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Wellington Robert: Versailles Mirrored

Versailles Mirrored

The Power of Luxury, Louis XIV to Donald Trump

Manga has taken the world by storm. A richly diverse medium, the Japanese comics phenomenon has something for everyone-fantasy, horror, thrillers, romance, history, biography, sport, business, and even school textbooks. Manga A Visual History chronicles the evolution of manga from its samurai-era beginnings, through its post-WWII surge in popularity, to its meteoric rise overseas. The book explores the key writers and artists who have shaped an entire culture with their visions and stylings, the iconic characters now recognised worldwide, and manga's impact on anime and live-action film and TV. From classic favourites to lesser-known gems, Manga A Visual History is the definitive guide to Japanese comics. Featuring incisive insights from preeminent manga experts, this lavishly illustrated coffee-table compendium is a must for diehard otaku as well as the growing ranks of manga converts, who will treasure it for years to come.

Manga has taken the world by storm. A richly diverse medium, the Japanese comics phenomenon has something for everyone—fantasy, horror, thrillers, romance, history, biography, sport, business, and even school textbooks. Manga A Visual History chronicles the evolution of manga from its samurai-era beginnings, through its post-WWII surge in popularity, to its meteoric rise overseas. The book explores the key writers and artists who have shaped an entire culture with their visions and stylings, the iconic characters now recognised worldwide, and manga’s impact on anime and live-action film and TV. From classic favourites to lesser-known gems, Manga A Visual History is the definitive guide to Japanese comics. Featuring incisive insights from preeminent manga experts, this lavishly illustrated coffee-table compendium is a must for diehard otaku as well as the growing ranks of manga converts, who will treasure it for years to come.

Manga A Visual History

Daft Punk are one of the 21st century's most iconic music groups. After Daft is not only the story of their rise and legacy, but also the story of dance and electronic culture that spans the last thirty years.

From 1993 to 2021, Daft Punk were the world's most influential electronic group. But how much of the cultural landscape did they change, and how much changed around them? After Daft draws on new interviews with over 100 groundbreaking and commercially-dominant artists, creative teams, record labels and concert promoters to illustrate how dance &amp; electronic music transformed from a fringe concern to the indispensable pulse of 21st century culture. With extensive access to Daft Punk (Thomas Bangalter and Guy-Manuel de Homem-Christo)'s friends, collaborators, inner circle and disciples, After Daft will provide unprecedented insight into key events that gilded the group's legend. This includes their innovative Alive 2006-07 audiovisual tour, formative experiences with dance music's Black and Latin 'Teachers,' their Grammy-sweeping blockbuster LP Random Access Memories and the factors which precipitated their split in 2021. After Daft will simultaneously chronicle the A.D. era: A radical reshaping of the global entertainment industry over the past 30 years, in which DJing became a multibillion dollar business and the lines between rave, rock, hip-hop and radio-friendly pop dissolved. All this was in direct response to the wildfire popularity of Daft Punk, as well as a coterie of key musicians who worked with, were inspired by or otherwise orbited the robotic French duo. By detailing the broadened horizons of Millennial and Gen Z listeners, the hyper-online nature of fandom and the contentious minimizing of clubbing's pioneers, the book will authoritatively update the rich history of electro-music for a 2020s audience. In doing so, After Daft will take the reader through the journey of how Daft Punk became not just generational icons of the digital age, but one of the most visionary acts pop culture has ever known.

Daft Punk & The Rewiring of 21st Century Culture

After Daft

This study overhauls canonical accounts of Surrealism, demonstrating how one woman artist expanded its activity and expression in bold new ways for the modern age

A Surrealist World

Dorothea Tanning

"To get rich is glorious," declared Deng Xiaoping, the architect of modern China's economic miracle - but there has been a dark side to this rush to glory and riches, both for the winners and for those who have been left behind.
 
In Everything is Allowed, Nothing is Permitted Robert Foyle Hunwick tells the hidden story of how crime, vice and corruption have flourished in modern China. From the outbreaks of politicized lawlessness in the Mao years, the book charts the flourishing of criminality in the era of opening and reform through to the present day "strike hard" campaigns against corruption under Xi Jinping. There are stories here of business 'fixers', corrupt rural elites, notorious serial killers, spiralling drug use and the flourishing sex trade in China's urban centres. Hunwick looks beyond the official propaganda of a united and peaceful state to reveal a nation that is both built on and existentially threatened by an intricate economy of violence, dark money, power and influence.

