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Urologie in Österreich

Von Wien in die Welt

Loeb Classical Library

Wounds in the Head. In the Surgery. Fractures. Joints. Instruments of Reduction

Hippocrates, Volume III

The Untold Story of Intoxicants and the Biological Subject in Nineteenth-Century Germany

Intoxicated Ways of Knowing

Meine Geschichte mit Geschichten

Gar nicht lange her

März 1945: Amerikanische Verbände haben Köln erreicht. Trotz der Durchhalteparolen aus Berlin ist der Widerstand gering, die Stadt wie ausgestorben. Kaum mehr 20.000 Menschen leben in den Trümmern. Doch die Amerikaner erobern nur einen Teil der zerstörten Metropole, denn der Rhein bildet wochenlang die Front. Unlängst wurde die Domstadt noch einmal schwer bombardiert. Ein abgeschossener Pilot stürzte dabei mit seinem Fallschirm mitten hinein ins Chaos - und wurde Opfer eines feigen Lynchmords. Nun soll der junge amerikanische Soldat Joe Salmon, eigentlich Joseph Salomon, ein Kölner Jude, der nach der 'Reichskristallnacht' mit knapper Not in die USA emigrieren konnte, den Fall klären. Joe sucht den Mörder oder die Mörderin - tatsächlich aber sucht er insgeheim noch zwei andere Menschen, die er einst in der Heimat zurücklassen musste: Jakub und Hilda, seinen besten Freund und die Frau, in die er hoffnungslos verliebt war. Auf verschlungenen Pfaden nähert Joe sich der Lösung des Falls und der eigenen Vergangenheit und begegnet dabei historischen Persönlichkeiten, die im März 1945 in Köln gelebt und gewirkt haben: George Orwell, Konrad Adenauer, Hans Habe, Irmgard Keun.

März 1945: Amerikanische Verbände haben Köln erreicht. Trotz der Durchhalteparolen aus Berlin ist der Widerstand gering, die Stadt wie ausgestorben. Kaum mehr 20.000 Menschen leben in den Trümmern. Doch die Amerikaner erobern nur einen Teil der zerstörten Metropole, denn der Rhein bildet wochenlang die Front. Unlängst wurde die Domstadt noch einmal schwer bombardiert. Ein abgeschossener Pilot stürzte dabei mit seinem Fallschirm mitten hinein ins Chaos – und wurde Opfer eines feigen Lynchmords. Nun soll der junge amerikanische Soldat Joe Salmon, eigentlich Joseph Salomon, ein Kölner Jude, der nach der »Reichskristallnacht« mit knapper Not in die USA emigrieren konnte, den Fall klären. Joe sucht den Mörder oder die Mörderin – tatsächlich aber sucht er insgeheim noch zwei andere Menschen, die er einst in der Heimat zurücklassen musste: Jakub und Hilda, seinen besten Freund und die Frau, in die er hoffnungslos verliebt war. Auf verschlungenen Pfaden nähert Joe sich der Lösung des Falls und der eigenen Vergangenheit und begegnet dabei historischen Persönlichkeiten, die im März 1945 in Köln gelebt und gewirkt haben: George Orwell, Konrad Adenauer, Hans Habe, Irmgard Keun.

Kriminalroman

Nacht der Ruinen

Routledge Interdisciplinary Perspectives on Literature

This book explores textual and visual representations of breast milk and breastfeeding across a range of literary and artistic genres, beginning with Classical mythology, moving through late-antique and medieval gynaecological texts on wet nursing, and ending with late-medieval hagiographical and mystical literature. It argues that, while the act of breastfeeding and the fluid of breast milk were often categorized as natural and nourishing, their meanings, uses and risks were also debated, problematized, and used to serve specific cultural, political and textual purposes.

