Mengiste, author of The Shadow King Ethiopia, 1982: After a decade of conflict, the government is determined to quash the Eritrean insurgency once and for all. As head of propaganda, it's Tsegaye's job to keep the people onside. When the Red Star Campaign lands him in Asmara, Tsegaye is swept up in the city's nightlife, the bars and coffeehouses buzzing with spies and government agents. But even as Tsegaye begins to fall in love with Asmara ‒ and with bold, dazzling, enigmatic Fiammetta ‒ his misgivings about the campaign grow, and soon his loyalties will be tested to their limit. Tsegaye is confronted with the horror of war when the army attacks the insurgents' mountain stronghold, and encounters betrayals that shake his faith in both the regime and human nature. A masterpiece of Ethiopian literature, Oromay is a thrilling political satire and a turbulent tale of love and war. It became an instant sensation when first published in 1983 and was quickly banned. Baalu Girma vanished in 1984, most likely kidnapped and murdered by the same regime in retaliation for this novel. Translated from Amharic by David DeGusta and Mesfin Felleke Yirgu

War, betrayal and espionage in 1980s Ethiopia: a classic of African literature that sealed its author's fate

Oromay

100 Notes on Theatre Directing

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