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Hawkes V: We Have Some Notes…

We Have Some Notes…

The Insider’s Guide to Notes, Script Editing and Development

Introduction
1. Peter Ansorge
Quick Fire Q&amp;A 1: What’s the role of a script editor or anyone giving notes?
2. Simon Beaufoy
3. Sally Wainwright
Quick Fire Q&amp;A 2: What’s the best thing someone giving notes can do?
4. Russell T Davies
5. Lynne Ramsay
Quick Fire Q&amp;A 3: What’s one thing never to do if you’re giving notes?
6. Alice Lowe
7. Michael Pearce
Quick Fire Q&amp;A 4: Can you reveal any comically bad notes you’ve had?
8. Ben Wheatley
9. Krysty Wilson-Cairns
Quick Fire Q&amp;A 5: What’s the most useful question someone giving notes has asked, that has moved a story forward or made it stronger?
10. Corin Hardy
11. Tomm Moore
Quick Fire Q&amp;A 6: How do you deal with rejection or critical notes?
12. Amma Asante
13. Lone Scherfig
Quick Fire Q&amp;A 7: What’s a common problem that tends to come up during development?
14. Edgar Wright
Quick Fire Q&amp;A 8: What’s your advice to someone wanting to start out in, or further develop a career in script editing or development?
Notes from the Note-givers
Index

Fundamentals

The Fundamentals of Film-Making provides an overview of the collaborative process of film-making.

The book maps out the practical, technical and creative aspects involved, sets out the division of labour, and explains how each individual role combines to influence the final piece. The three primary stages of film production - pre-production, production and post-production - are covered through chapters dealing with each of the major departments: script; production; direction; production design; cinematography; sound and post-production.

The book concludes with an examination of film analysis, providing context and connections between film theory and practice.

The Fundamentals of Film-Making provides an overview of the collaborative process of film-making.

The book maps out the practical, technical and creative aspects involved, sets out the division of labour, and explains how each individual role combines to influence the final piece. The three primary stages of film production – pre-production, production and post-production – are covered through chapters dealing with each of the major departments: script; production; direction; production design; cinematography; sound and post-production.

The book concludes with an examination of film analysis, providing context and connections between film theory and practice.

The Fundamentals of Film Making

Library of Gender and Popular Culture

How can we understand intensifying gender inequalities against the backdrop of the rising visibility of popular mediated feminism? Can domestic cultures provide a space for a feminist response and resistance to austerity? This book seeks to address these questions, exploring how the revival of domestic, traditionally feminine activities, such as crafting, baking and sewing, have gone hand-in-hand with the re-politicisation of domestic culture during an era of austerity. Jessica Martin provides an in-depth analysis of key public figures who forged their public personas by co-opting the harsh conditions of austerity, turning them into a 'popular' brand of neoliberal feminism. Drawing on several case studies - including self-identifying feminists, domesticity experts and mothers such as Kirstie Allsopp, Justine Roberts, and Jen Gale, as well as the blogger, cook and anti-austerity activist Jack Munroe - Martin conceptualises the 'austerity celebrity' and explores how these figures have each developed their own style of domesticity activism and politicised domesticity. She also argues that these celebrity responses span the political spectrum, be it Allsopp's active championing of the 'Big Society', individualism and conservatism or Roberts' mobilisation of mothers into a political pressure group active in UK parliamentary politics. Finally, Martin explains how the turn towards a nostalgic domesticity within austerity culture in the UK has intensified during the COVID-19 crisis, paving the way for discourse that accepts escalating inequalities under the guise of a particular notion of white nostalgic femininity, as well as the British blitz spirit, invoking a form of patriotic stoicism and nationalistic sentiment.

How can we understand intensifying gender inequalities against the backdrop of the rising visibility of popular mediated feminism? Can domestic cultures provide a space for a feminist response and resistance to austerity?
 
 This book seeks to address these questions, exploring how the revival of domestic, traditionally feminine activities, such as crafting, baking and sewing, have gone hand-in-hand with the re-politicisation of domestic culture during an era of austerity. Jessica Martin provides an in-depth analysis of key public figures who forged their public personas by co-opting the harsh conditions of austerity, turning them into a ‘popular’ brand of neoliberal feminism. 

Drawing on several case studies – including self-identifying feminists, domesticity experts and mothers such as Kirstie Allsopp, Justine Roberts, and Jen Gale, as well as the blogger, cook and anti-austerity activist Jack Munroe – Martin conceptualises the ‘austerity celebrity’ and explores how these figures have each developed their own style of domesticity activism and politicised domesticity. 

