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Scholz M: Wirtschaft mit Werten

Wirtschaft mit Werten

Warum Unternehmen Verantwortung übernehmen müssen | Der Wirtschaftswissenschaftler über Frauenquote, Nachhaltigkeit und Diversität

Palgrave Studies in Race, Ethnicity, Indigeneity and Criminal Justice

“A timely collection of important writings on radical criminology rooted in abolition and decolonisation, this handbook offers a much-needed map of racial injustice and resistance to it in a global context."&nbsp;Avery F. Gordon, Visiting Professor, Birkbeck School of Law, University of London and author of&nbsp;The Hawthorn Archives: Letters from the Utopian Margins"This cutting-edge collection challenges Eurocentric social scientific understandings of crime, law, and social control and stimulates new, much needed ways of thinking critically about these topics. It is an essential source of reference for both undergraduate and postgraduate students of criminology, deviance and social control, criminological theory, social policy, race and ethnic relations, and criminal justice."Walter S. DeKeseredy,&nbsp;Anna Deane Carlson Endowed Chair of Social Sciences, Director of the Research Center on Violence, and Professor of Sociology, West Virginia University

This handbook addresses the role of the criminal-legal system in projecting and enforcing racial injustice across the globe. It consists of high-profile contributions that expose structural relations, global colonial and imperial histories, class oppression, and ongoing hegemonic domination that generate racial injustices and are embedded in criminalization and law enforcement. The handbook considers racist ideologies and their origins, racist institutions, procedures, and practices, and their impacts, and resistance/collective responses to racism. It includes a range of different types of chapters including conceptual/theoretical, empirical, methodological, practitioner, and activist insights. It speaks to contemporary issues and is first of its kind to address racial injustice on a global scale. It is explicitly anti-racist and gathers works of critical criminology, sociology, cultural studies, postcolonial studies, and cognate fields. The handbook pays special attention to intersectional dynamics including nexuses of racism, class, gender, and sexuality. The Handbook focusses on the settler-colonial and global majority countries, their peoples and their struggles, including questions of Indigenous justice.
&nbsp;
Thalia Anthony is Professor at University of Technology Sydney, Australia.
&nbsp;
Monish Bhatia is Lecturer in Sociology at University of York, UK.
&nbsp;
Kathryn Pillay is Senior Lecturer in Sociology at University of KwaZulu-Natal, South Africa.
&nbsp;
Jason M. Williams is Professor of Justice Studies at Montclair State University, USA.

The Palgrave Handbook of Racial Injustice and Resistance

Reclams Universal-Bibliothek

Eine berühmte Novelle über die vergebliche Suche eines jungen Künstlers nach bürgerlichem Lebensglück

Tonio Kröger

Hatje Cantz Text

Where is Charles Simonds? Throughout the 1970s, his

diminutive Dwellings, tiny architectural ruins of an imaginary civilization, could be found throughout the crumbling

infrastructure of downtown New York. Preoccupied with
the relationship between the grown and the built, the
archaeological and the urban, Simonds shared friendship
and ideas with Gordon Matta-Clark and Robert Smithson.
Like Lucy Lippard, with whom he lived during that decade,
Simonds believed in combining art and activism, always
preferring what he called the "real world" to the art world.
Yet despite taking part in many of the seminal exhibitions
and art events of 1970s New York, Simonds has left few
traces on art history. In order to explain Simonds's absence
while simultaneously arguing for his central place within it,

Jules Pelta Feldman reconsiders the decade's self-conception, finding that Simonds exemplifies much of what has

been ignored in 1970s art¿and much of what establishes
it as a unique period of experimentation and possibility.

Where is Charles Simonds? Throughout the 1970s, his

diminutive Dwellings, tiny architectural ruins of an imaginary civilization, could be found throughout the crumbling

infrastructure of downtown New York. Preoccupied with
the relationship between the grown and the built, the
archaeological and the urban, Simonds shared friendship
and ideas with Gordon Matta-Clark and Robert Smithson.
Like Lucy Lippard, with whom he lived during that decade,
Simonds believed in combining art and activism, always
preferring what he called the “real world” to the art world.
Yet despite taking part in many of the seminal exhibitions
and art events of 1970s New York, Simonds has left few
traces on art history. In order to explain Simonds’s absence
while simultaneously arguing for his central place within it,

Jules Pelta Feldman reconsiders the decade’s self-conception, finding that Simonds exemplifies much of what has

been ignored in 1970s art―and much of what establishes
it as a unique period of experimentation and possibility.

