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Jeppie Shamil: Writing Timbuktu

Writing Timbuktu

The Book in West African History

A Search for the Magical Powers of Language

The Grammar of Angels

Golden Age Spanish on the Jacobean Stage challenges the received wisdom that, although Fletcher, Massinger, and other Jacobean dramatists drew on Spanish material, their engagement with Spanish literature was limited to exploiting Spanish authors for good plots. Instead, Mary Dudy posits that Fletcher's engagement with Spanish culture was vastly more profound than has previously been recognized; and in fact, that it constitutes a vital, integral element in his dramatic achievement.

Golden Age Spanish on the Jacobean Stage challenges the received wisdom that, although Fletcher, Massinger, and other Jacobean dramatists drew on Spanish material, English playwrights' engagement with Spanish literature was limited to exploiting Spanish authors for good plots.  Instead, Mary Dudy posits that Fletcher's engagement with Spanish culture was vastly more profound than has previously been recognized; and in fact, that it constitutes a vital, integral element in his dramatic achievement.  Her analysis shows that Fletcher's acquaintance with Spanish novels led the playwright to experiment with significantly different ways of handling the main themes of his artistry.    This study explores Fletcher's repeated use of Golden Age Spanish literature, especially Cervantes, in the context of political and cultural factors that rendered England's relationship to Spain more complex than ever during the reign of James I.  Golden Age Spanish on the Jacobean Stage leads inexorably to the conclusion that in order to gain the fullest possible understanding of later English Renaissance drama, we must think through the Spanish question.

John Fletcher's Reading and Writing of Cervantes & Co

Golden Age Spain on the Jacobean Stage

Women and Gender in the Early Modern World

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

Looking beyond Don Quixote and the popular theater, this study brings together non-canonical works from Spanish and Spanish American colonial writers in diverse genres, to illustrate the multi-faceted possibilities and the cultural limitations of representations of mothers and mothering in this period.

The Maternal Imaginary in Early Modern Hispanic Culture

A prominent British-Nigerian writer's odyssey through a West Africa now starkly different from that of his youth.

In Search of West Africa

Shine Your Eye

African Governance, Development, and Leadership

Election Administration and Reforms in Nigeria's Fourth Republic

Arden Early Modern Drama

An annotated edition of Marlowe's much-studied drama of pasion and politics which gives students a wealth of contextual and critical insight as well as examining the play in performance. Marlowe's possible status as spy, atheist, double-agent, blasphemer, counterfeiter, and/or queer has made him seem not just of an age, but of our time as well.

Edward II

Routledge African Studies

This book offers an ethnographic perspective on the practice of Global AIDS treatment in Africa, focused on local Catholic providers in Uganda. By demonstrating how Global AIDS treatment contributes to the local production of new inequalities, the book provides novel lessons on central contradictions of development and humanitarian practice.

This book offers an ethnographic perspective on the practice of Global AIDS treatment in Africa, focused on local Catholic providers in Uganda. By demonstrating how Global AIDS treatment contributes to the local production of new inequalities, the book provides novel lessons on central contradictions of development and humanitarian practice.

AIDS Treatment, Religion and the Politics of Life

Saving Lives in Africa

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. He argues that the novel as a character-driven genre emerged from philosophical and scientific thinking about consciousness and that James's canonization must be reexamined in the context of the philosophical, physiological, and biological discourses on which he drew in his theory and practice as a novelist.

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. Rawlings argues that the novel as a genre anchored in the representation of character emerged from philosophical and scientific thinking about consciousness and experience that begins in the late seventeenth century and encompasses two hundred years of traffic between Europe and America. His ambitious study explores the significance of American thinkers and their European antecedents, from Jonathan Edwards to Josiah Royce, aligning James's 1884 essay "The Art of Fiction" with contemporary thinking on consciousness and its dense, ramifying aetiology. By this point, Herbert Spencer had extended Darwin's evolutionary thinking into the social domain, disrupting ideas about consciousness as allied with the soul even as the fin-de-siècle enthusiasm for panpsychism and the paranormal made a last stand against the New Sciences. A major contention of Rawlings's book is that Henry James should not and cannot be isolated from the urgent need to rethink what seminal critics such as Ian Watt and Marthe Robert have said about the procession of the novel from prose fiction. James's canonization by the New Critics motivates Rawlings's reexamination of Walter Scott, Jane Austen, Susan Warner, and George Eliot, among others, in the context of the vast range of eighteenth- and nineteenth-century European and North American philosophical, physiological, and biological discourses on which James drew in his theory and practice as a novelist.

Henry James, Consciousness, and the Evolution of the Novel

Ideas in Context

Public Opinion and Popular Sovereignty from Rousseau to Liberal Democracy

The People's Two Powers

Classic Essays in Jewish History

Jews in the Ottoman Empire and North Africa

Schizoanalytic Applications

Deleuzo-Guattarian philosophy provides crucial insights for assessing the post-neoliberal era in this cutting-edge volume of anti-capitalist scholarship. It maps the critical new assemblages emerging out of decades of neoliberalism to diagnose contemporary and future discontent. Working alongside other forms of inquiry into the post-neoliberal era, the volume proposes a novel combination of ethics and Deleuzo-Guattarian philosophy to understand the post-neoliberal era. Contributors argue that current critiques of neoliberalism ignore the determining role of colonialism and the accelerated threat of climate breakdown. They highlight the precariousness of our planetary existence and propose new forms of inquiry into Deleuzo-Guattarian becoming. Deleuze, Guattari and the Schizoanalysis of Post-Neoliberalism considers new modes of capitalism, societies built on exhaustion, digital power, education, agroforestry, as well as literary texts that characterise the post-neoliberal era. Alongside these critical positions, the volume uses an ethical framework to challenge dialectical divisions in neoliberal critique. In the process, the essays remap the antagonisms, discontents and tensions of current post-neoliberal becoming.

Deleuze, Guattari and the Schizoanalysis of Post-Neoliberalism

French-colonial Policy, Rabbis and Halachic Writing

Indigenous Judaism in Colonial Algeria

Writing Timbuktu

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

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