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Zaman: A Brief History of Iranian
Photography. Highlights of the Pirouz C

Zaman: A Brief History of Iranian Photography. Highlights of the Pirouz Collection

Becoming a Voice for Young People

The Hossein Afshar Collection

This expansive book considers twelve centuries of Persian ceramics through the lens of the extraordinary Hossein Afshar Collection

Persian Ceramics from the Hossein Afshar Collection

Constant Splendor

Progress in Political Economy

Capital Accumulation, State Formation and Geopolitics

Capitalism in Contemporary Iran

1820-2025

A History of Iran-US Relations

From Emperors to Shahs to Ayatollahs, Hashim's revealing book explores how Iran has sought to defend itself and project power.

From Emperors to Shahs to Ayatollahs, Hashim's revealing book explores how Iran has sought to defend itself and project power.

From Cyrus the Great to Qassam Soleimani

Iranian Ways of War

Now in its seventh edition, Middle East Patterns continues to be the most comprehensive and authoritative geographical study of the region. Coauthors Colbert C. Held and John Thomas Cummings examine a wide range of geographic, ethnographic, and political patterns of the Middle East, and explore their relationship with, and effect on, the history, economics and human and social development of the region. The book is divided into two parts: The first covers the region from a topical perspective, and the second provides in-depth country-by-country coverage.The seventh edition now includes new chapters on rural life and urban life in Part I, a new chapter on North Africa in Part II, and additional discussions of environmental issues and gender. It has also been updated with the latest data and coverage of events since 2013, including the aftermath of the Arab uprisings, the Libyan and Syrian crises, and the rise of ISIS. Richly illustrated with more than 200 photos and maps and supported by pedagogical elements like key point summaries and a glossary, this acclaimed book remains the best and most accessible resource for students and general readers who seek to understand the spatial dynamics of the Middle East.

Now in its seventh edition, Middle East Patterns continues to be the most comprehensive and authoritative geographical study of the region. Coauthors Colbert C. Held and John Thomas Cummings examine a wide range of geographic, ethnographic, and political patterns of the Middle East, and explore their relationship with, and effect on, the history, economics and human and social development of the region. The book is divided into two parts: The first covers the region from a topical perspective, and the second provides in-depth country-by-country coverage.The seventh edition now includes new chapters on rural life and urban life in Part I, a new chapter on North Africa in Part II, and additional discussions of environmental issues and gender. It has also been updated with the latest data and coverage of events since 2013, including the aftermath of the Arab uprisings, the Libyan and Syrian crises, and the rise of ISIS. Richly illustrated with more than 200 photos and maps and supported by pedagogical elements like key point summaries and a glossary, this acclaimed book remains the best and most accessible resource for students and general readers who seek to understand the spatial dynamics of the Middle East.

Places, People, and Politics

Middle East Patterns

Adolf Hitler's plan to break British morale during the months after the D-Day landings in June 1944 involved the invention and implementation of the world's first rocket delivered warhead - the V1, or 'Doodle Bug' as it was christened by Londoners. Thousands were launched from their sites in the Low Countries against the British capital, killing 6,184 people and injuring 17,981. As the launch sites for the V1 were captured by Allied forces advancing through Belgium and into the Netherlands, a new, more terrifying rocket now hit London in mid-September, seemingly out of thin air - the V2. A streamlined rocket which stood as tall as a four-storey building, the V2 was highly advanced technology. Powered by a rocket engine burning a mix of alcohol-water and liquid oxygen, it blasted its way to the edge of space, before falling back to Earth at supersonic speed. Unlike the successes allied pilots and anti-aircraft crews had enjoyed shooting down the slower and more cumbersome V1, the V2 struck London almost undetected. It truly was Hitler's terror weapon made devastatingly real, causing over 30,000 casualties and leaving hundreds of thousands homeless, with the randomness of the strikes unnerving the British public even though their destructive capacity was less than the Blitz in 1940-41. But Winston Churchill's intelligence chiefs of SOE had known of the weapon weeks before it first struck the mainland as the Nazi boffins (led by Werner Von Braun who would go onto fame with the US Apollo Missions in the 1960s) tested the V2 in Eastern Europe. Away from prying eyes. Or, so they thought. In Stealing Hitler's Rocket, historian Guy Walters will reveal the true extent to how much we knew of this modern-day weapon and the operation by the Polish resistance to enable Britain and her allies to prepare for the day of reckoning.

