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A first-of-its-kind handbook outlining best practices and common pitfalls for students and textual scholars interested in beginning to work with manuscripts

Lied Liv Ingeborg: Working with
Manuscripts

Working with Manuscripts

A Guide for Textual Scholars

Bloomsbury Studies in Classical Reception

An Anthology of Medieval Irish Texts and Interpretations

Classical Antiquity and Medieval Ireland

Classical Diaspora

"Pâeter Hajdu examines the cultivation of the Classics as an intellectual framework and crucial ingredient of the western aspect of Hungarian national identity. This book approaches the relationship of modern Hungarian culture to classical heritage from the various viewpoints of identity politics, education, translation history, scholarship, and its impact on literature. When the Hungarian nation-building project developed ideas of national identity, it necessarily incorporated the historical narrative according to which the Hungarians arrived at their current homeland in the Middle Ages, and only later did it adopt European culture. The duplicity of a mostly imagined Asian, pagan, barbaric or nomadic culture, and a Western, Christian, civilized identity, deeply rooted in European culture, has played and continues to play a role in the Hungarian discourse"--

Modern Hungarian Culture and the Classics

The Perfect Way to Explore the Shetland Islands

Shetland Pocket Map

A Practical Guide

Activities for Evidence-Based Practice in Healthcare

Classical Literature and Society

"Presenting a new approach to Euripides' plays, this book explores the playwright's ancient tragedies in relation to quotation culture. Treating extant works and lost works side-by-side, Matthew Wright presents a selective survey of ways in which Euripidean tragedy was quoted within antiquity, both in social contexts (on the comic stage, at symposia, in law courts, in education) and in different literary genres (drama, biography, oratory, philosophy, literary scholarship, history and anthologies). There is also a discussion of the connection between quotability and classic status, where Wright asks what quotations can tell us about ancient reading habits. The implication is that Euripides actively participated in quotation culture by deliberately making certain portions of his plays stand out as especially quotable"--

Euripides and Quotation Culture

On the Art of Fact in Fiction

Dust and Light

Methods for Ecocritical Art History

Bloomsbury Neo-Latin Series: Early Modern Texts and Anthologies

On June 13, 1753 the Irene set sail from London to New York. One of her passengers was Christian Wedsted, a Moravian missionary headed to his post in Bethlehem, Pennsylvania. While many travelers would chronicle their transatlantic journeys, Wedsted chose to recount his in 200 lines of Latin poetry, imitating the preferred form of the ancient Roman poet Ovid. This poem is one of about 45 Latin poems that Wedsted composed in Germany, England, and Pennsylvania, all of which are presented here together for the first time alongside translations into English. A critical introduction and commentary provide historical, literary, and religious context for Wedsted's poetry, across an oeuvre containing birthday poems, impassioned religious verses, and personal anecdotes about life in colonial Pennsylvania. At around 1200 lines, the poems make up one of the largest extant collections of 18th-century Latin poetry from the Americas. Moravian piety is central to Wedsted's identity, and he exchanges poems with important Moravian personalities, weaving together classical material and Christian material to create an original and unique project in colonial America. Many of the poems are experiments in genre that put ancient models and meters to work in new contexts. Half of the poems were written after his arrival in America, and as such they offer a rare window into life on the colonial frontier.

The Latin Poems of Christian Wedsted

This book gathers a group of scholars whose work has been influenced by the distinctive dialogue between ancient philosophy (and rhetoric) and critical theory promoted by the scholarship of James I. Porter. A classicist who has pushed classics beyond itself - beyond its traditional boundaries - Porter has demonstrated that antiquity cannot be studied without participating in what is sometimes dismissively labeled "reception." The collection here does not simply celebrate the work of a major figure in the field of classics through a series of Porterian writing experiments, but locates the futures of classics in its predisposition to endless transformation, alteration, reconfiguration, and fugitive or exilic deterritorialization. Philology is a practice of philosophy in that contact with the ghosts of antiquity and its diachronic manifestations in modernity confronts the interpreter with opportunities for unlearning as well as learning, unthinking as well as thinking, and for engaging with impossibilities as well as possibilities. The essays gathered here, unified by these themes, include contributions on ancient philosophy (Democritus, the sophists, Aristotle, and Lucretius); reflections on the sublime, which Porter has pivotally elucidated; interventions on the theme of philology and exile (in Nietzsche, Marx, Freud, and Derrida); and theoretical musings on the "agony of immanence," the "biomatic," the "atmospheric," and the relationship between immigration and classical reception.

Essays in Honor of Jim Porter

The Philology of the Future

Ancient Environments

A Zoobiography of the Ancient Sea Monster

Routledge International Studies in Money and Banking

As an integral part of the world financial market, the global asset management industry has played a significant role in almost every critical event and change in the world financial market over the past four decades. Its growth has been facilitated from the financial innovations in products and management technologies from various financial institutions. It is definitely a challenge to comprehend the dynamic linkage between the global asset management industry and the world financial market, institutions and products. This book takes the challenge by providing a systematic and analytical review of the dynamic development of global asset management industry in its market structure, product diversities, risk management technologies and performance. The book aims at offering researchers, investors and financial practitioners a comprehensive introduction on how the dynamic development of global asset management industry has been integrated with the fast changing world financial market, institutions and products. As wealth or asset management is becoming a popular and specialized subject offered in university financial courses, this book may serve as a key textbook for financial courses in universities.

As an integral part of the world financial market, the global asset management industry has played a significant role in almost every critical event and change in the world financial market over the past four decades. Its growth has been facilitated from the financial innovations in products and management technologies from various financial institutions. It is definitely a challenge to comprehend the dynamic linkage between the global asset management industry and the world financial market, institutions and products. This book takes the challenge by providing a systematic and analytical review of the dynamic development of global asset management industry in its market structure, product diversities, risk management technologies and performance. The book aims at offering researchers, investors and financial practitioners a comprehensive introduction on how the dynamic development of global asset management industry has been integrated with the fast changing world financial market, institutions and products. As wealth or asset management is becoming a popular and specialized subject offered in university financial courses, this book may serve as a key textbook for financial courses in universities.

The Dynamic Development of Global Asset Management Industry

Working with Manuscripts

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