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Streitfeld D: Western Star

Western Star

The Life and Legends of Larry McMurtry

New York Times bestselling author and acclaimed religion scholar, Stephen Prothero, captures the compelling and unique saga of twentieth-century America on an identity quest through the eyes and books of one of the most influential editors of the day?a search, born of two world wars, for resolution of our divided identity as a Christian nation and a nation of religions.One summer evening in 1916 in Blanchester, Ohio, a sixteen-year-old farm boy was riding his horse past the town cemetery. The horse reared back and whinnied, and Eugene Exman saw God. For the rest of his life, he struggled to recreate that moment. Through a treasure of personal letters and papers, God, the Bestseller explores Exman's personal quest. A journey that would lead him in the late 1920s to the Harper religious books department, which he turned during the Great Depression into a money-making juggernaut and the country's top religion publisher. Exman's role in the shaping of American religion is undeniable. Here was a man who was ahead of his time and leading the rest of the nation through books on a spiritual exploration. Exman published bestsellers by the controversial preacher Harry Emerson Fosdick, the Catholic radical Dorothy Day, the Civil Rights pioneer Howard Thurman, and two Nobel laureates: Albert Schweitzer and Martin Luther King Jr. Exman did not just sit at a desk and read. In addition to his lifelong relationships with the most influential leaders of the day, Exman was on a spiritual journey of his own traversing the world in search of God. He founded a club of mystics, dropped acid in 1958, four years before Timothy Leary. And six years before The Beatles went to India, he found a guru there in 1962. In the end, this is the story of the popularization of the religion of experience?a cultural story of modern America on a quest of its own. Exman helped to reimagine and remake American religion, turning the United States into a place where denominational boundaries are blurred, diversity is valued, and the only creed is that individual spiritual experience is the essence of religion.

How One Editor Transformed American Religion a Book at a Time

God the Bestseller

An arresting and one-of-a-kind memoir about the alternately exultant and harrowing trip growing up as a Black child desperate to create a clear reality for herself in this countryWritten in a distinctive voice and filled with personality, humor, and pathos, Fruit Punch is a memoir unlike any other, from a one-of-a-kind millennial talent. Growing up in Dallas, Texas, in the nineties and early 2000s, Kendra Allen had a complicated, loving, and intense family life filled with desire and community but also undercurrents of violence and turmoil. “We equate suffering to perseverance and misinterpret the weight of shame,” she writes. As she makes her way through a world of obscureness, Kendra finds herself slowly discovering outlets to help navigate growing up and against the expected performance of being a young Black woman in the South—a complex interplay of race, class, and gender that proves to be ever-shifting ground.Fruit Punch touches on everything from questions of beauty and how we form concepts of ourselves—as a small rebellion, young Kendra scratched a hole into every pair of stockings she was forced to wear—to what it means to grow up in her great uncle’s Southern Baptist church—with rules including “No uncrossed ankles” and “No questions.” Inflected by a powerful sense of place and touched by poetry, Fruit Punch is a stunning achievement—a memoir born of love and endurance, fight or flight, and what it means to be a witness, from a blisteringly honest and observant voice.&nbsp;

Fruit Punch

"The five marriages that Carmela Ciuraru explores in Lives of the Wives provide such delightfully gossipy pleasure that we have to remind ourselves that these were real people whose often stormy relationships must surely have been less fun to experience than they are for us to read about."?Francine Prose, author of The VixenA witty, provocative look inside the tumultuous marriages of five writers, illuminating the creative process as well as the role of money, power, and fame in these complex and fascinating relationships."With an ego the size of a small nation, the literary lion is powerful on the page, but a helpless kitten in daily life?dependent on his wife to fold an umbrella, answer the phone, or lick a stamp."The history of wives is largely one of silence, resilience, and forbearance. Toss in celebrity, male privilege, ruthless ambition, narcissism, misogyny, infidelity, alcoholism, and a mood disorder or two, and it's easy to understand why the marriages of so many famous writers have been stormy, short-lived, and mutually destructive. "It's been my experience," as the critic and novelist Elizabeth Hardwick once wrote, "that nobody holds a man's brutality to his wife against him." Literary wives are a unique breed, requiring a particular kind of fortitude.Author Carmela Ciuraru shares the stories of five literary marriages, exposing the misery behind closed doors. The legendary British theatre critic Kenneth Tynan encouraged his American wife, Elaine Dundy, to write, then watched in a jealous rage as she became a bestselling author and critical success. In the early years of their marriage, Roald Dahl enjoyed basking in the glow of his glamorous movie star wife, Patricia Neal, until he detested her for being the breadwinner, and being more famous than he was. Elizabeth Jane Howard had to divorce Kingsley Amis to escape his suffocating needs and devote herself to her own writing. ("I really couldn't write very much when I was married to him," she once recalled, "because I had a very large household to keep up and Kingsley wasn't one to boil an egg, if you know what I mean.") Surprisingly, the most traditional partnership in Lives of the Wives is a lesbian couple, Una Troubridge and Radclyffe Hall, both of whom were socially and politically conservative and unapologetic snobs.As this erudite and entertaining work shows, each marriage is a unique story, filled with struggles and triumphs and the negotiation of power. The Italian novelists Elsa Morante and Alberto Moravia were never sexually compatible, and it was Morante who often behaved abusively toward her cool, detached husband, even as he unwaveringly admired his wife's talents and championed her work. Theirs was an unhappy union, yet it fueled them creatively and enabled both to become two of Italy's most important postwar writers.These are stories of vulnerability, loneliness, infidelity, envy, sorrow, abandonment, heartbreak, and forgiveness. Above all, Lives of the Wives honors the women who have played the role of muses, agents, editors, proofreaders, housekeepers, gatekeepers, amaneunses, confidantes, and cheerleaders to literary trailblazers throughout history. In revisiting the lives of famous writers, it is time in our #MeToo era to highlight the achievements of their wives?and the price these women paid for recognition and freedom. Lives of the Wives is an insightful, humorous, and poignant exploration of the intersection of life and art and creativity and love.