“To get rich is glorious,” declared Deng Xiaoping, the architect of modern China’s economic miracle – but there has been a dark side to this rush to glory and riches, both for the winners and for those who have been left behind.
 
In Everything is Allowed, Nothing is Permitted Robert Foyle Hunwick tells the hidden story of how crime, vice and corruption have flourished in modern China. From the outbreaks of politicized lawlessness in the Mao years, the book charts the flourishing of criminality in the era of opening and reform through to the present day “strike hard” campaigns against corruption under Xi Jinping. There are stories here of business ‘fixers’, corrupt rural elites, notorious serial killers, spiralling drug use and the flourishing sex trade in China’s urban centres. Hunwick looks beyond the official propaganda of a united and peaceful state to reveal a nation that is both built on and existentially threatened by an intricate economy of violence, dark money, power and influence.

Vice, Crime and Corruption in New China

Everything is Allowed, Nothing is Permitted

They don't make comedy like they used to . . . From the slapstick comedy of Charlie Chaplin and Stan Laurel, the surrealism of Spike Milligan and Monty Python, and the golden age of political incorrectness helmed by Benny Hill, to the alternative scene that burst forth following the punk movement, the hedonistic joy of Absolutely Fabulous, the lacerating scorn of Jimmy Carr, Ricky Gervais, and Jo Brand and the meteoric rise of socially conscious stand up today: comedy can be many things, and it is a cultural phenomenon has come to define Britain like few others. In Different Times, David Stubbs charts the superstars that were in on the gags, the unsung heroes hiding in the wings and the people who ended up being the butt of the joke. Comedians and their work speak to and of their time, drawing upon and moulding Britons' relationship with their national history, reflecting us as a people, and, simply, providing raucous laughs for millions of people around the world. Different Times is a joyous, witty and insightful paean to British comedy.

A History of British Comedy

Different Times

Untitled O'Toole 2 of 2

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Described as 'exhilarating' by Katy Hessel, a compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the 'long twentieth century', from the closing years of Queen Victoria's reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler's defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson's melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

This is Tomorrow

Michael Mann Project 2

Das Handbuch denkt Medientheorien konsequent von den gegenwärtigen und zukünftigen Transformationen von Kultur, Technologie und Gesellschaft her. Die Struktur und die Begriffe des Handbuchs greife globale Trends und Probleme des Medienwandels auf, die auf das Engste mit den technologischen Entwicklungen und Veränderungen von Kultur und Gesellschaft im Ganzen verknüpft sind. 
Angesichts dieser Komplexität und der zentralen Rolle, die Medien in gesellschaftlichen Transformationsprozessen einnehmen, existieren Medientheorien nur im Plural und stehen vor der Herausforderung ihrer beständigen Neuerfindung. Das ›Handbuch Medientheorien des 21. Jahrhunderts‹ schreibt daher nicht bloß einen bestehenden Kanon fest. Medientheorie wird vielmehr als eine kreative Praxis verstanden, die den zeitgenössischen sowie nahzukünftigen Bedingungen und Herausforderungen des Medienwandels mit neuen Begriffen und Theoremen begegnet.Der Gebrauchswert des Handbuchs besteht darin, zentrale Problemlagen der (post-)digitalen Gegenwart und Zukunft zu adressieren. Renommierte Autor:innen aus Medienwissenschaft und angrenzenden Disziplinen zeigen auf, inwiefern Medientheorien die Analyse einer hochtechnisierten, globalen Medienkultur ermöglichen, welche eng mit den mannigfaltigen Prozessen kultureller Differenzierung und Identitätsbildung verschränkt ist.Für Forscher:innen wie für Studierende, die an aktuellen Problemlagen interessiert sind, versammelt das Handbuch maßgebliche Themen, Begriffe und Konzepte, die den ›state of the art‹ zeitgenössischer medientheoretischer Diskurse bilden und als ›cutting edge‹-Beiträge Pfade für zukünftige Debatten vorzeichnen. Im Sinne einer kreativen Aneignung suchen die Beiträge dabei den Rückbezug zu etablierten Autor:innen der Medientheorie aus dem 20. Jahrhundert (z. B. Benjamin, McLuhan, Kittler), aktualisieren und rekontextualisieren deren Einsichten aber im Hinblick auf die Herausforderungen der Gegenwart und Zukunft.Die Herausgeber*innenPD Dr. Christoph Ernst ist wissenschaftlicher Mitarbeiter der Abteilung Medienwissenschaft an der Universität Bonn.Dr. Katerina Krtilova ist wssenschaftliche Mitarbeiterin am Forschungsschwerpunkt Ästhetik und Koordinatorin des Doktoratsprogramms „Epistemologien ästhetischer Praktiken“, angesiedelt am Collegium Helveticum als Kooperationsprojekt zwischen der ZHdK, ETH und Universität Zürich.Prof. Dr. Jens Schröter ist Inhaber des Lehrstuhls Medienkulturwissenschaft an der Universität Bonn.Dr. Andreas Sudmann ist Privatdozent für Medienwissenschaft an der Universität Bochum und derzeit als wissenschaftlicher Koordinator und Principal Investigator für die Forschungsgruppe „How is artificial intelligence changing science? Research in the era of learning algorithms“ an der Universität Bonn tätig. Aktuelle Forschungsschwerpunkte: Digitale Medienkulturen und insbesondere Künstliche Intelligenz, Digitale Methoden, Theorie und Geschichte der Medien mit Schwerpunkt auf medienästhetische Problemstellungen, Medienkritik, medienwissenschaftliche Wissenschaft- und Technikforschung.