Charles Simonds and the Seventies

This book defines media subimperialism through three key characteristics: resistance and collaboration with imperial media, regional dominance despite partial domination by imperial systems, and reliance on imperial media for technology and content. Here, “imperial” or “metropolitan” media refers to systems rooted in imperial centers. Together, these traits not only clarify the role of “southern players” in global media but also challenge the notion that they signal the end of media imperialism. Grounded in Marxist theories of imperialism and subimperialism, this work offers a novel perspective on the rise of media giants from the global South.This book is a groundbreaking contribution to global media studies for two main reasons: it frames emerging media giants from the South as subimperial powers and, uniquely, examines multiple case studies (e.g., Brazil, South Africa, Turkey) collectively rather than individually. It highlights a phenomenon at the intersection of media and power.This book’s scope is twofold: first, it conceptualizes media subimperialism in the context of globalization, global hegemony, and media imperialism; second, it examines a range of case studies to allow for comparative insights, with at least seven cases analyzed. As pioneering research, this book sets the stage for future studies and captivate media scholars and students worldwide.Farooq Sulehria is Assistant Professor in the Department of Liberal Arts, Beaconhouse National University, Lahore. With a doctorate in Development Studies (SOAS University of London), he has MA in Global Media and Postnational Communication (SOAS University of London).

This book defines media subimperialism through three key characteristics: resistance and collaboration with imperial media, regional dominance despite partial domination by imperial systems, and reliance on imperial media for technology and content. Here, “imperial” or “metropolitan” media refers to systems rooted in imperial centers. Together, these traits not only clarify the role of “southern players” in global media but also challenge the notion that they signal the end of media imperialism. Grounded in Marxist theories of imperialism and subimperialism, this work offers a novel perspective on the rise of media giants from the global South.This book is a groundbreaking contribution to global media studies for two main reasons: it frames emerging media giants from the South as subimperial powers and, uniquely, examines multiple case studies (e.g., Brazil, South Africa, Turkey) collectively rather than individually. It highlights a phenomenon at the intersection of media and power.This book’s scope is twofold: first, it conceptualizes media subimperialism in the context of globalization, global hegemony, and media imperialism; second, it examines a range of case studies to allow for comparative insights, with at least seven cases analyzed. As pioneering research, this book sets the stage for future studies and captivate media scholars and students worldwide.

Media Subimperialisms and the Rise of Global South

Approaching a Sensitive Thinking with Luce Irigaray

Die Möglichkeit einer Ordnung

Veröffentlichungen der Sektion Religionssoziologie der Deutschen Gesellschaft für Soziologie

Eine religionswissenschaftliche Ethnographie über Geburtsbegleiterinnen

Doulas in der Deutschschweiz - zwischen Beruf und Berufung

This book draws lessons from a pivotal moment in the Israeli-Palestinian conflict, a time marked by both conflict and uncertainty. It explores how economic ideas—particularly bilateral trade—contributed to the unprecedented breakthrough of the 1993 Oslo I Accord. A special focus is given to the establishment of the economic relations between the conflicting sides as manifested in the 1994 Paris Protocol, the legal economic framework of the Oslo Accords. While the economic empowerment of Palestine within the Oslo Accord showed initial promise, in the decades to follow, increasing economic (inter)dependence coincided with rising tensions.&nbsp;The book examines how the ‘Economic Peace for the Middle East’ has since been shaping the peace process in the region, from the 1993 Oslo process to the 2020 Abraham Accords and the ongoing negotiations amid the Israel-Hamas 2023 war. Through a multidisciplinary approach, it explores the intersection of economic policy and diplomacy, offering insights into both the lessons of Oslo and the derangement of the peace process for practitioners, researchers, and students engaged with international relations, political economy, peace and conflict and Middle East affairs.&nbsp;Libby Lahar is a visiting scholar at the International Institute of Social Studies, The Hague, Erasmus University Rotterdam. Her PhD research employed a multimethod approach to examine the political-development nexus in Israeli-Palestinian peace processes. She has also worked at the UN, with the EU, and in a leading regional peacebuilding NGO.&nbsp;

This book draws lessons from a pivotal moment in the Israeli-Palestinian conflict, a time marked by both conflict and uncertainty. It explores how economic ideas, particularly bilateral trade contributed to the unprecedented breakthrough of the 1993 Oslo I Accord. A Special focus is given to the establishment of the economic relations between the conflicting sides as manifested in the 1994 Paris Protocol, the legal economic framework of the Oslo Accords. While the economic empowerment of Palestine within the Oslo Accord showed initial promise, in the decades to follow, increasing economic (inter)dependence coincided with rising tensions.&nbsp;The book examines how the ‘Economic Peace for the Middle East’ has since been shaping the peace process in the region, from the 1993 Oslo process to the 2020 Abraham Accords and the ongoing negotiations amid the Israel-Hamas 2023 war. Through a multidisciplinary approach, it explores the intersection of economic policy and diplomacy, offering insights into both the lessons of Oslo and the derangement of the peace process for practitioners, researchers, and students engaged with international relations, political economy, peace and conflict and Middle East affairs.&nbsp;

