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The world of Star Wars is always expanding; The Mandalorian series is hugely popular and has recently announced a movie, The Mandalorian &amp; Grogu, set to release in 2026. The most recent trilogy (The Force Awakens, The Last Jedi, and The Rise of Skywalker) has brought in a new generation of Star Wars fans.

Doescher Ian: William Shakespeare's Jedi
the Last: Star Wars Part the Eighth

William Shakespeare's Jedi the Last: Star Wars Part the Eighth

The Great War was supposed to be the war to end all wars-and maybe it would have been, had an even greater, otherworldly foe not arisen to extinguish the conflict. Overnight, as guns blazed away in France and Flanders, village after village in the quiet British countryside were swallowed by the Forest. And within the Forest lurk the Huldu-an ancient fae race, monstrous in their inhumanity, who have decided that mankind's ascendency over the world can endure no longer. Enter Duncan Silver. Scarred by the war, fueled by a rage deeper than the trenches in which he once fought, Duncan is determined to show the Huldu that the world is not theirs for the taking. Armed with a cut-down trench gun filled with iron shot and a deadly iron knife, Duncan will stop at nothing to return the children the Huldu have stolen from the arms of their families. No matter how many Huldu he may have to slaughter along the way. But when he is hired by a mother to return her four-year-old daughter, Miriam-taken by the Huldu six months past and replaced with a Changeling-all hell breaks loose. Miriam is a pawn in a much bigger game for dominance than Duncan ever expected, and several long-buried secrets from his past are about to be violently resurrected.

Hakan Veil is back, and he's pissed off. He's an Overrider by trade - gene-tweaked to cryo-sleep shipboard across interplanetary space, but wake up running hot and save the day if ever things go wrong: take out the pirate assault team before they can board, put down the mutiny before it can take hold, save the ship from whatever ails it - meteor strike, hull breach, crew crisis, reactor failure, fuel or atmosphere leak - and bring the cargo safely home. Fast-thinking, no need for sleep, running on stored energy that lets him work hard and fast until the situation is resolved, he's the ultimate First Responder, hardwired to fix the problem, whatever and wherever it is. At the other end of the cycle - getting ready to hibernate for a solid few months - it's a different story. Slower, eating more, not quite so crisp. Because by then the emergency is supposed to be over. Exiled by his employers to Mars for failing to execute a captive, Veil found himself thrust into the violent chaos arising from the Earth Oversight audit. He took out the powerful and corrupt with extreme prejudice, uncovered a major political conspiracy, defeated a cell of hardened undercover spec ops provocateurs. In the end, he brought a rough and ready kind of stability to the faction-riven Red Planet. You could say he's owed some much needed downtime. Only now there's a new f*cking emergency. And it's only just getting up to speed. The son of a Martian corporate aristo has gone missing under mysterious circumstances; a charismatic tech-messiah believed long dead appears to be back in business at the head of his cult; and high above the Martian surface, military grade orbital platforms are falling out of the sky like storm-struck birds. Once again, Hakan Veil finds himself in the midst of rising chaos, and once again it looks like he's the only one equipped to deal with the crisis. And he's in no mood for any of it.

The explosive, dark WWI novel for horror and fantasy readers alike

No Man's Land

In Shakespeare, memory, and modern Irish literature, Nicholas Taylor-Collins charts the ways that the modern Irish nation is underwritten by Irish writers whose own cultural agency is improved by their engagement with William Shakespeare. Through a wide-ranging theoretical approach, Taylor-Collins privileges forms of intertextual memory that avoid the obvious quotation or explicit reference: this innovating proposal for a 'dismemorial' intertextuality allows readers to read both Shakespeare and the Irish writers with renewed understanding of their craft. In the Introduction, Taylor-Collins establishes the grounds for comparison: both early modern England and modern/contemporary Ireland deploy a commemorative practice reliant on the theatre as a locus. Thereafter Taylor-Collins proceeds to examine the Shakespeare-Ireland connection through ghosts, bodies, and the land. In the first section, an exploration of Hamlet's hauntology enhances readings of J. M. Synge's Playboy of the Western World, James Joyce's Ulysses, and John Banville's Ghosts. The second section explores first how antitheatrical corporal economies in Coriolanus and Ben Jonson's satires re-emerge in Beckett's Three Novels, before moving on to Caithleen in Edna O'Brien's The Country Girls Trilogy as she borrows from 'hysterical' forebears in Othello, The Taming of the Shrew, and The Winter's Tale. The final section explores W. B. Yeats's infatuation with the surface of the land via King Lear and As You Like It, before finishing with Seamus Heaney's rootedness in the land via Hamlet's jumping into Ophelia's grave. For scholars and students of Shakespeare and modern/contemporary Irish literature alike, this book will also appeal to continental theorists.

