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Paney A: Your First Year as an
Elementary Music Teacher

Your First Year as an Elementary Music Teacher

A Practical Guide for New Educators

Anthem Impact in Music Business, Technology and Culture

When people develop technologies to distribute music, records act like it will destroy music. This book shows these narratives are about reconfiguring power.

From Taping to Napster to TikTok

Music Technology Panic Narratives Beyond Piracy

Music Theory in Britain, 1500–1700: Critical Editions

A Critical Edition, Volume 1

Thomas Morley: A Plaine and Easie Introduction to Practicall Musick (1597)

California Studies in Music, Sound, and Media

Making Music in Cybernetic America

The Composer's Black Box

What does gentrification sound like? In Intersectional Listening, author Allie Martin engages this question in Washington, DC, asking how Black people experience gentrification as a sonic, racialized process. Drawing from music, interviews, soundscape recordings, and more, Martin argues that gentrification ultimately serves to silence some voices and amplify others.

Gentrification and Black Sonic Life in Washington, DC

Intersectional Listening

Elliot Carter

An Intimate History of Rough Trade

Document And Eyewitness

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Strategies for Digital Creativity

Musical Composition in Max/MSP

Music Pro Guides

Want the lowdown on making great music, promoting it, and protecting it--all while earning the royalties you deserve? This is the essential guide for students and professionals, written by two industry veterans. The second edition contains updated information on AI tools, streaming, new strategies for pitching and placing songs, and much more.

Business and Creative Perspectives for the New Music Industry

Introduction to Music Publishing for Musicians

SOAS Studies in Music

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book's second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author's own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict, in a search of methodology for improving the effectiveness of current practices

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book’s second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author’s own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict,in a search of methodology for improving the effectiveness of current practices.

Music as Cultural Diplomacy: Using Improvisation as a Creative Tool

Raised on Radio

The Glasgow Improvisers Orchestra and the Theater of Home

New Directions in Musical Collaborative Creativity

Musicians on Twitch: Creativity, Challenges, and the Reality Behind Live Streaming examines the lives of musicians navigating Twitch's attention-driven ecosystem. Through interviews and observations, it reveals the tensions between creativity, financial stability, and well-being, offering critical insights into the intersection of music.

Creativity, Struggles, and the Reality Behind Live Streaming

Musicians on Twitch

Your First Year as an Elementary Music Teacher

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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