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Benjamin Kindler examines how writing transformed the Chinese Revolution even as the revolution remade what it meant to write.

Benjamin Kindler examines how writing transformed the Chinese Revolution even as the revolution remade what it meant to write.

Kindler B: Writing to the Rhythm of
Labor

Writing to the Rhythm of Labor

Cultural Politics of the Chinese Revolution, 1942–1976

The Cambridge China Library

Volume 3 of the official Chinese Communist Party biography of Mao Zedong. This volume covers Mao's career in the period, 1958-1976. This is a unique source through which to view the ways in which the transformative events of the twentieth century have been understood and portrayed in contemporary China.

Volume 3 of the official Chinese Communist Party biography of Mao Zedong. This volume covers Mao's career in the period, 1958â€“1976. This is a unique source through which to view the ways in which the transformative events of the twentieth century have been understood and portrayed in contemporary China.

Mao Zedong

Critical Concepts in Asian Studies

Marketing in China and East Asia CC 4V

Routledge Introductions to American Literature

In this latest addition to the Routledge Studies in American Literature series, Frederick Luis Aldama, shows the rich, evolving tapestry that makes up Latino/a literature across time as well as geographical and institutional spaces, touching on fundamental backdrops like political issues surrounding migration/immigration to the US as well as Central American, South American, and Caribbean political, social and cultural influences that have each added considerable depth, contrast, and variation to this tapestry.

The topic of Latino/a Literature is not as easily identifiable as it may seem. The definition itself of Latino can change depending on who you are talking to—so, what do we mean in this case, and what will this book explore? In this latest addition to the Routledge Studies in American Literature series, Frederick Luis Aldama, shows the rich, evolving tapestry that makes up "Latino/a literature" across time as well as geographical and institutional spaces, touching on fundamental backdrops like political issues surrounding migration/immigration to the US as well as Central American, South American, and Caribbean political, social and cultural influences that have each added considerable depth, contrast, and variation to the tapestry. This impressive and increasingly influential body of literature that continues to transform the US in countless ways has been underrepresented in the academic community. With the majority minority of the country quickly becoming the majority in some states, Latino/a literature needs more to be given more attention which is exactly what Aldama brilliantly achieves with this new study that covers well know and lesser known works by Latino/a writes of the last few centuries and gives context to the times and environment in which they were written. Offering readers an exceptionally comprehensive review of this vital and under-explored subject, Aldama’s Introduction to Latino/a Literature promises to be an indispensable text.

Introduction to Latina/o Literature

Oxford World's Classics

Death in Venice and Other Stories

Doctor Faustus

The Little Ice Age and the Fall of Ming China

The Price of Collapse

Meet the epic fantasy debut of the year

The Poet Empress

This book provides an introduction to Chinese sociological thinking, including main theories and theoretical debates, empirical findings in selected areas, and some key ongoing projects and research issues.

This book provides an introduction to Chinese sociological thinking, including main theories and theoretical debates, empirical findings in selected areas, and some key ongoing projects and research issues.

An Introduction to Chinese Sociology

Routledge Interdisciplinary Perspectives on Literature

This book explores zombies, vampires, and witches in contemporary popular culture from a feminist perspective, analyzing a range of novels, television series, and films. Though some popular texts (from Harry Potter to Twilight) still use historically inherited conventions, many millennial texts (like True Blood, Maleficent, and The Walking Dead) utilize feminist-friendly monster-figures to critique regressive patriarchal ideologies, champion female monstrosity and female agency, and/or envision alternative socio-cultural formations. This book contributes to discussions in feminism, popular culture, gender and sexuality studies, cultural studies, film studies, and contemporary literature.

This book explores three monstrous figures prominent in contemporary popular culture—zombies, vampires, and witches—from a feminist perspective, visiting a range of novels, television series, and films from the 1990s-2010s. Though some popular mainstream texts (from Harry Potter to Twilight) still participate in historically inherited conventions, feminist analysis reveals that many millennial texts utilize monster-figures to critique regressive patriarchal ideologies and/or champion female monstrosity and (human) female agency. Rather than using zombies, vampires, and witches to conserve the status quo, millennial monsters and human heroes, especially female ones, are often deployed to envision a more feminist, egalitarian future with less violence and more social justice. In a culture in which post-feminist voices contend that feminists have achieved their aims and are thus no longer needed, this book argues instead that there still is a dire need for critical, active feminism. Monsters, creatures both incredibly potent and popular, can serve as conduits through which to lay bare existing problems and reveal possible ways forward. Popular texts like True Blood, Frozen, Maleficent, World War Z, and The Walking Dead use powerful female monsters and heroes not only to resist those forces that wish to maintain the status quo, but also to envision alternative socio-cultural formations. This book will contribute to essential discussions in feminism, popular culture, gender and sexuality studies, cultural studies, film studies, and contemporary literature.

Radical Monstrosity in Literature, Film, and TV

Feminist Perspectives on Contemporary Zombies, Vampires, and Witches

Transforming the Politics of Housing

Feeling at Home

Extreme Politicization without Political Consequences

Hyperpolitics

This book explores the ways in which Latin American writers produced aesthetic and political discourses on World War I as a Latin American literary event. Siskind sheds light on the possibility of understanding World War I not just as a European affair, but also as a privileged symbolic horizon against which some of the most important Latin American writers of that period worked through collective and individual anxieties. This corpus sheds light on the interwoven meaning of the nation, modernity, cosmopolitan ethical demands, and the globalization of mass violence. It proposes productive dialogues and polemics with the fields of war literature and global modernisms.

This book explores the ways in which Latin American poets, novelists, journalists, public intellectuals, and a vast number of unknown soldier-memorialists produced aesthetic and political discourses on World War I as a Latin American literary event. Siskind presents a unified Latin American corpus that sheds light on the possibility of understanding World War I not just as a European affair, but also as a privileged symbolic horizon against which some of the most important Latin American writers of that period worked through collective and individual anxieties. This corpus sheds light on the interwoven meaning of the nation, modernity, cosmopolitan ethical demands, and the globalization of mass violence. The book interrogates wars (and world wars in particular) as they break down and rearrange the spatial meaning of particular world mappings, and how Latin American writers anxious about their place in the universalized order of modernity might have perceived these shifts as an opportunity to negotiate symbolic re-inscriptions of their political and aesthetic horizon. Looking at texts on ruins and trenches, on spies and politics, on everyday life and affective engagements with the traumatic core of the war, this book unveils a historical and literary archive that reconceptualizes and expands the globality of World War I, inscribing Latin American writers in its discursive making. It proposes productive dialogues and polemics with the fields of British, French, and German war literature (whether modernist, moralist, or sentimental), as well as with the emerging critical discourses of postcolonial war literature and global modernisms.

On the Globality of World War I

Latin American Literature and the Great War

Writing to the Rhythm of Labor

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