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James Grieve: 100 Notes on Theatre
Directing

100 Notes on Theatre Directing

Physical Improvisation for Theatre Makers and Directors

The Pulse Approach

This unprecedented angle on the oeuvre of Robert Wilson reveals the importance of chair design for his cross-medium artFor American experimental theater stage director and playwright Robert Wilson (born 1941), theater is a totality of visual, textual and performative mediums. Wilson has incorporated furniture designs into his scenography since his earliest productions in the 1960s. "In almost all of my plays, there is a chair specially designed," he said. "Often, the chairs are much like an actor." Wilson's chairs, with their frequently referential names (the Kafka Chair, Queen Victoria Chairs, the Mondrian Chair), assume expanded significance as the surviving artifacts of each performance. The works in this publication range from 1969 to 2011, from the stainless steel mesh Parzival Sofa (1987) to the painted wood Clementine Hunter Rocker (2011). Wilson's practice as a designer is illuminated by his practice as a collector, with pieces in materials ranging from wood, bronze and steel to taxidermied legs, tempered glass and neon. This publication includes several works never previously exhibited.

Robert Wilson: Chairs

The Tuonela Duet

The Bear and the Nightingale meets Spinning Silver in this epic Finnish fantasy

North Is The Night

the new magical mystery from the bestselling author of Spells for Forgetting

A Sea of Unspoken Things

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

Emergency doctor and amatuer sleuth Tekla Berg grapples with her family's past as terror attack on Stockholm looms

Blood Will Tell

Theatre: Theory – Practice – Performance

Searching for the Left in a Fragmented World

Theatre, Activism, Subjectivity

Reimagining the American Musical

Opening Doors

Shakespeare in the Theatre

The first dedicated historical study of the Reduced Shakespeare Company, this book explores the troupe's four major Shakespearean works over the past four decades.

Shakespeare in the Theatre: Reduced Shakespeare Company

John Ford's America

100 Notes on Theatre Directing

Informations bibliographiques

Mots-clés

Informations bibliographiques

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