Shakespeare, Memory, and Modern Irish Literature

A visionary and atmospheric gothic fantasy about necromancy, vengeance, and soul-consuming love, the first in a duology from the Sunday Times bestselling author of A Study in Drowning and Lady Macbeth. 'A gorgeously gruesome Gothic romance.' Jacqueline Carey 'Reid is a singular, extraordinary talent.' Sasha Peyton Smith 'A powerful and essential voice.' Samantha Shannon ________________________________________________ Once there was an island where the dead walked the earth, and seven noble houses ruled by the arcane secrets of necromancy. A conqueror's blade brought them low, burning their libraries, killing their lords, and extinguishing their eldritch magic. But defiant against the new order stands the House of Teeth and its last living members: beautiful Marozia, the heiress to the House, and her cousin, the uncanny Lady Agnes. Though she has not spoken a word in seven years, Agnes is the true carrier of the House's legacy. And she has her orders. She must recapture the secrets of death magic and avenge her family's fallen honour. She must arrange the betrothal of her beloved cousin Marozia to Liuprand, heir to the conqueror's throne, for access to the forbidden library in his grotesquely grand castle. Revenge burns in Agnes's heart, but so do stranger passions - and it is Liuprand, the golden prince, who speaks to her soul. This passion is as treasonous as it is powerful, poisoning the kingdom's roots and threatening to tear the already shattered realm in two. For Agnes's final order is the gravest: She must not fall in love. Book One of The House of Teeth Duology

Innamorata

A poignant story of love and regret, from a master of contemporary Irish fiction

An Irish Times,&nbsp;RTÉ Culture&nbsp;and Big Issue Book of the Year for 2025

* 'David Park is one of Ireland's great novelists.'&nbsp;Roddy Doyle, author of&nbsp;The Commitments *

For fans of Sebastian Faulks, Donal Ryan and Anne Tyler comes this beautiful novel following two troubled men, separated by nearly a century, bound by the ghosts of their past

When George Allenby is put in charge of building a lake in the grounds of an imposing Irish manor house, he intends to do the job as swiftly as possible and return to Belfast. Allenby is still wrestling with his time as an officer during the First World War, burdened by the many things he could have done differently.

Almost a century later, Alex and Ellie are preparing for their wedding, sparing no expense to hire a venue overlooking the very lake Allenby built all those years ago.

Like Allenby before him, Alex is haunted by decisions he made in the past. Now, with the wedding drawing ever closer, he is at a crossroads. Telling the truth might free him from his guilt; it might also take away everything he cares about, including Ellie.&nbsp;

In this masterful portrait of love and betrayal, David Park reveals the many ways the past seeps into the present: destructive, formidable, but also hopeful, in the moments of fragile beauty that remain.

Ghost Wedding

edition suhrkamp

Wer wissen möchte, wie es um den Westen bestellt ist, muss nur die James-Bond-Reihe befragen. 
 50 Shades of Grey
 lässt ein Aufblühen der Prüderie erkennen, und die Rückkehr des Autoritarismus haben bereits 
 Star Wars
 und die diversen Verfilmungen von Marvel-Comics vorweggenommen. Vor allem große Blockbuster führen uns die herrschenden Ideologien unserer Zeit vor Augen. Doch wenn wir bloß schauen, sehen wir sie nicht.
 
 Wolfgang M. Schmitt zeigt, wie uns der Film - gerade dank seiner Künstlichkeit, der Montage, Stars und Spezialeffekte - einen anderen, mit der Brille der Fiktion geschärften Blick auf die Realität und auf uns selbst eröffnet. Sein ungewöhnlicher Ratgeber ist eine Liebeserklärung an Hollywood und zugleich ein flammendes Plädoyer für ein ideologiekritisches, kontraintuitives Sehen.

Wer wissen möchte, wie es um den Westen bestellt ist, muss nur die James-Bond-Reihe befragen. 
 50 Shades of Grey
 lässt ein Aufblühen der Prüderie erkennen, und die Rückkehr des Autoritarismus haben bereits 
 Star Wars
 und die diversen Verfilmungen von Marvel-Comics vorweggenommen. Vor allem große Blockbuster führen uns die herrschenden Ideologien unserer Zeit vor Augen. Doch wenn wir bloß schauen, sehen wir sie nicht.
 
