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Krayenbuhl P: White Screens, Black Dance

White Screens, Black Dance

Race and Masculinity in the United States at Midcentury

Routledge Contemporary Introductions to Philosophy

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area. Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students' further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

The book provides a critical overview of the most important issues in the philosophy of film, from "What is Film?" to "Can Film Do Philosophy?" It provides an objective analysis of the principal arguments on each side of each issue. The set of issues includes all of the most important topics as well as some that are less well represented in the discipline, such as whether the power of cinema derives from its similarity to dreams. The coverage is more comprehensive and up to date than its chief competitors, and the presentation is more objective than the existing monographs that survey the area.Philosophy of Film: A Contemporary Introduction consists of 11, similarly sized and structured chapters, plus an introduction and a final References list. Each chapter begins with an overview and ends with a summary and an annotated bibliography to guide students‘ further readings. Each chapter also includes a short annotated filmography of illustrative examples. A companion website provides actual film clips, more extensive bibliographies, and other external resources, for each of the 11 chapters.

An Introduction

Philosophy of Film

American popular culture presents straight white men as either dancing badly or refusing to dance. With this phenomenon at its centre, Addie Tsai's book analyses movement from white men on screen in order to discern how dance in American popular culture reflects gender and race ideologies. In particular, it focuses on how the 'straight white man can't dance' trope is used to leverage status and influence. Why it is then that this trope continues to be perpetuated across American popular culture when it contributes to homophobic, sexist and racist oppressions? Looking back through history for early iterations of this trope, the book demonstrates how both minstrelsy and vaudeville are instrumental in providing a historic model for ethnic mimicry in dance - ie. what it means to dance "white" as opposed to what it means to dance "Black". This book challenges how these choreographies reinforce or subvert traditional norms of gender and race, and illustrates how dance can reinforce outdated or complicated modes of gender and racial identity within American popular culture.

American Masculinity in Film and Popular Culture

Straight White Men Can’t Dance

Science, Politics, and the Body in Motion

Making Movement Modern

Kinaesthetic Empathy, Ethics and Care develops a philosophy of dance that highlights the psychological, aesthetic and ethical significance of dancer-viewer interaction in the moment of performance.

A Phenomenology of Dance

Kinaesthetic Empathy, Ethics and Care

Routledge Advances in Film Studies

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Stardom in Contemporary Global Hollywood

Theory Across Disciplines

Surveying the extraordinary scope of contemporary theory, this book brings together contributors from around the world to speak to the ways in which theoretical concerns from a variety of disciplines operate within their respective fields of concern. Contemporary theory is a multi- and inter-disciplinary endeavour that operates within and among the humanities, the social sciences, and many of the professions. In addition to its now somewhat more standard-fare work in these areas, it has also made substantial inroads into the natural sciences and the formal sciences. To be sure, more disciplines from across the academy have integrated theory into their practice than at any other time in history. This book surveys the workings of contemporary theory within and among the humanities, sciences, and professions, including contributions on literary studies, film studies, gender studies, visual art, law, biology and geology. It brings together distinguished theorists whose work spans the academy to speak to the ways in which theoretical concerns from a variety of disciplines work within their respective fields of concern."

Black Screens, White Frames offers a new understanding of cinematic blankness. Drawing on Gilles Deleuze's philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, Tanya Shilina-Conte shows how absence as a productive mode alters the ways in which we study film.

Black Screens, White Frames offers a new understanding of cinematic blankness. Drawing on Gilles Deleuze's philosophy and pursuing an affirmative approach to non-images through the concept of the filmmaking machine, Tanya Shilina-Conte shows how absence as a productive mode alters the ways in which we study film.

Gilles Deleuze and the Filmmaking Machine

Black Screens, White Frames

Official Strictly Come Dancing Annual 2026

Marvel Studios' The Infinity Saga

Marvel Studios' The Infinity Saga - Thor: Ragnarok - The Art of the Movie

Oxford Handbooks

The Oxford Handbook of Screen Comedy

Routledge Advances in Theatre & Performance Studies

This volume investigates the contributions and achievements of the physically disabled dancer while at the same time challenging and recognizing the inherent inequities in the field of integrated dance in the UK which currently places greater emphasis on the learning-disabled performer.

The Physically Disabled Dancer and the Affirmative Model of Disability

How do film and television makers around the world depict public housing? Why is public housing so often chosen as the backdrop for drama, horror, social critique, rebellion, violence, artistic creativity, explorations of race relations and political intrigue? Home Screens answers these questions by examining the ways in which socialized housing projects around the world are represented on screen. The volume brings together a diverse group of interdisciplinary scholars, who explore documentary and fictional portrayals of the architecture of public housing, and the communities that inhabit it, ranging from the 1950s to the present. Examining international film and media texts such as Die Architekten (1990), Swagger (2016), Cooley High (1975), Mee-Pok Man (1995), Treme (2010-2013), Mamma Roma (1962), The Pruitt-Igoe Myth (2011), and Below the Lion Rock (1972-1976), essays within this book consider public and private attitudes toward socialised housing, explaining how onscreen representations shape perceptions of these ubiquitous, often-stigmatized urban locations.

How do film and television makers around the world depict public housing? Why is public housing so often chosen as the backdrop for drama, horror, social critique, rebellion, violence, artistic creativity, explorations of race relations and political intrigue?

Home Screens answers these questions by examining the ways in which socialized housing projects around the world are represented on screen. The volume brings together a diverse group of interdisciplinary scholars, who explore documentary and fictional portrayals of the architecture of public housing, and the communities that inhabit it, ranging from the 1950s to the present. Examining international film and media texts such as Die Architekten (1990), Swagger (2016), Cooley High (1975), Mee-Pok Man (1995), Treme (2010–2013), Mamma Roma (1962), The Pruitt-Igoe Myth (2011), and Below the Lion Rock (1972–1976), essays within this book consider public and private attitudes toward socialised housing, explaining how onscreen representations shape perceptions of these ubiquitous, often-stigmatized urban locations.

Public Housing in Global Film & Television

Home Screens

White Screens, Black Dance

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Schlagworte

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