The Incredible Mission to Smuggle a V2 out of Nazi-Occupied Europe to Britain

Stealing Hitler's Rocket

Nazi Germany, Soviet Russia, and the Fate of the Jews

World Enemy No. 1

New Regionalisms Series

Tackles the fundamental question of how these commercial, financial and strategic connections are likely to transform or rearrange the Gulf's long-standing partnerships with the United States and the European Union.

Tackles the fundamental question of how these commercial, financial and strategic connections are likely to transform or rearrange the Gulf's long-standing partnerships with the United States and the European Union.

Charting GCC and Iranian Inter-Asian Relations

The Gulf Across East and West

Islam and Politics in the Modern Middle East

Routledge New Directions in PR & Communication Research

The book argues that the Palestinian response to the challenge of promoting their cause is to extend their repertoire of public relations communication tactics. It explores the discursive strategies employed by Palestinian communication strategists, across the range of political allegiances, via public relations techniques to advance the cause of statehood. These tactics have emerged not only as the result of planned strategy but also through improvisation and informal responses to outside pressures.

The book argues that the Palestinian response to the challenge of promoting their cause is to extend their repertoire of public relations communication tactics. It explores the discursive strategies employed by Palestinian communication strategists, across the range of political allegiances, via public relations techniques to advance the cause of statehood. It also explores how the growing number of professional communicators use strategic communication to position key ‘national’ issues. These tactics have emerged not only as the result of planned strategy but also through improvisation and informal responses to outside pressures. Whether this increasing coherence and confidence arises from the growing availability of professional communication planning expertise, or the decreasing cost barriers associated with digital media, the outcome has been greater international political recognition for Palestine. By illustrating this effectiveness and symbolic coherence in the face of both poor internal mass media structures and political constraints, the Palestinian example may offer insights for other aspiring national movements and for public diplomacy.

Public Relations Strategies in Promoting Palestine

Communicating Statehood

Die reich bebilderte Publikation zeigt herausragende Werke der amerikanischen Nachkriegskunst im Vorfeld der Eröffnung des Museum Reinhard Ernst in Wiesbaden. Angefangen bei Josef Albers über Helen Frankenthaler bis hin zu Andy Warhol und Julian Schnabel illustrieren sie die eindrucksvolle Vielfalt abstrakter Positionen jenseits des Atlantiks.Den Facettenreichtum von rund 70 Jahren amerikanischer Abstraktion offenbart der Blick auf einflussreiche Einzelpositionen und auf Künstlergruppierungen wie die New York School und die Washington Color School. Expressive Formspiele treffen auf streng geometrische Kompositionen, malerische Werke treten in Dialog mit skulpturalen Objekten. Bei aller Verschiedenheit unterstreichen die 110 Werke von 45 Künstlerinnen und Künstlern vor allem die große Freude an der Farbe.

Künstler*innen:
Josef Albers, Richard Anuszkiewicz, Norman Bluhm, David Budd, John Chamberlain, Oscar Chelimsky, Gene Davis, Richard Diebenkorn, Friedel Dzubas, Sam Francis, Ruth Francken, Helen Frankenthaler, Adolph Gottlieb, Peter Halley, Hans Hofmann, Paul Jenkins, Franz Kline, John Franklin Koenig, Willem de Kooning, Lee Krasner, John Levee, Morris Louis, Robert Mangold, Conrad Marca-Relli, Brice Marden, Joseph Marioni, Ed Moses, Robert Motherwell, Kenneth Noland, Jules Olitski, Jackson Pollock, Larry Poons, Robert Rauschenberg, Julian Schnabel, John Seery, Richard Serra, Theodoros Stamos, Frank Stella, Walasse Ting, Mark Tobey, Esteban Vicente, Andy Warhol, Tom Wesselmann, Frank Lloyd Wright, Kenneth Victor Young

American Painting in the Collection Reinhard Ernst

Abstract Expressionism - And Beyond

Zaman: A Brief History of Iranian Photography. Highlights of the ...

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