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Streitfeld D: Western Star

Western Star

The Life and Legends of Larry McMurtry

From one of the most significant figures of the Harlem Renaissance comes a narrative defining book chronicling his life from Jamaica to New York CityClaude McKay’s long odyssey from Jamaica to Harlem, Europe, North Africa, Russia, and back to America is chronicled in this autobiography of the most militant writers to emerge from the New Negro movement following World War I. Whether in the intellectual circles of Harlem and Greenwich Village, the docks of Marseilles, or the inner circles of post-revolutionary Russia, McKay’s contact with such figures as Frank Harris, Max Eastman, George Bernard Shaw, W.E.B Dubois, James Weldon Johnson, Charles Chaplin, H.G Wells, Sinclair Lewis, Trotsky, and Radek all served to advance those views which would be so widely accepted in the 1960—Black Pride, self-determination, and the necessity for Black culture to define itself.&nbsp;

From one of the most significant figures of the Harlem Renaissance comes a narrative defining book chronicling his life from Jamaica to New York CityClaude McKay’s long odyssey from Jamaica to Harlem, Europe, North Africa, Russia, and back to America is chronicled in this autobiography of the most militant writers to emerge from the New Negro movement following World War I. Whether in the intellectual circles of Harlem and Greenwich Village, the docks of Marseilles, or the inner circles of post-revolutionary Russia, McKay’s contact with such figures as Frank Harris, Max Eastman, George Bernard Shaw, W.E.B Dubois, James Weldon Johnson, Charles Chaplin, H.G Wells, Sinclair Lewis, Trotsky, and Radek all served to advance those views which would be so widely accepted in the 1960—Black Pride, self-determination, and the necessity for Black culture to define itself.&nbsp;

A Long Way from Home

Inspired by Didion's own words, journalist Evelyn McDonnell presents an illustrated journey through Didion's life, tracing the path she carved from Sacramento, Portuguese Bend, Los Angeles, and Malibu to Manhattan, Miami, and Hawaii. McDonnell reveals the world as it was seen through Didion's eyes and explores her work in chapters keyed to the singular physical motifs of her writing.

**INDIE BESTSELLER**A MOST ANTICIPATED BOOK OF 2023 by The Millions • B&amp;N Best Books of 2023 • “Shaped by intellectual rigor and artistic grace … McDonnell’s portrait is vibrant, fluent, sensitive, and clarifying.” — Booklist, starred reviewAn intimate exploration of the life, craft, and legacy of one of the most revered and influential writers, an artist who continues to inspire fans and creatives to cultivate practices of deep attention, rigorous interrogation and beautiful style.Joan Didion was a writer’s writer; not only a groundbreaking journalist, essayist, novelist and screenwriter, but a keen observer who honed her sights on life’s telling details. Her insights continue to influence creatives and admirers, encouraging them to become close observers of the world, unsentimental critics, and meticulous stylists.An antidote to a global view that narrows our vision to the smallest screens, The World According To Joan Didion is a meditation on the people, places, and objects that propelled Didion’s prose and an invitation to journalists, storytellers, and life adventurers to “throw themselves into the convulsions of the world,” as she once said.Evelyn McDonnell, the acclaimed journalist, essayist, critic, feminist, native Californian, and university professor who regularly teaches Didion’s work, is attuned to interpret Didion’s vision for readers today. Inspired by Didion’s own words—from her works both published and unpublished—and informed by the people who knew Didion and those whose lives she shaped, The World According to Joan Didion is an illustrated journey through her life, tracing the path she carved from Sacramento, Portuguese Bend, Los Angeles, and Malibu to Manhattan, Miami, and Hawaii. McDonnell reveals the world as it was seen through Didion’s eyes and explores her work in chapters keyed to the singular physical motifs of her writing: Snake. Typewriter. Hotel. Notebook. Girl. Etc.One of the first books to be published after the revered writer’s death in 2021, The World According to Joan Didion is a literary companion for those embarking on new journeys and a guide to innovative ways of being. It will radically transform the way you explore the world, and will help you answer the question as you sit in a café, or on a plane or train, pondering the future: What would Joan Didion have seen?The World According to Joan Didion includes 19 black-and-white illustrations and photos throughout.