Five Literary Marriages

Lives of the Wives

?Passionate, personal, insightful, testy, and unique.? ?Kirkus (starred review)"Verdelle offers us testimony in praise and consideration of life as a literary citizen and Black woman alongside the guiding light of Toni Morrison. This is a holy testimony, indeed, one that deserves to be amen'd forever.? ?Jason Reynolds, #1 New York Times Bestselling Author"Verdelle gives us the greatest gift?our beloved ancestor returned to us?generous and alive, remembered and revered. So grateful for this book in the world.? ?Jacqueline Woodson, author of Another Brooklyn"If you let a black girl loose in a library, you may not recognize the woman who emerges."?from Miss ChloeToni Morrison, born Chloe A Wofford, was a towering figure in the world of literature when she entered A.J. Verdelle's life. Their literary friendship was a young writer's dream?simultaneously exhilarating, intimidating, fulfilling, and challenging. The relationship crossed generations, spanned several cycles in life, exhibited high and low notes, reached and dipped and found its way. Like many women friends, these two writers imagined and built a relationship that was responsive, inventive, and engaged.Miss Chloe powerfully situates the risks writers face and the freedom they find when they put Black women's lives into words. Verdelle chronicles her grief at Morrison's passing, and finds comfort in Morrison's astute advice?wisdom Verdelle didn't always recognize at the time. In this pensive and intricately lyrical book, Verdelle honors Morrison among the cultural greats, while illuminating and celebrating the power of language, legacy, and genius.A. J. Verdelle is the award-winning author of the novel, The Good Negress. She teaches Creative Writing at Morgan State University and at the MFA program at Lesley University.

A Memoir of a Literary Friendship with Toni Morrison

Miss Chloe

From one of the most significant figures of the Harlem Renaissance comes a narrative defining book chronicling his life from Jamaica to New York CityClaude McKay’s long odyssey from Jamaica to Harlem, Europe, North Africa, Russia, and back to America is chronicled in this autobiography of the most militant writers to emerge from the New Negro movement following World War I. Whether in the intellectual circles of Harlem and Greenwich Village, the docks of Marseilles, or the inner circles of post-revolutionary Russia, McKay’s contact with such figures as Frank Harris, Max Eastman, George Bernard Shaw, W.E.B Dubois, James Weldon Johnson, Charles Chaplin, H.G Wells, Sinclair Lewis, Trotsky, and Radek all served to advance those views which would be so widely accepted in the 1960—Black Pride, self-determination, and the necessity for Black culture to define itself.&nbsp;

A Long Way from Home

AN NPR BOOK-OF-THE-DAY • A PUBLISHERS WEEKLY STAFF PICK • A NYLON MUST-READ • A FORTUNE NEW BOOK TO READ IN AUGUST?And, at the center of it all, am I actually nice or am I just performing a role I think I'm expected to play?? Mia Mercado is a razor-sharp cultural critic and essayist known for her witty and hilarious dissections of the uncomfortable truths that rule our lives. In this thought-provoking collection of new essays, Mercado examines what it means to be ?polite,? ?agreeable,? and ?nice.? She covers topics from the subtleties of the ?Bad Bitch? and why women dominate the ASMR market, to what makes her dog an adorable little freak and how you know if you're shy. This is a book about the unspoken trick mirror of our ?good? intentions: the inherent performance of the social media apology, celebrating men when they do the bare minimum, and why we trust a Midwesterner to watch our stuff when we go pee.Throughout, she ponders her identity as an Asian woman and asks what ?nice? even means?and why anyone would want to be it. With writing that is as precise as it is profound, and cultural references that range from trash reality television to the New York Times Sunday-morning crossword puzzle, Mercado uncovers weird, long-overdue truths about our frailties and failings. In the end, she sees them not as a source of shame but as a cause for celebration. Filled with revelations that range from the silly to the serious,She's Nice Though offers a mind-bending glimpse into the illusions and delusions of contemporary life?and reveals who we *really* are when no one is watching.