Das Handbuch denkt Medientheorien konsequent von den gegenwärtigen und zukünftigen Transformationen von Kultur, Technologie und Gesellschaft her. Die Struktur und die Begriffe des Handbuchs greife globale Trends und Probleme des Medienwandels auf, die auf das Engste mit den technologischen Entwicklungen und Veränderungen von Kultur und Gesellschaft im Ganzen verknüpft sind.Angesichts dieser Komplexität und der zentralen Rolle, die Medien in gesellschaftlichen Transformationsprozessen einnehmen, existieren Medientheorien nur im Plural und stehen vor der Herausforderung ihrer beständigen Neuerfindung. Das ›Handbuch Medientheorien des 21. Jahrhunderts‹ schreibt daher nicht bloß einen bestehenden Kanon fest. Medientheorie wird vielmehr als eine kreative Praxis verstanden, die den zeitgenössischen sowie nahzukünftigen Bedingungen und Herausforderungen des Medienwandels mit neuen Begriffen und Theoremen begegnet.Der Gebrauchswert des Handbuchs besteht darin, zentrale Problemlagen der (post-)digitalen Gegenwart und Zukunft zu adressieren. Renommierte Autor:innen aus Medienwissenschaft und angrenzenden Disziplinen zeigen auf, inwiefern Medientheorien die Analyse einer hochtechnisierten, globalen Medienkultur ermöglichen, welche eng mit den mannigfaltigen Prozessen kultureller Differenzierung und Identitätsbildung verschränkt ist.Für Forscher:innen wie für Studierende, die an aktuellen Problemlagen interessiert sind, versammelt das Handbuch maßgebliche Themen, Begriffe und Konzepte, die den ›state of the art‹ zeitgenössischer medientheoretischer Diskurse bilden und als ›cutting edge‹-Beiträge Pfade für zukünftige Debatten vorzeichnen. Im Sinne einer kreativen Aneignung suchen die Beiträge dabei den Rückbezug zu etablierten Autor:innen der Medientheorie aus dem 20. Jahrhundert (z. B. Benjamin, McLuhan, Kittler), aktualisieren und rekontextualisieren deren Einsichten aber im Hinblick auf die Herausforderungen der Gegenwart und Zukunft.

Handbuch Medientheorien im 21. Jahrhundert

Routledge Research in Gender, Sexuality, and Media

This book expands our understanding of postwar television and US culture by focusing on variety programs. It looks at how variety television articulated a cosmopolitanism that served to expand televisual constructions of gender and race in the postwar period, demonstrating how the entertaining of racial and ethnic identities by white variety show hosts was achieved through the featuring of people of color, musical performances, and representations of travel--simulated and actual. The emphasis on variety show performances reveals the transnational cultural flows at work in song choice, staging, and costume design. Through an analysis of industrial and press discourse as well as television programs this project situates the history US television in a global and transnational context.

Colorful Performance

Gender and Race in Postwar Variety Television

A Modern Way to Live

Versailles Mirrored

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