The World According to Joan Didion

A teacher recounts a year on Yamacraw Island, off the South Carolina coast, when he helped black children gain an awareness of themselves as well as the world around them.

“A powerfully moving book . . . You will laugh, you will weep, you will be proud and you will rail.” —Charleston News and CourierYamacraw Island was haunting, nearly deserted, and beautiful. Separated from the mainland of South Carolina by a wide tidal river, it was accessible only by boat. But for the handful of families that lived on Yamacraw, America was a world away. For years these families lived proudly from the sea until waste from industry destroyed the oyster beds essential to their very existence. Already poor, they knew they would have to face an uncertain future unless, somehow, they learned a new life. But they needed someone to teach them, and their rundown schoolhouse had no teacher.The Water Is Wide is Pat Conroy’s extraordinary memoir based on his experience as one of two teachers in a two-room schoolhouse, working with children the world had pretty much forgotten. It was a year that changed his life, and one that introduced a group of poor Black children to a world they did not know existed.“A hell of a good story.” —The New York Times“[Pat] Conroy cuts through his experiences with a sharp edge of irony. . . . He brings emotion, writing talent and anger to his story.” —Baltimore&nbsp;Sun

The Water Is Wide

?Passionate, personal, insightful, testy, and unique.? ?Kirkus (starred review)"Verdelle offers us testimony in praise and consideration of life as a literary citizen and Black woman alongside the guiding light of Toni Morrison. This is a holy testimony, indeed, one that deserves to be amen'd forever.? ?Jason Reynolds, #1 New York Times Bestselling Author"Verdelle gives us the greatest gift?our beloved ancestor returned to us?generous and alive, remembered and revered. So grateful for this book in the world.? ?Jacqueline Woodson, author of Another Brooklyn"If you let a black girl loose in a library, you may not recognize the woman who emerges."?from Miss ChloeToni Morrison, born Chloe A Wofford, was a towering figure in the world of literature when she entered A.J. Verdelle's life. Their literary friendship was a young writer's dream?simultaneously exhilarating, intimidating, fulfilling, and challenging. The relationship crossed generations, spanned several cycles in life, exhibited high and low notes, reached and dipped and found its way. Like many women friends, these two writers imagined and built a relationship that was responsive, inventive, and engaged.Miss Chloe powerfully situates the risks writers face and the freedom they find when they put Black women's lives into words. Verdelle chronicles her grief at Morrison's passing, and finds comfort in Morrison's astute advice?wisdom Verdelle didn't always recognize at the time. In this pensive and intricately lyrical book, Verdelle honors Morrison among the cultural greats, while illuminating and celebrating the power of language, legacy, and genius.A. J. Verdelle is the award-winning author of the novel, The Good Negress. She teaches Creative Writing at Morgan State University and at the MFA program at Lesley University.

“Passionate, personal, insightful, testy, and unique.” —Kirkus (starred review)"Verdelle offers us testimony in praise and consideration of life as a literary citizen and Black woman alongside the guiding light of Toni Morrison. This is a holy testimony, indeed, one that deserves to be amen'd forever.” —Jason Reynolds, #1 New York Times Bestselling Author"Verdelle gives us the greatest gift—our beloved ancestor returned to us—generous and alive, remembered and revered. So grateful for this book in the world.” —Jacqueline Woodson, author of Another Brooklyn"If you let a black girl loose in a library, you may not recognize the woman who emerges."—from Miss ChloeToni Morrison, born Chloe A Wofford, was a towering figure in the world of literature when she entered A.J. Verdelle’s life. Their literary friendship was a young writer’s dream—simultaneously exhilarating, intimidating, fulfilling, and challenging. The relationship crossed generations, spanned several cycles in life, exhibited high and low notes, reached and dipped and found its way. Like many women friends, these two writers imagined and built a relationship that was responsive, inventive, and engaged.Miss Chloe powerfully situates the risks writers face and the freedom they find when they put Black women’s lives into words. Verdelle chronicles her grief at Morrison’s passing, and finds comfort in Morrison’s astute advice—wisdom Verdelle didn’t always recognize at the time. In this pensive and intricately lyrical book, Verdelle honors Morrison among the cultural greats, while illuminating and celebrating the power of language, legacy, and genius.A. J. Verdelle is the award-winning author of the novel, The Good Negress. She teaches Creative Writing at Morgan State University and at the MFA program at Lesley University.&nbsp;

