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Groys Boris: Writings on Art and
Politics

Writings on Art and Politics

Is Europe a global actor? It all depends on which 'Europe', one means. There is no such thing as a European foreign, security or defence policy, in the sense of a coordinated ensemble of national, EU and NATO initiatives, only European foreign, security and defence policies, pursued by different actors, sometimes in coordination, sometimes alongside each other, sometimes in competition. National sovereignty prevails. Decisions are taken in the capitals and acting through the EU or NATO are just two options in addition to, and no more important than, the national option. The Ashgate Research Companion to the Foreign Policies of Europe starts its analysis then from the national level. Expert contributors consider the interests, policies and impact of the European states across regions, key issues and relationships and consider whether decisions made out of national interest can continue to meet the security, defence, economic and environmental challenges of Europe in the 21st century.

Is Europe a global actor? It all depends on which 'Europe', one means. There is no such thing as a European foreign, security or defence policy, in the sense of a coordinated ensemble of national, EU and NATO initiatives, only European foreign, security and defence policies, pursued by different actors, sometimes in coordination, sometimes alongside each other, sometimes in competition. National sovereignty prevails. Decisions are taken in the capitals and acting through the EU or NATO are just two options in addition to, and no more important than, the national option.   The Ashgate Research Companion to the Foreign Policies of Europe starts its analysis then from the national level. Expert contributors consider the interests, policies and impact of the European states across regions, key issues and relationships and consider whether decisions made out of national interest can continue to meet the security, defence, economic and environmental challenges of Europe in the 21st century.

The Ashgate Research Companion to the Foreign Policies of Europe

The Routledge Guides to the Great Books

The Routledge Guidebook to Marx's Capital

Bringing together Michel Foucault's aesthetics of existence and Richard Shusterman's somaesthetics, this volume provides a critical comparison of two of the most influential philosophical theories of the late 20th and early 21st centuries. Introduced by a comprehensive overview of both concepts by editors Stefano Marino and Valentina Antoniol, the ensuing chapters interrogate the affinities and variances between Foucault's and Shusterman's philosophies. Building on the interdisciplinary character of somaesthetics and aesthetics of existence, international scholars explore these ideas through a wide range of topics ranging from care of the self and of the social self to the ethical and political challenges posed by themes as white ignorance, construction of resistances, and production of subjectivities. Given the central role played by the body in both concepts, this volume also affords particular attention to the philosophy of sexuality. Demonstrating the value of reading these two thinkers together through the adoption of radical interpretive perspectives, Foucault's Aesthetics of Existence and Shusterman's Somaesthetics highlights the potentialities and the relevance of Foucault's and Shusterman's theories, even with respect to our actualité.

Ethics, Politics, and the Art of Living

Foucault's Aesthetics of Existence and Shusterman's Somaesthetics

The Routledge Guidebook to Kierkegaard’s Either/Or

Art as worldmaking is both a tribute to the distinguished art historian Alex Potts and a searching response to his important work on realism as a critical aesthetic, most notably the 2013 book Experiments in modern realism. The collection comprises twenty original essays by leading scholars in the field, written from a variety of theoretical and critical perspectives. They test Potts's recasting of realism, developed primarily through interpretations of European and American postwar art, against art produced in different media, places and periods, from eighth-century Chinese gardens to twenty-first-century video work by the Russian collective Radek Community. Individual chapters offer novel readings of classic instances of pictorial realism by Menzel and Eakins, and reconsider the question of nineteenth-century realism's historical antecedents. Overall, though, the volume has a contemporary orientation, in that it is concerned with the questions that sculpture, photography and non-traditional media pose for realism as an aesthetic norm. Featuring contributions from T. J. Clark, Thomas Crow, Briony Fer, Tamar Garb, Lisa Tickner and Anne M. Wagner, along with other established and emerging scholars, Art as worldmaking is a bold contribution to a central question in art theory and history. It is compelling reading for anyone concerned with art's truth value, or more broadly with conceptual problems of representation and the intersections of art and politics.

Critical Essays on Realism and Naturalism

Art as Worldmaking

Routledge Research on Decoloniality and New Postcolonialisms

This book analyzes the philosophical "voyages" of the Muslim self through close readings of 20th century South Asian works in the Muslim modernist, Marxist, and postcolonial intellectual traditions. It demonstrates how the legacies of Marxisms and anti-colonial humanisms have shaped Muslim Anglophone literatures of the present.The book concentrates on Indo-Pakistani political and literary forms related to subjectivity by writers who lived in Britain, or who are British, such as Muhammad Iqbal, Ahmed Ali, Zulfikar Ghose, Hanif Kureishi, and Kamila Shamsie. Building on Brennan's new theory of anticolonialism, it emphasizes neglected relationships in both postcolonial and materialist conceptions of subjectivity, such as the dialectic between oral culture and religion.This book offers groundbreaking and innovative new perspectives, consituting a shift to a new generation of postcolonial studies focused on humanism. It will be of interest to students and scholars in Geography, Asian Studies, Literature, and Cultural Studies.