She also argues that these celebrity responses span the political spectrum, be it Allsopp’s active championing of the ‘Big Society’, individualism and conservatism or Roberts’ mobilisation of mothers into a political pressure group active in UK parliamentary politics. Finally, Martin explains how the turn towards a nostalgic domesticity within austerity culture in the UK has intensified during the COVID-19 crisis, paving the way for discourse that accepts escalating inequalities under the guise of a particular notion of white nostalgic femininity, as well as the British blitz spirit, invoking a form of patriotic stoicism and nationalistic sentiment.

The Rise of Celebrity Mothers

Feminisms and Domesticity in Times of Crisis

Creative Film Editing

Cutting Rhythms

BFI Screen Guides

This cinematic guide is designed to help teenagers navigate a period of life that is by turns exciting, difficult and full of adventure. From (1925) to (2013), this diverse selection of films has something for everyone, whether they're looking to celebrate, explore, find respite from or reminisce about teenage life.

This cinematic guide is designed to help teenagers navigate a period of life that is by turns exciting, difficult and full of adventure. From The Freshmen (1925) to The Selfish Giant (2013), this diverse selection of films has something for everyone, whether they're looking to celebrate, explore, find respite from or reminisce about teenage life.

100 Films to Get You Through Your Teens

Create Your Own Comics is packed with story ideas, drawing tips, creative prompts and loads of fun suggestions to start you off on your way to becoming a comic master.

Everything You Need to Know

Create Your Own Comics

What are the barriers to women's participation in live comedy, and how are these barriers maintained in the digital era? In this book, Ellie Tomsett considers how the origins of stand-up comedy still impact on current live comedy production, and explains how the contemporary stand-up scene continues to reflect wider societal stereotypes about the capabilities of women. Using primary data collected from women-only comedy nights and immersive research with the UK Women in Comedy Festival in Manchester, Tomsett analyses examples of stand-up performed by contemporary comedians - including Bridget Christie, Luisa Omielan, Lolly Adefope and Gráinne Maguire - and provocatively questions how these performances relate to conceptions of feminist and postfeminist humour, as well as notions of backlash against contemporary feminisms. She focuses on live comedy that is explicitly feminist to consider how social attitudes to women, the increasing visibility of female labour outside the home, and the emergence of multiple (and sometimes contradictory) feminisms has influenced the comedy produced by women comedians in 21st century Britain.

What are the barriers to women’s participation in live comedy, and how are these barriers maintained in the digital era?

In this book, Ellie Tomsett considers how the origins of stand-up comedy still impact on current live comedy production, and explains how the contemporary stand-up scene continues to reflect wider societal stereotypes about the capabilities of women.
 
Using primary data collected from women-only comedy nights and immersive research with the UK Women in Comedy Festival in Manchester, Tomsett analyses examples of stand-up performed by contemporary comedians - including Bridget Christie, Luisa Omielan, Lolly Adefope and Gráinne Maguire - and provocatively questions how these performances relate to conceptions of feminist and postfeminist humour, as well as notions of backlash against contemporary feminisms. She focuses on live comedy that is explicitly feminist to consider how social attitudes to women, the increasing visibility of female labour outside the home, and the emergence of multiple (and sometimes contradictory) feminisms has influenced the comedy produced by women comedians in 21st century Britain.

Sexism, Stereotypes and Structural Inequalities

Stand-up Comedy and Contemporary Feminisms

Ever felt stumped for a film to watch with your family? Would you like to discover films from countries you've never visited, set in fantastical worlds or in a local neighbourhood that looks very different to your own, or silent films, or films from Hollywood's heyday? 100 Films to Watch Before You Grow Up is an essential and accessible guide to one hundred films from over a century of cinema and from around the world, from the United States and countries across Europe as well as Japan, Iran, Australia and New Zealand, India, Senegal and Saudi Arabia.

Ever felt stumped for a film to watch with your family? Would you like to discover films from countries you've never visited, set in fantastical worlds or in a local neighbourhood that looks very different to your own, or silent films, or films from Hollywood's heyday? 100 Films to Watch Before You Grow Up is an essential and accessible guide to one hundred films from over a century of cinema and from around the world, from the United States and countries across Europe as well as Japan, Iran, Australia and New Zealand, India, Senegal and Saudi Arabia.