A Memoir of a Literary Friendship with Toni Morrison

Miss Chloe

A brilliant debut memoir about a young writer—struggling with depression, family issues, and addiction—and his life-changing decade working for Joan DidionAs an aspiring novelist in his early twenties, Cory Leadbeater was presented with an opportunity to work for a well-known writer whose identity was kept confidential. Since the tumultuous days of childhood, Cory had sought refuge from the rougher parts of life in the pages of books. Suddenly, he found himself the personal assistant to a titan of literature: Joan Didion.In the nine years that followed, Cory shared Joan’s rarefied world, transformed not only by her blazing intellect but by her generous friendship and mentorship. Together they recited poetry in the mornings, dined with Supreme Court justices, attended art openings, smoked a single cigarette before bed.But secretly, Cory was spiraling. He reeled from the death of a close friend. He spent his weekends at a federal prison, visiting his father as he served time for fraud. He struggled day after day to write the novel that would validate him as a real writer. And meanwhile, the forces of addiction and depression loomed large.In hypnotic prose that pulses with life and longing, The Uptown Local explores the fault lines of class, family, loss, and creativity. It is a love letter to a cultural icon—and a moving testament to the relationships that sustain us in the eternal pursuit of a life worth living.&nbsp;

A brilliant debut memoir about a young writer—struggling with depression, family issues, and addiction—and his life-changing decade working for Joan DidionAs an aspiring novelist in his early twenties, Cory Leadbeater was presented with an opportunity to work for a well-known writer whose identity was kept confidential. Since the tumultuous days of childhood, Cory had sought refuge from the rougher parts of life in the pages of books. Suddenly, he found himself the personal assistant to a titan of literature: Joan Didion.In the nine years that followed, Cory shared Joan’s rarefied world, transformed not only by her blazing intellect but by her generous friendship and mentorship. Together they recited poetry in the mornings, dined with Supreme Court justices, attended art openings, smoked a single cigarette before bed.But secretly, Cory was spiraling. He reeled from the death of a close friend. He spent his weekends at a federal prison, visiting his father as he served time for fraud. He struggled day after day to write the novel that would validate him as a real writer. And meanwhile, the forces of addiction and depression loomed large.In hypnotic prose that pulses with life and longing, The Uptown Local explores the fault lines of class, family, loss, and creativity. It is a love letter to a cultural icon—and a moving testament to the relationships that sustain us in the eternal pursuit of a life worth living.&nbsp;

Joy, Death, and Joan Didion: A Memoir

The Uptown Local

Western Star Unabridged CD POD

A collection of six essays blends memoir and biography, exploring the author's life and passion for uncovering historical mysteries, featuring diverse figures such as a Buddhist hermit and a Black Power martyr.