Essays on Being Bad at Being Good

She's Nice Though

"A magnificent cultural biography that charts the life of one of our greatest writers, situating her alongside the key historical and social moments that shaped her work"--

The Life and Times of Octavia E. Butler

Positive Obsession

“A rare voice, someone who challenges orthodoxies in the way that many journalists and public intellectuals claim to do but don’t. It is bracing to spend time in the company of such a smart, plain-spoken and unpredictable person.”—Wall Street JournalA striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World.Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us.Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper’s Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver’s piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes.In her characteristically frank manner, Shriver shrewdly skewers the concept of language “crimes,” while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Many an essay in Abominations reflects sentiments that have “brought hell and damnation down on my head,” as she cheerfully explains, and have threatened her with “cancellation” more than once.Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. “Enlightened” progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree.A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.

Selected Essays from a Career of Courting Self-Destruction

Abominations

The beloved New York Times bestselling author reflects on home, family, friendships and writing in this deeply personal collection of essays. "The elegance of Patchett's prose is seductive and inviting: with Patchett as a guide, readers will really get to grips with the power of struggles, failures, and triumphs alike." ?Publisher's Weekly?Any story that starts will also end.? As a writer, Ann Patchett knows what the outcome of her fiction will be. Life, however, often takes turns we do not see coming. Patchett ponders this truth in these wise essays that afford a fresh and intimate look into her mind and heart. At the center of These Precious Days is the title essay, a surprising and moving meditation on an unexpected friendship that explores ?what it means to be seen, to find someone with whom you can be your best and most complete self.? When Patchett chose an early galley of actor and producer Tom Hanks' short story collection to read one night before bed, she had no idea that this single choice would be life changing. It would introduce her to a remarkable woman?Tom's brilliant assistant Sooki?with whom she would form a profound bond that held monumental consequences for them both. A literary alchemist, Patchett plumbs the depths of her experiences to create gold: engaging and moving pieces that are both self-portrait and landscape, each vibrant with emotion and rich in insight. Turning her writer's eye on her own experiences, she transforms the private into the universal, providing us all a way to look at our own worlds anew, and reminds how fleeting and enigmatic life can be. From the enchantments of Kate DiCamillo's children's books (author of The Beatryce Prophecy) to youthful memories of Paris; the cherished life gifts given by her three fathers to the unexpected influence of Charles Schultz's Snoopy; the expansive vision of Eudora Welty to the importance of knitting, Patchett connects life and art as she illuminates what matters most. Infused with the author's grace, wit, and warmth, the pieces in These Precious Days resonate deep in the soul, leaving an indelible mark?and demonstrate why Ann Patchett is one of the most celebrated writers of our time.

These Precious Days

"Secrecy came naturally to John le Carrâe, and there were some secrets that he fought fiercely to keep. Adam Sisman's definitive biography, published in 2015, provided a revealing portrait of this fascinating man; yet some aspects of his subject remained hidden. Nowhere was this more so than in his private life. Apparently content in his marriage, the novelist conducted a string of love affairs over five decades. To these relationships he brought much of the tradecraft that he had learned as a spy: cover stories, cut-outs, and dead letter boxes. ... In trying to manage his [original 2015 biography], the novelist engaged in a succession of skirmishes with his biographer. While he could control what Sisman wrote about him in his lifetime, he accepted that the truth would eventually become known. Following his death in 2020, what had been withheld can now be revealed"--

The Secret Life of John le Carre

A collection of six essays blends memoir and biography, exploring the author's life and passion for uncovering historical mysteries, featuring diverse figures such as a Buddhist hermit and a Black Power martyr.

On Biography and the Mysteries of the Human Heart

After Lives

"In the summer of 1925, Katharine Sergeant Angell White walked into THE NEW YORKER'S midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse. This exquisite biography brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words. White's biggest contribution, however, was her cultivation of women writers whose careers were made at THE NEW YORKER'S -Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer's work but also their life. Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor-through both her incredible tenure at THE NEW YORKER'S, and her famous marriage to E.B. White-and reveals how she transformed our understanding of literary culture and community"--

Katharine S. White at The New Yorker

The World She Edited

Western Star

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