This book analyzes the philosophical "voyages" of the Muslim self through close readings of 20th century South Asian works in the Muslim modernist, Marxist, and postcolonial intellectual traditions. It demonstrates how the legacies of Marxisms and anti-colonial humanisms have shaped Muslim Anglophone literatures of the present.The book concentrates on Indo-Pakistani political and literary forms related to subjectivity by writers who lived in Britain, or who are British, such as Muhammad Iqbal, Ahmed Ali, Zulfikar Ghose, Hanif Kureishi, and Kamila Shamsie. Building on Brennan’s new theory of anticolonialism, it emphasizes neglected relationships in both postcolonial and materialist conceptions of subjectivity, such as the dialectic between oral culture and religion.This book offers groundbreaking and innovative new perspectives, consituting a shift to a new generation of postcolonial studies focused on humanism. It will be of interest to students and scholars in Geography, Asian Studies, Literature, and Cultural Studies.

Political Philosophy and Continental Thought

Muslims in World Literature

Law, Development and Globalization

Sovereignty, Human Rights and Global Order addresses the question of whether sovereignty is an instrument of, or an impediment to, cosmopolitan visions of global governance. Sam Adelman offers a sustained examination of the contemporary phenomenon of sovereignty, arguing that it is only in overcoming the sovereign capacity to condone unnatural death that the possibility of an alternative, and human rights based, global order lies.

Addresses the question of whether sovereignty is an instrument of, or an impediment to, cosmopolitan visions of global governance.

Sovereignty, Human Rights and Global Order

Aesthetics and Contemporary Art

James Hyde, a practicing painter, boldly revises the concept of space in the European history of art. He presents it as a concept bound to historical circumstance, developing -sometimes contentiously-in philosophy, mathematics and science, and finally emerging in 20th century theorizations of art. Using primary documents, Hyde exposes what many will find surprising-that space only becomes part of the descriptive and analytic apparatus of art and architecture at the turn of the 20th century, not earlier. Hyde examines narratives that have shaped our understanding of the history of art and their explanatory efficacy in the context of the transformations of 13th and 15th century Italian art. He offers insights into the relationship between painting, architecture, icons and narrative pictures, the effects of St. Francis's miracles on painting and the essential diagrammatical nature of Renaissance perspective. The arrival of space into discussions about art introduces Kant, Leibniz, Apollonaire and Adolf von Hildebrand into the story. Hyde considers how and why artists and historians appropriated space at the end of the 19th century, as well as how space moved from the discourse of Neoclassical sculpture and Cubism to its prominence in discussions of art today. Hyde's original reading of the definition of space and the cultural forces that shaped it provides a re-envisioning of the foundations of art history and the philosophy of art.

Controversies, Contradictions and its Rise to Prominence

The Trouble with Space in Painting

Patipolitics looks at what it means to enjoy the body under technocapitalism, arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics looks at what it means to enjoy the body under technocapitalism, arguing that we need a new paradigm to talk about sexual enjoyment and suffering. It is not just biological life (biopolitics), nor even political death (necropolitics) that has power, but also regimes of enjoyment. In simple terms the paradoxical, ambivalent and traumatic realm of the sexual: a deadly enjoyment that demands satisfaction yet cannot be sated. This is Patipolitics, from the Latin patior- to suffer, which for psychoanalysis is also to enjoy.

The body is governed by a dizzying array of institutions: the family, social media, religion and the culture industries. These sites provide contexts for enjoying the body such as: self-image, object choice, identification, erogenous zones, taboos, codes of sexual morality, inhibitions, violence, and bodily abjection. But it is the ways in which these modalities are harnessed by apparatuses of power which makes them patipolitical.

Patipolitics examines how the body is instrumentalised, weaponised and fantasized through science, technology and capitalism. After highlighting the destructive and oppressive elements of patipolitics, the book elucidates the positive and generative dimensions to the patipolitical. The female body and its place in the masculine imaginary obscures a genuine enigma about the sexual body and power. Ultimately if patipolitics is to be affirmative as opposed to destructive we must ask what alternative future it can help us to imagine?

Patipolitics

Routledge Advances in Art and Visual Studies

This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

Charles Darwin’s theory of evolution bore a decisive influence on aesthetic thought that was nothing if not diverse. From biological models to European paintings, Darwinian theory offered art historians and artists a rich, evocative lens through which to view the world anew. This volume explores the effect of Darwinian theory on visual culture through analysis of popular graphics, scientific illustration, natural history diorama, as well as the more traditional art historical material such as painting and sculpture. It extends the discussion to examine the lasting impact the theory of evolution has had on the development of art history as an academic discipline.

The Darwin Effect

Evolutionary Theory and Visual Culture

Money, Labour, the Police

Abolish Everything?

Rethinking Asia and International Relations

India and Pakistan's strategic thinking has unfolded hence shifting re-constructions of India-PakistanâEUR(TM)s nationalist identities, (in)securities and their nuclear policy choices. Through a blend of materialism and constructivism, this study not only recasts the dynamics of India-PakistanâEUR(TM)s nuclear politics from a more non-traditional angle, but also contains policy implications by drawing attention to how ideological underpinnings of policy makers - who interpret and construct their world of strategic thinking - impact inter-state nuclear security affairs.

India and Pakistan's strategic thinking has unfolded hence shifting re-constructions of India-Pakistan’s nationalist identities, (in)securities and their nuclear policy choices. Through a blend of materialism and constructivism, this study not only recasts the dynamics of India-Pakistan’s nuclear politics from a more non-traditional angle, but also contains policy implications by drawing attention to how ideological underpinnings of policy makers - who interpret and construct their world of strategic thinking - impact inter-state nuclear security affairs.

Strategic Culture, Identity and (in)Security in International Politics

Interpreting Nuclear India and Pakistan

Writings on Art and Politics

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