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Tombro M: Writing about Objects

Writing about Objects

Crafting Nonfiction from Things

Dressays is an anthology of thought-provoking essays exploring how clothing can reveal the complex, deeply felt bonds we have with ourselves, our communities and the worlds through which we move. These deeply personal narratives demonstrate how, whether saturated with emotion or charged with political significance, dress both bears and shapes meaning. Collectively, they show how dress is as inextricable from shared cultures and histories as we are from the garments we wear. The contributions in this anthology articulate what is often felt but not seen when it comes to dress: how it ties us to other people, how it hides us even as it makes us visible, and how it helps us navigate and participate in our communities. They offer insight into a wide spectrum of human experiences, including how clothes relate to experiences of disability, chronic illness, religious faith, self-alienation and grief; of caring for a loved one, of being racialised, of coming to terms with one's sexuality, and of custodianship of the natural world. By revealing how garments and accessories form the threshold of our experience of the world, these essays show just how entangled with both they are.

An Anthology of Writing about Clothing

Dressays

Bringing together essays from neurodivergent and disabled writers, and writers with chronic illnesses, this collection explores the impact of these experiences and the struggle against such biases within the field of creative writing. Whilst neuro-divergent and disabled writers publish world-class poetry, prose, and drama that moves readers and wins awards, they face many difficulties accessing these achievements - difficulties which often go unnoticed, unmentioned, and underappreciated. Visibility, insight, alternative approaches, and thorough research are all needed to create more inclusive writing environments. This book confronts these issues head on, calling for diversity in the creative writing field, community, and industry, and more equitable spaces in adjacent arenas from academia to publishing. Broken into four sections, this anthology focuses on creative writing programs, classrooms, the community, and its people, combining narrative, research and practical contributions to the field to offer a mix of practical strategies, personal and pedagogical interventions, critiques, and craft meditations that explore teaching, transformation, evolution, embodied craft, visibility, belonging, injustice, otherness, and views from the outside. With essays and excerpts written by authors and educators from across seven countries, who are each impacted by a wide range of disabilities, including ADHD, autism, blindness, dyslexia, dyspraxia, stroke aphasia, cerebral palsy, bipolar, fibromyalgia, and rheumatoid arthritis, this collection informs, deconstructs and re-imagines to reform and revolutionize normative structures within writing institutions and communities.

Disability, Illness, Neurodivergence, and Ableism in Creative Writing

Divergent Writers

Global Institutions

This book explores the political language of multilateralism in the context of three United Nations (UN) pillars: human rights, peace and security, and development. Focussing on the debates, ideas, and practices of international cooperation that have dominated the UN agenda since the early 1990s, it shows how a conceptual understanding of multilateralism could help strengthen the international community to face uncertainty and crises.The authors analyze the language of multilateralism as employed when the UN handles cases of transnational challenges and seeks to establish an international response and argue that conceptual politics of multilateralism taking place in the UN concerning key contemporary challenges illustrate a lack of shared understanding of multilateralism but also a broad interest to promote alternatives for multilateral cooperation as an activity. Case studies illustrate the politics of multilateralism as an analytical concept and trace the practices, debates, and related concepts such as sovereignty, legitimacy, and authority.This volume will appeal to scholars of political theory, international organizations, global governance, and international relations, as well as practitioners at think tanks and international organizations

The Political Language of Multilateralism in the United Nations

With rejection and intense commitment such integral parts of the writing life, many struggle to stay with the creative process. Combining explorations of perseverance, intention, riding through failure, and meaning-making with bringing oneself fully into one's art, Stay With It offers writers practices to sustain their writing and their creative life. Through a hybrid of craft, pedagogy, memoir and personal essay that call upon reflective exercises and prompts, Cindy Shearer helps writers understand themselves as artists as well as the nature of writing as an artistic process and practice. Drawing on knowledge from art forms beyond writing, from dancing to visual art, this book shows writers how to: - Develop their own tools for sustaining their practice that are adaptable and unique to them - See rules as opportunities and that there is no right or required process - Recognize failure as a way to probe what they really want as writers - Ask questions to understand their markets and create sustainable processes based on external drivers - Discern their true goals focused around what they truly want to create. Moving, illuminating and inspiring, Stay With It will help writers discover and claim a process they can rely on for support again and again.