A moving and penetrating memoir of a life in biography from the Pulitzer Prize winner and “gifted storyteller” (Judith Thurman, The New Yorker).Megan Marshall’s innovative books, including&nbsp;The Peabody Sisters&nbsp;and the Pulitzer Prize–winning&nbsp;Margaret Fuller, are treasured works of American biography.&nbsp;In the richly absorbing essays of&nbsp;After Lives, Marshall turns her narrative gift to her own&nbsp;art,&nbsp;life,&nbsp;and the people in it.In each of six essays, Marshall reinvents the personal essay form, as a portal to the past and its lessons for living into the future. The book’s brilliant, assured interplay between memoir and biography places surprising characters on the page, including the twelfth-century Buddhist hermit&nbsp;Kamo no Chomei, a reassuring spiritual presence for Marshall during several otherwise deracinating months in Kyoto.&nbsp;In her stunning coming-of-age tale, “Free for a While,”&nbsp;set in 1970s California, Marshall interweaves the story of her adolescence with that of Black Power martyr Jonathan Jackson, the author’s AP history classmate, gunned down at seventeen in a failed attempt to free his famed older brother George from prison in the case that put Angela Davis on the FBI’s Most Wanted list.&nbsp;Here too is the author’s passion for the biographical chase, and for the mysteries at its heart.&nbsp;She tells the astonishing story of viewing&nbsp;the disinterred remains of her one-time subject Sophia Peabody Hawthorne, wife of Nathaniel, and their daughter Una,&nbsp;the truths of whose&nbsp;early death Marshall works to reveal.&nbsp;Throughout these finely wrought essays, Marshall,&nbsp;“[at] the front rank of American biographers” (Dwight Garner,&nbsp;New York Times),&nbsp;makes palpable her driving impulse to “learn what I could from others: how to live, how not to live, what it means to live.”&nbsp;

On Biography and the Mysteries of the Human Heart

After Lives

An arresting and one-of-a-kind memoir about the alternately exultant and harrowing trip growing up as a Black child desperate to create a clear reality for herself in this countryWritten in a distinctive voice and filled with personality, humor, and pathos, Fruit Punch is a memoir unlike any other, from a one-of-a-kind millennial talent. Growing up in Dallas, Texas, in the nineties and early 2000s, Kendra Allen had a complicated, loving, and intense family life filled with desire and community but also undercurrents of violence and turmoil. ?We equate suffering to perseverance and misinterpret the weight of shame,? she writes. As she makes her way through a world of obscureness, Kendra finds herself slowly discovering outlets to help navigate growing up and against the expected performance of being a young Black woman in the South?a complex interplay of race, class, and gender that proves to be ever-shifting ground.Fruit Punch touches on everything from questions of beauty and how we form concepts of ourselves?as a small rebellion, young Kendra scratched a hole into every pair of stockings she was forced to wear?to what it means to grow up in her great uncle's Southern Baptist church?with rules including ?No uncrossed ankles? and ?No questions.? Inflected by a powerful sense of place and touched by poetry, Fruit Punch is a stunning achievement?a memoir born of love and endurance, fight or flight, and what it means to be a witness, from a blisteringly honest and observant voice.

An arresting and one-of-a-kind memoir about the alternately exultant and harrowing trip growing up as a Black child desperate to create a clear reality for herself in this countryWritten in a distinctive voice and filled with personality, humor, and pathos, Fruit Punch is a memoir unlike any other, from a one-of-a-kind millennial talent. Growing up in Dallas, Texas, in the nineties and early 2000s, Kendra Allen had a complicated, loving, and intense family life filled with desire and community but also undercurrents of violence and turmoil. “We equate suffering to perseverance and misinterpret the weight of shame,” she writes. As she makes her way through a world of obscureness, Kendra finds herself slowly discovering outlets to help navigate growing up and against the expected performance of being a young Black woman in the South—a complex interplay of race, class, and gender that proves to be ever-shifting ground.Fruit Punch touches on everything from questions of beauty and how we form concepts of ourselves—as a small rebellion, young Kendra scratched a hole into every pair of stockings she was forced to wear—to what it means to grow up in her great uncle’s Southern Baptist church—with rules including “No uncrossed ankles” and “No questions.” Inflected by a powerful sense of place and touched by poetry, Fruit Punch is a stunning achievement—a memoir born of love and endurance, fight or flight, and what it means to be a witness, from a blisteringly honest and observant voice.&nbsp;

