Inhalt
This text, first published in France in 1977, presents cultural critic Louis Marin's theories about the aims of painting in Europe in the 16th and 17th centuries. It explores a number of notions implied by theories of painting and offers insight into the aims and effects of visual representaion.
Bibliografische Angaben
März 1995, 196 Seiten, Englisch
University Presses
978-0-226-50534-3