Practices for Sustaining the Writer's Work and Life

Stay With Writing

Research in Creative Writing

An investigation into the powerful effects occurring at the threshold between articulation and inarticulation in original and translated works, this book models how creative writing research, practice, processes, products and theories can further academic thought. At the threshold of in/articulacy, language can be said to 'thicken' and obscure the usual conditions of legibility or lexical meaning, becoming unfamiliar, flexible, incomplete, even absent. These 'thickening' moments alter and enrich literary processes and texts to initiate a paradigm shift in composition, translation and reading experiences. Interrogating this shift from the viewpoints of writers, translators and readers, Judy Kendall draws on translation studies, literary theory, anthropology, philosophy and physics and more to examine the practices of Semantic Poetry Translation, code-switching, made-up English, visual text, vital materiality and the material-discursive. Breaking new ground with her enactment of the ways in which creative writing can take an active and productive lead in research enquiries, Kendall looks at works including Old English riddles, Nigerian novels, J R. R. Tolkien's and Ursula K. Le Guin's narratives, Caroline Bergvall's hybrid works, Caryl Churchill's The Skriker, Patrick Chamoiseau's novels, Zong! and several other visual texts.

Where Language Thickens

Inarticulacy in Creative Writing Practice and Translation

From bestselling and award-winning author and professor Elizabeth McCracken comes an irresistible look at the art of writing.Writing can feel like an endless series of decisions. How does one face the blank page? Move a character around a room? Deal with time? Undertake revision? The good and bad news is that in fiction writing, there are no definitive answers to such questions: writers must come up with their own. Elizabeth McCracken, author of bestselling novels, National Book Award long-listed story collections, and a highly praised memoir, has been teaching for more than thirty-five years, guiding her many students through their own answers.In A Long Game, she shares insights gleaned along the way, offering practical tips and incisive thoughts about her own work as an artist. The book covers: <ul><li>Understanding and developing characters</li><li>Plot, and what to do if it eludes you</li><li>Her thoughts on common writing “rules”</li><li>And of course, the Butter Cow Lady of the Iowa State Fair and her work as it relates to revision</li></ul> Writing “is a long game,” she notes. “What matters is that you learn to get work done in the way that is possible for you, through consistency or panic. Through self-recrimination or self-delusion or self-forgiveness: every life needs all three.” As much a book about the life of a working artist as it is a guide to thinking about fiction, A Long Game is a revelatory and indispensable resource for any writer.

Notes on Writing Fiction

A Long Game

Writing Creativity and Soul

From two leading writers and thinkers on Palestine: a profound meditation on memory and what we choose to memorialise

Searching for Palestine’s Hidden Places and Lost Memorials

Forgotten

Finally finish the first draft of your novel with a method that maximizes efficiency, speed, and joy. After months (or years) of writing, are you left with nothing but a folder full of false starts? Do you have a novel you were once excited to write but abandoned after only a few chapters-or even halfway through? Are you trapped in an endless cycle of rewrites, self-doubt, and perfectionism? Enter the Novel Fast Drafting Method: a proven approach for getting your book out of your head and onto the page in as little as 30 days. Jessica Brody, best-selling author of Save the Cat! Writes a Novel, will guide you step-by-step through her 3-phase process that's helped thousands of writers finish their first drafts in weeks instead of years: · Mindset: Adopt the mindset of a "chronic finisher" and overcome the destructive beliefs that cause 97% of writers to quit · Preparation: Build your story's foundation, set achievable goals, and prepare both your day-to-day life and writing schedule for success · Drafting: Master proven strategies to maintain consistent momentum, discover the story faster, and finish in record time-so you're ready to revise with confidence and clarity With fast drafting, you'll gain the mental space, freedom, and motivation to easily and more joyfully finish every writing project you start-faster than you ever thought possible.

Finish Your Novel in 30 Days with the Fast Drafting Method

Page One to Done

“Almost Reckless is not just a book, it's a permission slip. It's about the courage it takes to step off the algorithm's path, the clarity that comes from defining your own principles, and the joy of building something that feels unmistakably yours.” —Will Guidara, bestselling author of Unreasonable Hospitality Amy Smilovic's cult fashion brand, Tibi, was a thriving $70 million business when she realized she was working toward someone else's idea of success. So she threw out the rulebook of how things should be done and went with her gut instead. Today Tibi is more successful than ever, and all on Smilovic's groundbreaking entrepreneurial terms.&nbsp; In Almost Reckless, she invites you to get comfortable with embracing smart risks in pursuit of your own vision. Sharing her story and drawing on her years of helping others identify their values and principles, Smilovic teaches you to hone your gut, and your trust in it. With humor and practicality she coaches you in how to determine what success means to you, including: <ul><li>why you don’t have to listen to the data guys</li><li>why you should be a Creative Pragmatist</li><li>why sticking to your principles isn’t incompatible with success</li><li>why work/life balance is bullshit</li></ul> Almost Reckless is the essential blueprint for entrepreneurs, leaders, creatives, and anyone who wants a working life that feels aligned with who they truly are.