Fruit Punch

A piercing blend of memoir, criticism, and biography examining how women writers across the centuries carved out intellectual freedom for themselves?and how others might do the sameThe day I took my wedding ring off for the last time?a gold band with half a line of ?Morning Song? by Sylvia Plath etched inside?my thumb at first kept on reaching across my palm for the warm bright circle that had gone. I didn't fling the ring into the sea, like women do in the movies, but a feeling bubbled up nevertheless, from my stomach to my throat: it could fling my arms out. I was free. . . .A few years into her marriage and feeling societal pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. Was this all there was? She divorced without knowing what would come next.Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever?desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfillment.In A Life of One's Own, Sylvia Plath, Mary Wollstonecraft, Virginia Woolf, George Eliot, Toni Morrison, Simone de Beauvoir, Zora Neale Hurston, and Elena Ferrante are all taken down from their pedestals, their work and lives held up to the light. Joanna wanted to learn more about the conditions these women needed to write their best work, and how they addressed the questions she herself was struggling with: Is domesticity a trap? Is life worth living if you have lost faith in the traditional goals of a woman? Why is it so important for women to read one another?This is a radical and intimate examination of the unconventional paths these women took?their pursuits and achievements but also their disappointments and hardships. And in exploring the things that gave their lives the most meaning, we find fuel for our own singular intellectual paths.

Named a Most Anticipated Book of 2023 by the New York Times, The Week, Vulture, Elle, and The MillionsA piercing blend of memoir, criticism, and biography examining how women writers across the centuries carved out intellectual freedom for themselves—and how others might do the sameI took off my wedding ring for the last time—a gold band with half a line of “Morning Song” by Sylvia Plath etched inside—and for weeks afterwards, my thumb would involuntarily reach across my palm for the warm bright circle that had gone. I didn’t fling the ring into the long grass, like women do in the movies, but a feeling began bubbling up nevertheless, from my stomach to my throat: it could fling my arms out. I was free. . . .A few years into her marriage and feeling societal pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. Was this all there was? She divorced without knowing what would come next.Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever—desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfillment.In A Life of One’s Own, Mary Wollstonecraft, George Eliot, Zora Neale Hurston, Virginia Woolf, Simone de Beauvoir, Sylvia Plath, Toni Morrison, and Elena Ferrante are all taken down from their pedestals, their work and lives seen in a new light. Joanna wanted to learn more about the conditions these women needed to write their best work, and how they addressed the questions she herself was struggling with: Is domesticity a trap? Is life worth living if you have lost faith in the traditional goals of a woman? Why is it so important for women to read one another?This is a radical and intimate examination of the unconventional paths these women took—their pursuits and achievements but also their disappointments and hardships. And in exploring the things that gave their lives the most meaning, we find fuel for our own singular intellectual paths.&nbsp;

Nine Women Writers Begin Again

A Life of One's Own

A striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World.Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces ?under-expressed, unpopular or downright dangerous? points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us.Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper's Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver's piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes.In her characteristically frank manner, Shriver shrewdly skewers the concept of language ?crimes,? while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Each essay in Abominations reflects sentiments that have ?brought hell and damnation down on my head,? as she cheerfully explains, and have threatened her with ?cancellation? more than once.Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. ?Enlightened? progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree.A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.

“A rare voice, someone who challenges orthodoxies in the way that many journalists and public intellectuals claim to do but don’t. It is bracing to spend time in the company of such a smart, plain-spoken and unpredictable person.”—Wall Street JournalA striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World.Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us.Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper’s Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver’s piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes.In her characteristically frank manner, Shriver shrewdly skewers the concept of language “crimes,” while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Many an essay in Abominations reflects sentiments that have “brought hell and damnation down on my head,” as she cheerfully explains, and have threatened her with “cancellation” more than once.Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. “Enlightened” progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree.A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.