This book explores textual and visual representations of breast milk and breastfeeding across a range of literary and artistic genres, beginning with Classical mythology, moving through late-antique and medieval gynaecological texts on wet nursing, and ending with late-medieval hagiographical and mystical literature. It argues that, while the act of breastfeeding and the fluid of breast milk were often categorized as natural and nourishing, their meanings, uses and risks were also debated, problematized, and used to serve specific cultural, political and textual purposes.This volume traces how representations of breast milk were shaped by the shifting projects specific to particular textual and artistic genres, historical and cultural movements, and opinions, fears and desires about the female body, the role of women, and infancy. In this sense, it focuses on the semantic flexibility of breast milk by illustrating the variety of messages it was used to articulate. More broadly, the author explores common metaphors and fantasies about breast milk that coalesce from this broad inquiry – in particular, the construction of the female body as the container of a vacillating economy of fluids of great significance. Although Greco-Roman and medieval representations of breast milk prove this significance to be complex and often contradictory, the notion that this female body fluid had the power to effect profound changes – both psychological and physical – among those who provided it, consumed it, or even witnessed its exchange attests to its enduring value as a material and symbolic medium. This book will contribute significantly to women’s and gender studies and to the history of the body. It will also benefit students and scholars specializing in mythology, the history of medicine, the representation of women in classical and medieval art, early-Christian and medieval hagiography, medieval mysticism, and Marian studies.

From Greco-Roman Myth to Medieval Mysticism

The History and Culture of Breast Milk

"This innovative work is the first study of how medical publications on sexual matters were made, promoted, and sold in Victorian Britain. Bull demonstrates how arguments about obscenity were embraced by publishers and practitioners, shaping persistent myths about Victorian sexuality. This title is also available as open access on Cambridge Core"--

This innovative work is the first study of how medical publications on sexual matters were made, promoted, and sold in Victorian Britain. Bull demonstrates how arguments about obscenity were embraced by publishers and practitioners, shaping persistent myths about Victorian sexuality. This title is also available as open access on Cambridge Core.

Medical Publishing and Obscenity in Victorian Britain

Selling Sexual Knowledge

Social Histories of Medicine

Feeling blue is the first historical study of colour in modern British hospitals. The book uses colour to understand the layered meanings of modernity in twentieth-century Britain and its relationship to the 'mundane' or everyday life of hospitals. Colour has long been a crucial part of hospital design and the daily activity of hospitals, from the uniforms that mark out different jobs, to the colour schemes that sort hospital waste. Despite this importance, the history of hospital colour is often overlooked as a subject of study. This book examines colour in relation to six key themes - hygiene, emotion, humanisation, homeliness, play and consumerism - which are tied together by the idea of the 'modern' hospital. The book does not simply describe changes to the appearance of hospitals over time, but instead thinks expansively about the role of colour in shaping how hospitals felt. Feeling blue opens important new understandings of a wide range of subjects including histories of emotions, health, politics, design, architecture, culture and society, and offers a new framework for thinking about 'modernity' and change over time.

Colour and the Modern British Hospital

Feeling Blue

Funktionelle Anatomie, Diagnostik und Therapie aus integraler Sicht

Der weibliche Beckenboden

As a medium that aims to connect people through the communication and interpretation of experiences, cinema is uniquely positioned to showcase cultural misunderstandings around issues of mental health. Frames of Minds traces a history of psychiatry in film, concentrating on the major paradigm shifts in neuropsychiatry over the last century. Oftentimes, representations of psychiatry, mental illness, and psychotic breakdown are reduced to tropes and used by filmmakers as a tool for plot progression. Conversely, films can be used as an avenue to voice common concerns about the missteps of psychiatry, including overdiagnosis and mistreatment. Dr. Eelco Wijdicks provides fresh insights into the minds of filmmakers and how they creatively tackle this complex topic. How do filmmakers use psychiatry, and what do they want us to see? What is their frame of mind--psychoanalytically, biologically, sociologically, anthropologically? Were they influenced by their own prejudices about the origins of mental illness? How does this influence the direction of their films?

A History of Neuropsychiatry on Screen

Frames of Minds

Routledge Library Editions: Nurse Education and Nursing Care

The State of the Art

Nursing History

The Asylum as Shrine from Slavery to the Return

African Pharmakon

Oxford Modern Languages and Literature Monographs

This book studies a wide range of canonical authors from across the nineteenth century from the perspective of the medical humanities, focussing on the idealized doctor-patient relationship and the medical encounter.

This book studies a wide range of canonical authors from across the nineteenth century from the perspective of the medical humanities, focussing on the idealized doctor-patient relationship and the medical encounter.

The Doctor-Patient Relationship and the Nineteenth-Century French Novel

Urologie in Österreich

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

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