Paris Protocol to the Oslo Accords

The Economic Diplomacy of Peace in the Middle East

suhrkamp taschenbuch wissenschaft

Die Debatten zum Ende des gedruckten Buches sind verebbt, aber das Nachdenken darüber, welche Rolle das Buch in der durchdigitalisierten Welt spielen soll, darf keineswegs als erledigt gelten. Michael Hagner versucht anhand zahlreicher Beispiele Antworten auf diese Frage zu geben, indem er geschichtliche und gegenwärtige Konstellationen analysiert, in denen die sich wandelnde Bedeutung des Buches offensichtlich wird. Dabei macht die spezifische Verbindung von Buchgeschichte und Wissensgeschichte eine moralische Ökonomie des Buches sichtbar, die es erlaubt, die Wandlungsfähigkeit dieses schon so oft abgeschriebenen Mediums neu auszuloten.

Die Debatten zum Ende des gedruckten Buches sind verebbt, aber das Nachdenken darüber, welche Rolle das Buch in der durchdigitalisierten Welt spielen soll, darf keineswegs als erledigt gelten. Michael Hagner versucht anhand zahlreicher Beispiele Antworten auf diese Frage zu geben, indem er geschichtliche und gegenwärtige Konstellationen analysiert, in denen die sich wandelnde Bedeutung des Buches offensichtlich wird. Dabei macht die spezifische Verbindung von Buchgeschichte und Wissensgeschichte eine moralische Ökonomie des Buches sichtbar, die es erlaubt, die Wandlungsfähigkeit dieses schon so oft abgeschriebenen Mediums neu auszuloten.

Die moralische Ökonomie des Buches

Magnificat / Das Stundenbuch

MAGNIFICAT lädt uns Tag für Tag aufs Neue zum Gebet ein und führt wie ein roter Faden durch den Tag.

Das Stundenbuch

MAGNIFICAT FEBRUAR 2026

edition suhrkamp

Wer wissen möchte, wie es um den Westen bestellt ist, muss nur die James-Bond-Reihe befragen. 
 50 Shades of Grey
 lässt ein Aufblühen der Prüderie erkennen, und die Rückkehr des Autoritarismus haben bereits 
 Star Wars
 und die diversen Verfilmungen von Marvel-Comics vorweggenommen. Vor allem große Blockbuster führen uns die herrschenden Ideologien unserer Zeit vor Augen. Doch wenn wir bloß schauen, sehen wir sie nicht.
 
 Wolfgang M. Schmitt zeigt, wie uns der Film - gerade dank seiner Künstlichkeit, der Montage, Stars und Spezialeffekte - einen anderen, mit der Brille der Fiktion geschärften Blick auf die Realität und auf uns selbst eröffnet. Sein ungewöhnlicher Ratgeber ist eine Liebeserklärung an Hollywood und zugleich ein flammendes Plädoyer für ein ideologiekritisches, kontraintuitives Sehen.

Wer wissen möchte, wie es um den Westen bestellt ist, muss nur die James-Bond-Reihe befragen. 
 50 Shades of Grey
 lässt ein Aufblühen der Prüderie erkennen, und die Rückkehr des Autoritarismus haben bereits 
 Star Wars
 und die diversen Verfilmungen von Marvel-Comics vorweggenommen. Vor allem große Blockbuster führen uns die herrschenden Ideologien unserer Zeit vor Augen. Doch wenn wir bloß schauen, sehen wir sie nicht.
 
 Wolfgang M. Schmitt zeigt, wie uns der Film – gerade dank seiner Künstlichkeit, der Montage, Stars und Spezialeffekte – einen anderen, mit der Brille der Fiktion geschärften Blick auf die Realität und auf uns selbst eröffnet. Sein ungewöhnlicher Ratgeber ist eine Liebeserklärung an Hollywood und zugleich ein flammendes Plädoyer für ein ideologiekritisches, kontraintuitives Sehen.

Mit Filmen sehen lernen

Religion and Reason

A Sociological Outline

The Evolution of Religion

Wirtschaft mit Werten

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema