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Twenty haunting stories from the Bram Stoker Award nominated, and bestselling author of&nbsp;Come With Me.

Malfi Ronald: We Should Have Left Well
Enough Alone

We Should Have Left Well Enough Alone

The 50/50 killer preys on couples. He manipulates their love for each other and makes them play a game. He stalks them, tortures them and then forces them to choose. What is going to break first? Their will or their love for each other?Only two things are certain:One of them will die. And the other will have killed them.

The 50/50 killer preys on couples. He manipulates their love for each other and makes them play a game. He stalks them, tortures them and then forces them to choose. What is going to break first? Their will or their love for each other? Only two things are certain: One of them will die. And the other will have killed them.

The 50/50 Killer

The Brilliant Soul Duology

The Faithful Dark

Threadneedle

The SUNDAY TIMES bestselling series continues...Praise for world of THREADNEEDLE'Enthralling and original fantasy' Jay Kristoff, SUNDAY TIMES bestselling author of EMPIRE OF THE VAMPIRE'The magic both gleams and threatens' Robin Hobb, SUNDAY TIMES bestselling author

Shadowstitch

'As stunning as it is unsettling. A contemporary gothic masterpiece' KATY HAYS'A beautiful and haunting examination of toxic friendships' HEATHER DARWENT'Darkly glamorous'GuardianA DAILY MAIL BOOK TO LOOK OUT FOR IN 2025

And He Shall Appear

A Conventional Boy

YOU CAN RUNPolice called to a crime scene on a quiet suburban street are shocked to find a woman being held captive. YOU CAN HIDEWhen the remains of more victims are discovered, it seems that the notorious Red River Killer, who has been abducting women for twenty years, has finally been identified. BUT HE'S STILL OUT THEREDI Will Turner leads the investigation. The killer may be running, but he's certainly not hiding - and the hunt for his next victim is very much underway . . .

YOU CAN RUN Police called to a crime scene on a quiet suburban street are shocked to find a woman being held captive. YOU CAN HIDE When the remains of more victims are discovered, it seems that the notorious Red River Killer, who has been abducting women for twenty years, has finally been identified. BUT HE'S STILL OUT THERE DI Will Turner leads the investigation. The killer may be running, but he's certainly not hiding - and the hunt for his next victim is very much underway . . .

You Can Run

'As stunning as it is unsettling. A contemporary gothic masterpiece' KATY HAYS'A beautiful and haunting examination of toxic friendships' HEATHER DARWENT'Darkly glamorous'GuardianA DAILY MAIL BOOK TO LOOK OUT FOR IN 2025A COSMOPOLITAN BEST NEW BOOK OUT IN JANUARY

It's a Midsommar night's Scream in this blood-soaked thriller set at a remote healing retreat from horror author Brian McAuley. Hannah has been running from her demons ever since she emerged from a harrowing wilderness trip without her fiancé. No one knows exactly what happened the day Ben died, and Hannah would like to keep it that way... even if his ghost still haunts her with vivid waking nightmares that are ruining her life. So when her friend group gets an exclusive invitation to a restorative spiritual retreat in Joshua Tree, Hannah reluctantly agrees in search of a fresh start. Despite her skepticism of the strange Guru Pax and his belief in the supernatural world, Hannah soon finds healing through all the yoga, sound baths, and hot springs offered at the tech-free haven. But this peaceful journey of self-discovery quickly descends into a violent fight for self-preservation when a mysterious killer starts picking off retreat attendees in increasingly gruesome ways. As the body count rises and Hannah's sanity frays, she'll have to confront her dark past and uncover the true nature of a ruthless monster hellbent on killing her vibe for good.

Breathe In, Bleed Out

By demonstrating the importance of horrific motifs in Greek and Roman epic, this book challenges existing conceptions of what an epic poem is and of what it means to engage with such a text. Taking the reader through canonical and less-well-known ancient epic, Brockliss argues that contrary to conventional readings, 'the horrific' is central to these texts. In fact, these poems dwell as much if not more on foul displays of human physicality as on depictions of a sublime heroism, prioritize psychological disturbance over tragic suffering, and set the intrusions of unquiet ghosts in tension with celebrations of the safely dead. This book thus offers a fresh perspective on a literary genre that is central both to ancient cultures and to the later western tradition. Alongside happy recollections of past glories, ancient epics offer readers a shocking and immersive experience that confronts them with the bare facts of human physiques and minds. Rather than focusing narrowly on the eminent achievements of a few, horror in epic offers an egalitarian portrait of what makes us human.

Horror in Ancient Greek and Roman Epic

Slash or Pass

Stravinsky!

We Should Have Left Well Enough Alone

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