 Wolfgang M. Schmitt zeigt, wie uns der Film – gerade dank seiner Künstlichkeit, der Montage, Stars und Spezialeffekte – einen anderen, mit der Brille der Fiktion geschärften Blick auf die Realität und auf uns selbst eröffnet. Sein ungewöhnlicher Ratgeber ist eine Liebeserklärung an Hollywood und zugleich ein flammendes Plädoyer für ein ideologiekritisches, kontraintuitives Sehen.

Mit Filmen sehen lernen

Han und Leia stehen kurz vor ihrer Hochzeit!
Doch bevor sie heiraten, wollen ein paar neugierige Ewoks wissen, was Liebe ist.
Gemeinsam finden Han und Leia die Worte, um zu definieren, was Liebe für sie bedeutet.
Liebe kann vieles sein, aber letztendlich ist sie etwas wahrhaft Magisches und erinnert uns daran, dass wir niemals allein sind.

Mit bildschönen Illustrationen ist dies eine süße, nachvollziehbare und manchmal humorvolle Geschichte über zwei Menschen, die ineinander eine Familie gefunden haben.
Das perfekte Geschenk für Hochzeiten, zum Valentinstag oder einfach, weil es Zeit ist, "Ich liebe dich" zu sagen.

Han und Leia stehen kurz vor ihrer Hochzeit!
Doch bevor sie heiraten, wollen ein paar neugierige Ewoks wissen, was Liebe ist.
Gemeinsam finden Han und Leia die Worte, um zu definieren, was Liebe für sie bedeutet.
Liebe kann vieles sein, aber letztendlich ist sie etwas wahrhaft Magisches und erinnert uns daran, dass wir niemals allein sind.

Mit bildschönen Illustrationen ist dies eine süße, nachvollziehbare und manchmal humorvolle Geschichte über zwei Menschen, die ineinander eine Familie gefunden haben.
Das perfekte Geschenk für Hochzeiten, zum Valentinstag oder einfach, weil es Zeit ist, „Ich liebe dich“ zu sagen.

Star Wars: Jemand, der dich liebt

Beth March has been murdered, and all her sisters are
 suspects... But the March girls aren't the only ones with a story
 to tell.
 "A gripping, cleverly rendered puzzle box of a book brimming
 with heart and sisterhood. The mystery makes the story impossible
 to put down" – Stephanie Garber, author of Caraval
 
 "This twisty, addictive spin on the classic Little Women
 is a messy, jaw-dropping and unpredictable love letter to sisterhood
 and suspense. It'll have you craving more with every turned
 page" – Busayo Matuluko, author of 'Till Death 

 "An electrifying twist on a beloved classic, Beth is Dead
 gripped me from the very first page and never let go" –
 Bill Wood, author of Let's Split Up
 "A deliciously twisty murder mystery
 that turns Little Women on its head. Addictive from page one."
 – Louise O'Neill, author of Idol

 After a New Years Eve party, Beth is found dead.
 All the March sisters see Beth's body and wonder how – and
 who – could have killed their sweet little sister. And what
 was their motive?
 The March sisters have always been close, but will Beth's murder
 bring them closer together, or further apart? As each of the girls'
 motives are uncovered, the March sisters might not be quite
 as sweet as they seem...
 This is cult-classic Louisa May Alcott's Little Women
 meets Karen M.McManus's One of Us is Lying.
 <ul>
 <li>Perfect for fans of Little Women ready for a fresh new spin on
 the iconic story</li>
 <li>A contemporary take on the famous March sisters with brilliant
 writing, a gripping plot, and many twists and turns</li>
 <li>Turns the murder-mystery genre on its head and keeps you guessing
 until the very end...</li>
 </ul>
 "One need not be familiar with Louisa May Alcott’s
 work to appreciate debut author Bernet’s brilliantly snappy
 contemporary riff on Little Women" – Publisher's Weekly

