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Elborough Travis: Untitled Travis
Elborough

Untitled Travis Elborough

Ley Lines, Alfred Watkins and the Making of Our Wyrd World

100 Years, 100 Stories

The Queen

The Norse Warrior's (Unofficial) Manual

Viking:The Norse Warrior's (Unofficial) Manual

Fire Inna Dancehall

A Naval History of Britain: 1815 – 1945

The Price of Victory

Monumenta Sirletana Romanae Curiae

Section A: Epistularium

Guglielmo Sirleto’s Early Correspondence, 1539-1545

Section A: Epistulae, vol. 1

The volume explores the development of systems of social institutions in a variety of historical and regional contexts and traces the influence of certain key principles and common factors on social and political developments throughout human history.

Historical Contexts of Interaction

Principles and Forms of Sociocultural Organization

Sussex is filled with well-hidden treasures to discover that take you off the beaten path. Secret Sussex is the ultimate travel guide to Sussex unknown, designed for lifelong locals, curious visitors and armchair travellers alike, looking to move away from the tourist crowds in search of the unique, unusual and overlooked.

An unusual guide

Secret Sussex

The Quest to Build the Atomic Bomb, and the Fateful Decision to Use It

The Hiroshima Men

From a necessary act of survival to some of the most disturbing crimes in history to its often sensationalized and misunderstood role in certain cultures, cannibalism remains a fascinating yet taboo topic. Cannibalism around the World features more than 100 reference entries that examine cannibalism from a myriad of perspectives. Readers will discover the important cultural, spiritual, and symbolic roles cannibalism has played around the globe, from the Catholic Eucharist to sacrificial cannibalism among the Aztecs to appease the gods to the practice of some Fijian peoples of consuming enemies killed in battle to absorb their strength. The encyclopedia examines well-known incidents of survival cannibalism, such as the ill-fated Donner Party and the starvation conditions of labor camps during World War II. Entries on high-profile criminal cannibals such as Jeffrey Dahmer are also included. The book also explores cannibalism in written and oral stories, such as the fairy tale of Hansel and Gretel and the Native American myth of the Wendigo. Cannibalism's portrayal in pop culture is also discussed. Taken together, these entries offer readers a broad yet highly nuanced view of this controversial subject grounded in rigorous anthropological scholarship.

History, Culture, and Society

Cannibalism around the World

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Untitled Travis Elborough

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