100 Films to Watch Before You Grow Up

The iconic Star Trek character's lifestory appears for the first time in his own words; perfect for fans of the upcoming Star Trek: Strange New Words.

The iconic Star Trek character's lifestory appears for the first time in his own words; perfect for fans of the upcoming Star Trek: Strange New Words.

The Autobiography of Mr. Spock

Networked Bollywood&nbsp;provides interdisciplinary analysis of the role of the stars in the transformation of Hindi cinema into a global entertainment industry. The first Indian film was made in 1913. However, filmmaking was recognized as an industry almost a hundred years later. Yet, Indian films have been circulating globally since their inception. This book unearths this oft-elided history of Bollywood's globalization through multilingual, transnational research and discursive cultural analysis.&nbsp;The author illustrates how over the decades, a handful of primarily male megastars, as the heads of the industry's most prominent productions and corporations, combined overwhelming charismatic affect with unparalleled business influence. Through their ¿star switching power,¿ theorized here as a deeply gendered phenomenon and manifesting broader social inequalities, India's most prominent stars instigated new flows of cinema, industrial collaborations, structured distinctive business models, influenced state policy and diplomatic exchange, thereby defining the future of Bollywood's globalization.

Networked Bollywood&nbsp;provides interdisciplinary analysis of the role of the stars in the transformation of Hindi cinema into a global entertainment industry. The first Indian film was made in 1913. However, filmmaking was recognized as an industry almost a hundred years later. Yet, Indian films have been circulating globally since their inception. This book unearths this oft-elided history of Bollywood's globalization through multilingual, transnational research and discursive cultural analysis.&nbsp;The author illustrates how over the decades, a handful of primarily male megastars, as the heads of the industry's most prominent productions and corporations, combined overwhelming charismatic affect with unparalleled business influence. Through their “star switching power,” theorized here as a deeply gendered phenomenon and manifesting broader social inequalities, India's most prominent stars instigated new flows of cinema, industrial collaborations, structured distinctive business models, influenced state policy and diplomatic exchange, thereby defining the future of Bollywood's globalization.

How Star Power Globalized Hindi Cinema

Networked Bollywood

The definitive volume on the Alien film universe, covering the Xenobiology, terraforming, synthetics, humans, corporations, military, judiciary, culture, science, spacecraft, hardware, and weapons of Alien, Aliens, Alien3, Alien: Resurrection, Prometheus, and Alien: Covenant from an in-world perspective. The definitive volume on the Xenobiology, terraforming, synthetics, humans, corporations, military, judiciary, culture, science, spacecraft, hardware and weapons of Alien, Aliens, Alien3, Alien: Resurrection, Prometheus, and Alien: Covenant. Structured in 3 traditional encyclopedic volumes - Non-Human, Human, Action in Nature - illustrated throughout with concept art, photography and illustrations, with a historical timeline and alphabetical index. From the Alien to Zeta 2 Reticuli, from the birth of Peter Weyland in 1990 to the USM Auriga's Earthfall in 2381, this is the comprehensive and authoritative official tome on the Alien films.

The definitive volume on the Alien film universe, covering the Xenobiology, terraforming, synthetics, humans, corporations, military, judiciary, culture, science, spacecraft, hardware, and weapons of Alien, Aliens, Alien3, Alien: Resurrection, Prometheus, and Alien: Covenant from an in-world perspective.

Alien Film Franchise Encyclopedia

"Victoria Chang is consistently a poet who resurrects mediums." -THE MILLIONS

“Victoria Chang is consistently a poet who resurrects mediums.” —THE MILLIONS

Letters on Writing, Silence, and Grief

Dear Memory

The official art book for the movie Avengers: Age of Ultron, the 10th title reissue of the 24-book Marvel Studios: The Infinity Saga series published as a resized matching set. The 10th of the 24 Marvel Cinematic Universe Infinity Saga film titles being published as a complete set. This lavishly illustrated coffee table book takes readers behind the scenes of the global blockbuster. Go around the world with the Avengers in page after page of stunning concept art, production design, visual effects, revealing set photography and commentary from cast and crew. Here is everything you need to know about the blockbuster film from its key players, including director Joss Whedon, executive producer Victoria Alonso, and producer Kevin Feige, along with the talented concept illustrators and storyboard artists who worked on the set and behind the scenes to create the art of Avengers: Age of Ultron.

Marvel Studios' The Infinity Saga - Avengers: Age of Ultron: The Art of the Movie

We Have Some Notes…

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

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