“Almost Reckless is not just a book, it's a permission slip. It's about the courage it takes to step off the algorithm's path, the clarity that comes from defining your own principles, and the joy of building something that feels unmistakably yours.” —Will Guidara, bestselling author of Unreasonable Hospitality Amy Smilovic's cult fashion brand, Tibi, was a thriving $70 million business when she realized she was working toward someone else's idea of success. So she threw out the rulebook of how things should be done and went with her gut instead. Today Tibi is more successful than ever, and all on Smilovic's groundbreaking entrepreneurial terms.&nbsp; In Almost Reckless, she invites you to get comfortable with embracing smart risks in pursuit of your own vision. Sharing her story and drawing on her years of helping others identify their values and principles, Smilovic teaches you to hone your gut, and your trust in it. With humor and practicality she coaches you in how to determine what success means to you, including: <ul><li>why you don’t have to listen to the data guys</li><li>why you should be a Creative Pragmatist</li><li>why sticking to your principles isn’t incompatible with success</li><li>why work/life balance is bullshit</li></ul> Almost Reckless is the essential blueprint for entrepreneurs, leaders, creatives, and anyone who wants a working life that feels aligned with who they truly are.

A Creative and Pragmatic Approach to Taking Risks

Almost Reckless

In today's tech-infused workplace, human creativity is the key to public relations writing that will set you apart from the crowd. Effective PR writing goes beyond templates and traditional techniques to focus on purposeful messages that build trust, foster human relationships, and resonate across diverse audiences. Using AI as a coworker can speed execution and assist with editing, but you are still in charge of the uniquely human elements of empathy, storytelling, and judgment. From press releases to modern AI-powered skills, this hands-on guide gets you writing from day one, crafting clear, strategic, and persuasive content tailored for specific platforms. A pantry of "What" and "How" essentials includes: -How PR campaigns work -Giving and receiving writing feedback -AP style tips and helpful AI terms -Writing SMART Objectives &gt;Learn to find your creative voice by optimizing copy for different platforms, leveraging keywords, and growing your confidence, creativity, and adaptability. Whether you're writing press releases, pitches, and fact sheets or perfecting social media copy, long-form pieces, or speeches, your human-centered skills make you the problem-solver for any team. Become one of today's PR leaders by crafting meaningful messages that truly engage with audiences. This book shows you how!

The PR Writing Workshop

Applying the approach of 'reading-as-a-writer' to the craft of writing for young people, this textbook combines critical analysis, unique author-insight and practical application of ideas to give writers the skills to create successful fiction for youth audiences. Under the guidance of children's author Elen Caldecott, compelling close readings dig deep into the construction of modern classics and contemporary middle grade, YA, picture books and more to explore how paragraphs, sentences and words engineer specific reader responses. Interviews with the author of the extracted work follow before each chapter rounds off with writing exercises that prompt writers to engage with techniques and ideas discussed. Accessible and equipping writers with the valuable knowledge and skills to write in one of the fastest-growing fields in creative writing, Writing for Young People draws upon the works of prominent writers such as Jon Klassen, Patrick Ness, Liz Kessler, Faridah Àbíké-Íyímídé and more. It also features: - Author interviews covering topics such as their writing and editing process, their perspective on the analysis made of their work, and the book's origin - Discussion of vital craft techniques in novel-writing and editing including language, plotting, character construction, narrative time, worldbuilding, dialogue, cultural history, tropes and conventions - Coverage of key contemporary issues that students, teachers and professional writers of fiction for youth audiences will encounter from archetypes, class and race, and transnational writing, to conceptions of childhood, environment, colonialism, power, coming-of-age and social justice - Consideration of the role of wider literary and community landscapes in creating compelling texts Light-hearted but intellectually rigorous and rewarding, the field of writing for youth readers has been waiting for this book.

Critical Readings and Discussions on Craft

Writing for Young People

Writing about Objects

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