Selected Essays from a Career of Courting Self-Destruction

Abominations

New York Times bestselling author and acclaimed religion scholar, Stephen Prothero, captures the compelling and unique saga of twentieth-century America on an identity quest through the eyes and books of one of the most influential editors of the day?a search, born of two world wars, for resolution of our divided identity as a Christian nation and a nation of religions.One summer evening in 1916 in Blanchester, Ohio, a sixteen-year-old farm boy was riding his horse past the town cemetery. The horse reared back and whinnied, and Eugene Exman saw God. For the rest of his life, he struggled to recreate that moment. Through a treasure of personal letters and papers, God, the Bestseller explores Exman's personal quest. A journey that would lead him in the late 1920s to the Harper religious books department, which he turned during the Great Depression into a money-making juggernaut and the country's top religion publisher. Exman's role in the shaping of American religion is undeniable. Here was a man who was ahead of his time and leading the rest of the nation through books on a spiritual exploration. Exman published bestsellers by the controversial preacher Harry Emerson Fosdick, the Catholic radical Dorothy Day, the Civil Rights pioneer Howard Thurman, and two Nobel laureates: Albert Schweitzer and Martin Luther King Jr. Exman did not just sit at a desk and read. In addition to his lifelong relationships with the most influential leaders of the day, Exman was on a spiritual journey of his own traversing the world in search of God. He founded a club of mystics, dropped acid in 1958, four years before Timothy Leary. And six years before The Beatles went to India, he found a guru there in 1962. In the end, this is the story of the popularization of the religion of experience?a cultural story of modern America on a quest of its own. Exman helped to reimagine and remake American religion, turning the United States into a place where denominational boundaries are blurred, diversity is valued, and the only creed is that individual spiritual experience is the essence of religion.

New York Times bestselling author and acclaimed religion scholar, Stephen Prothero, captures the compelling and unique saga of twentieth-century America on an identity quest through the eyes and books of one of the most influential editors of the day—a search, born of two world wars, for resolution of our divided identity as a Christian nation and a nation of religions.One summer evening in 1916 in Blanchester, Ohio, a sixteen-year-old farm boy was riding his horse past the town cemetery. The horse reared back and whinnied, and Eugene Exman saw God. For the rest of his life, he struggled to recreate that moment. Through a treasure of personal letters and papers, God, the Bestseller explores Exman’s personal quest. A journey that would lead him in the late 1920s to the Harper religious books department, which he turned during the Great Depression into a money-making juggernaut and the country’s top religion publisher.&nbsp;Exman’s role in the shaping of American religion is undeniable. Here was a man who was ahead of his time and leading the rest of the nation through books on a spiritual exploration. Exman published bestsellers by the controversial preacher Harry Emerson Fosdick, the Catholic radical Dorothy Day, the Civil Rights pioneer Howard Thurman, and two Nobel laureates: Albert Schweitzer and Martin Luther King Jr. Exman did not just sit at a desk and read. In addition to his lifelong relationships with the most influential leaders of the day, Exman was on a spiritual journey of his own traversing the world in search of God. He founded a club of mystics, dropped acid in 1958, four years before Timothy Leary. And six years before The Beatles went to India, he found a guru there in 1962.&nbsp;In the end, this is the story of the popularization of the religion of experience—a cultural story of modern America on a quest of its own. Exman helped to reimagine and remake American religion, turning the United States into a place where denominational boundaries are blurred, diversity is valued, and the only creed is that individual spiritual experience is the essence of religion.