Beth is Dead

Erben des Imperiums

Als Elias und Alice im Wald nach ihrer verschwundenen Mutter suchen, begegnen sie einer merkwürdigen Kreatur, die sich als Brock vorstellt und sie auf ein Raumschiff bringt. Brock ist ein alter Freund ihrer Mutter und braucht Hilfe, denn diese wurde von einer gefährlichen Spezies, den Krao, entführt. Elias und Alice verstehen die Welt nicht mehr. Was hat ihre Mutter mit all diesen Außerirdischen zu tun? Für die beiden beginnt nicht nur das Abenteuer ihres Lebens, sondern sie erfahren auch ein Geheimnis, das alles verändert, was sie jemals über ihre Familie gedacht haben...Mit kurzen, spannenden Kapiteln und Comicseiten

Der Anfang

BFI Screen Guides

In this follow up to their original 100 Cult Films volume, Ernest Mathijs and Xavier Mendik provide a guide to one hundred more incredible films, from the 1911 Italian silent Dante's Inferno to Ti West's horror trilogy X, Pearl (2022) and MaXXXine (2024). This richly illustrated guide addresses the work of filmmakers including Stanley Kubrick, Paul Verhoeven, Ana Lily Amirpour, Stephanie Rothman, Rob Reiner and Dario Argento, with movies hailing from Iran to Brazil, South Korea to Sweden, Japan to the USA, and from the high North to the Australian outback. 100 Cult Films: The Sequel presents an alchemy of genres including science-fiction, romance, horror, musical, vampire, comedy and action, and through the debates and controversies that surround them raises issues about identity, home, belonging, exoticism, censorship, and what it means to be truly 'weird'. By presenting 100 films that confirm and interrogate the notion of what makes a film a 'cult film', 100 Cult Films: The Sequel reignites the conversation about cult cinema while affirming its foundations in today's volatile and vibrant cultural climate.

The Sequel

100 Cult Films

A captivating, sharply resonant novel about a mother who chooses to leave

Wifehouse

'Audacious and instantly gripping . . . Whidbey is deeply satisfying' Catherine Chidgey, New York Times 'There is, to put it simply, no book quite like Whidbey' Vogue 'In the realm of Patricia Highsmith and Gone Girl' Chelsea Bieker 'A masterpiece' Carmen Maria Machado ---- You want to know who did it, but that was never the question. Or, it was never the right one. Birdie Chang doesn't know much about Whidbey Island, only that it is far. On the ferry, she has an unnerving encounter with a stranger, where she finds herself telling him everything: how she was sexually abused as a child, how the perpetrator now walks free, how the calls and emails from him haven't stopped and she is on the run; how she wants to kill him. The stranger poses a shocking question - if she agrees, he will murder the man who hurt her, with no strings attached. She gives him a name. On the other side of the country, Mary-Beth receives a phone call from the police: her only son has been murdered. What follows is a complex story of three women connected through one man: Birdie, a woman on the run from her past and her abuser; Mary-Beth, the abuser's loving mother; and Linzie, a former reality star turned bestselling memoirist, and another victim of the same man. Whidbey is a brilliant reimagining of the whodunnit - a searing, propulsive novel that asks who has real power over a story: the one who lives it, or the one who tells it? Women are rarely in receipt of what they are owed.

'In the realm of Patricia Highsmith and Gone Girl' (Chelsea Bieker)

Whidbey

FROM THE MILLION-COPY BESTSELLING AUTHOR 'An inspired set-up. A clever dynamic that paves the way for a cat-and-mouse thriller. Propulsive.' SUNDAY TIMES 'A maze-like game of revenge. Unsettling. Blends a critique of wellness culture with a slow-burn feminist thriller.' OBSERVER 'If you spend all of January trying to avoid diet culture, then you need to read this book.' COSMOPOLITAN All Liam ever wanted was to help me reach my full potential. And he always knew what was best. Until the day he pushed me far beyond my limits, and I walked out of our flat and away from our relationship to good. Now, two years on, I am stronger, fitter, healthier than ever before. And then I see him - Liam - those green eyes, those stirring muscles. Something inside me flips. I want revenge, and I'm willing to do almost anything to get it. I hold the power now. It's Liam's turn to sweat. 'Will have you glued to the story through every twist and turn. I absolutely adored it!' KATE HAMER, bestselling author of The Girl in the Read Coat 'Sweat is like nothing I've ever read before. So addictive it made me miss a tube stop, so unsettling it made me think twice about going to the gym!' SARA COLLINS, author of The Confessions of Frannie Langton 'Taut, compulsive, and unsettling ... It had me holding my breath until the final, brilliant end' JENNIE GODFREY, No.1 Sunday Times bestselling author of The List of Suspicious Things

Sweat

William Shakespeare's Jedi the Last: Star Wars Part the Eighth

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