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Jenkins Gary: Holocaust Cinema Since
2000

Holocaust Cinema Since 2000

Depictions of the Nazi Genocide and National Identity

Perspectives on Fantasy

The first book-length exploration of femflash fanfiction and its implications for wider fan communities, this text presents new theories of queer, fan, and fantasy time based on fan-authored works inspired by characters from ABC's Once Upon a Time.

Femslash Authorship and the Swan Queen Ship

Fanfiction as Queer Healing

THE SUNDAY TIMES BESTSELLER'I will recommend to everyone' Alastair Campbell___________________________________How could the Nazis have committed the crimes they did?Why did they willingly - often enthusiastically - oversee mass murder?How did ordinary Germans tolerate the removal of Jewish people?And how do we ensure it never happens again?Bestselling author Laurence Rees combines history and the latest psychological research to help answer the most perplexing questions surrounding the Holocaust and the Nazi state. Through the lens of 'twelve warnings' - from talk about 'them' and 'us' to the escalation of racism - Rees delves into the darkness to explain how and why people were capable of such horrors. Using previously unpublished testimony from former Nazis and cutting-edge psychological discoveries, THE NAZI MIND is a revelatory new way of understanding the most appalling crimes of the 20th century that highlights the warning signs we need to look out for in leaders today. ___________________________________'A brilliant piece of work: learned, compelling and frankly terrifying' James Holland, Daily Telegraph'[A] superb, complex study' Christopher Hart, Daily Mail'Enthralling and chilling . . . compulsive reading' Robert McCrum, Independent

Twelve Warnings From History

The Nazi Mind

This showcases the production art, character and vehicle designs, planets, storyboards, and other breathtaking work created during the production of the hit Disney+ series.

The Art of Star Wars: The Acolyte

KINO - The Russian and Soviet Cinema

Manufacturing Visions of the Indigenous Peoples of the North

A Siberian History of Soviet Film

New Critical Humanities

This book demonstrates how cinematic treatments of blackness which offer explicit counter-narratives to society's deep-seated racist culture fail to escape the trappings of antiblackness and the basic antagonistic relationship between black people and the modern world and are instead features of it-all the while posing as anti-racist.

Blackhood At-Large

The Cinema of Social Death

A Holocaust Survivor’s Lessons in Fighting Hate

Transforming Darkness into Light

Film and the American Imagination

Technothriller

Dora Bruder

The Search Warrant

Jason Bourne

Robert Ludlum's™ The Bourne Escape

Global East Asian Screen Cultures

Power, Precarity and Working Cultures

Producing Chinese Reality Television

This open access book investigates film studios in Britain, France, Germany and Italy between the 1930s and 1960s. During this time, studios faces unprecedented challenges including wartime disruptions, post-war fragmentation, movement of labour and the introduction of new technologies. While the study of film studios has been dominated by the centralized Hollywood 'studio system', the authors present new research about the often very different histories of Europe's film studios, comparing their geographic locations, architectures and infrastructural development. They explore a number of well-known studios including Pinewood, Joinville, Babelsberg and Cinecittà, as well as lesser-known production sites such as Manchester, Victorine, post-war West German studios and Tirrenia as diverse creative and economic infrastructures. Drawing on a wealth of archival sources, photographs, films, aerial maps and visualizations, the book charts how artistic practices responded to transnational flows in film studio expertise, as studios constituted formative, materially based 'spaces of the imagination' that produced some of cinema's most influential films. How studios worked in the past as dynamic, creative working environments that were profoundly influenced by their locations, architectures and personnel, is foregrounded as the authors produce new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures. The open access edition of this book is available under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com. Open access was funded by the European Research Council.

Architecture, Innovation, Labour, Politics, 1930-60

Film Studios in Britain, France, Germany and Italy

One Man’s Battle to Bring Nazis to Justice

The Prosecutor

Holocaust Cinema Since 2000

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