How One Editor Transformed American Religion a Book at a Time

God the Bestseller

"The five marriages that Carmela Ciuraru explores in Lives of the Wives provide such delightfully gossipy pleasure that we have to remind ourselves that these were real people whose often stormy relationships must surely have been less fun to experience than they are for us to read about."?Francine Prose, author of The VixenA witty, provocative look inside the tumultuous marriages of five writers, illuminating the creative process as well as the role of money, power, and fame in these complex and fascinating relationships."With an ego the size of a small nation, the literary lion is powerful on the page, but a helpless kitten in daily life?dependent on his wife to fold an umbrella, answer the phone, or lick a stamp."The history of wives is largely one of silence, resilience, and forbearance. Toss in celebrity, male privilege, ruthless ambition, narcissism, misogyny, infidelity, alcoholism, and a mood disorder or two, and it's easy to understand why the marriages of so many famous writers have been stormy, short-lived, and mutually destructive. "It's been my experience," as the critic and novelist Elizabeth Hardwick once wrote, "that nobody holds a man's brutality to his wife against him." Literary wives are a unique breed, requiring a particular kind of fortitude.Author Carmela Ciuraru shares the stories of five literary marriages, exposing the misery behind closed doors. The legendary British theatre critic Kenneth Tynan encouraged his American wife, Elaine Dundy, to write, then watched in a jealous rage as she became a bestselling author and critical success. In the early years of their marriage, Roald Dahl enjoyed basking in the glow of his glamorous movie star wife, Patricia Neal, until he detested her for being the breadwinner, and being more famous than he was. Elizabeth Jane Howard had to divorce Kingsley Amis to escape his suffocating needs and devote herself to her own writing. ("I really couldn't write very much when I was married to him," she once recalled, "because I had a very large household to keep up and Kingsley wasn't one to boil an egg, if you know what I mean.") Surprisingly, the most traditional partnership in Lives of the Wives is a lesbian couple, Una Troubridge and Radclyffe Hall, both of whom were socially and politically conservative and unapologetic snobs.As this erudite and entertaining work shows, each marriage is a unique story, filled with struggles and triumphs and the negotiation of power. The Italian novelists Elsa Morante and Alberto Moravia were never sexually compatible, and it was Morante who often behaved abusively toward her cool, detached husband, even as he unwaveringly admired his wife's talents and championed her work. Theirs was an unhappy union, yet it fueled them creatively and enabled both to become two of Italy's most important postwar writers.These are stories of vulnerability, loneliness, infidelity, envy, sorrow, abandonment, heartbreak, and forgiveness. Above all, Lives of the Wives honors the women who have played the role of muses, agents, editors, proofreaders, housekeepers, gatekeepers, amaneunses, confidantes, and cheerleaders to literary trailblazers throughout history. In revisiting the lives of famous writers, it is time in our #MeToo era to highlight the achievements of their wives?and the price these women paid for recognition and freedom. Lives of the Wives is an insightful, humorous, and poignant exploration of the intersection of life and art and creativity and love.

A New York Times Notable Book of the YearA Washington Post Best Nonfiction of the YearOne of PEOPLE's Top 10 Books of the Year"Delicious and infuriating...unputdownable." —Sadie Stein, New York Times "A compulsively readable book." —Wall Street JournalIn Lives of the Wives, author Carmela Ciuraru offers a witty, provocative look inside the tumultuous marriages of five famous writers, illuminating the creative process as well as the role of money, fame, and power in these complex and fascinating relationships.The legendary British theater critic Kenneth Tynan encouraged his American wife, Elaine Dundy, to write, then watched in a jealous rage as she became a bestselling author. In their early years of marriage, Roald Dahl enjoyed basking in the glow of his glamorous movie star wife, Patricia Neal, until he detested her for being wealthier and more famous. Elizabeth Jane Howard had to divorce Kingsley Amis to escape his suffocating needs and pursue her own writing. In the marriage of the Italian novelists Elsa Morante and Alberto Moravia, it was Morante who often behaved abusively toward her cool, detached husband, even as he unwaveringly championed his wife’s talent and work. The most conventional partnership is a lesbian couple, Una Troubridge and Radclyffe Hall, both of whom were socially and politically conservative and unapologetic snobs.Lives of the Wives is an erudite, entertaining project of reclamation and reparation, paying tribute to the wives who were often demonized and misrepresented, and revealing the price they paid for recognition and freedom.

Five Literary Marriages

Lives of the Wives

Western Star

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Bibliografische Angaben

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