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Moore R: Us in Ruins

Us in Ruins

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city's spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini's creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942.

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city’s spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini’s creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942. Mussolini was eager to reveal the ruins of the past to emphasize the ways in which Fascist Italy was a visible improvement on Imperial Rome, and how antiquity relied on modern policies for its very survival. Towards these ends, the Fascist regime was a great supporter of archaeological scholarship and many prominent archaeologists wrote analyses of Roman monuments in genuine support of Fascist principles. The construction of Fascist doctrine and aesthetics developed hand-in-hand with the rise of modern Roman archaeology. This volume seeks to excavate the cultural layer that Fascist ideology placed upon contemporary archaeology, and to understand the ways in which this context continues both to obscure and enlighten our vision of Roman antiquity.

Roman Archaeology Under Italian Fascism

According to Plan

A Wish So Deadly

Little Superstars - Campbell

Little Superstars: Harry

Analyses in full the matters relating to the regulation of international trade under UK legislation, including coverage of geo-political situations such as the war in the Ukraine.

Analyses in full the matters relating to the regulation of international trade under UK legislation, including coverage of geo-political situations such as the war in the Ukraine.

The UK Regulation of International Trade

Cactus Kid

Cactus Kid returns! The final instalment in the Cactus Kid series features even more magic, mayhem and motor bikes.

Cactus Kid 3

Mr. Men & Little Miss Celebrations

Mr Men Little Miss Lunar New Year

How to Level Up, Be More Focused, and Be Less Stressed

Best Brain Ever

"Unlike her friends Emrys and Serena, Hazel is struggling to adjust to magic and to their new roles as the secret protectors of New Rotterdam. She's already worried about her mom, who works endless shifts at the hospital to make ends meet, and now she also has to worry about defending their entire town from supernatural forces. If only Hazel could figure out how to use her relic, the Magnus Crown, which has the power to transform matter, including turning lead into gold...gold that would certainly help ease her fa mily's financial issues. But before Hazel can crack the Crown's secrets, the trio discover a chilling new monster is hunting in New Rotterdam, luring its victims with visions of what they desire most. To Hazel's horror, the monster seems to know exactly what's in her heart and how to reel her in...With eerie black-and-white illustrations by Julian Callos and chilling Wiki excerpts, The Heart-Stealer Mask continues the deliciously creepy Doomsday Archives series by Zack Loran Clark and Nick EliopulosNew Rotterdam is no place for a kid--and that's what Emrys Houtman likes about it. Emrys obsessively documents his town's urban legends and cryptid sightings in a Wiki, along with his neighbors and fellow horror fans Hazel and Serena. It's all in good fun until one day, the trio stu mbles upon the Doomsday Archives, a collection of relics with dazzling powers and dangerous consequences. When a mysterious blood-red hourglass begins appearing around town and children begin to go missing, the trio must band together to stop the horrors plaguing New Rotterdam, or risk losing their home ossibly their lives. Because after all this time hunting monsters, the kids have realized the monsters are now hunting them back"--

Us in Ruins

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