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"A spry collection of poems reflecting on art, the aging body, and the experiences of a lifetime"--

An exuberant collection celebrating the body and the soul of language, wringing delights and amazements out of the latter years of life.In his seventh decade and seventh full length collection, poet James P. Lenfestey dazzles with a suite of odes to parts of the body—heart, belly, ankle, teeth, ears, and more—and astonishment at the powers of language: “the sound of ‘n,’” our ancient alphabet, “the terror of publishing.” Known for his exuberant Chinese-style lyrics, now inspired by Neruda’s cascading&nbsp;Elemental Odes, Lenfestey praises Hewlett and Packard, Bruce Springsteen, “the language of crow,” fruit flies, and cabbages while recalling the “forgiveness of the Catbird” and random acts of kindness, all with his superb ear for sound, rhythm, and leaping figurative language.Rhythmic, jovial, and eminently approachable, this collection embraces the Cetacean mind and the fearless left hand. Here, Lenfesty writes love songs to the world “as it really is: bizarro, curious, inelegant, unclean, / unfaithful, filled with delight.”

Lenfestey James P.: Time Remaining

Time Remaining

Poems

Afterburn

'Delicately lethal; sharp-eyed and tender' Preti Taneja, author of We That Are Young 'Quick before the story ebbs away. There are things I need to tell you' A work of great strength and equal delicacy, Mouth transports us to a world where violence hangs in the air, where beauty, pity and cruelty intertwine. The sequence at its heart, Palace, takes the overlooked women from the edges of Greek tragedy and places them centre stage, to tell unforgettable stories of survival and loss. With new depth and force, their voices set off echoes with women navigating the terrible reality and aftermath of war today. As a human rights lawyer, Arshi saw power and its abuses, the structures of silencing set against refugees. As a poet, she charts the movements and migrations that change the course of our lives - from child to adult, from home to elsewhere, from grief to what lies beyond. Mouth is a complex and original study of speaking's limitations, chasms in communication, but also the unexpected power of silence: 'sometimes / language picks us clean'. 'These rich and varied verses reveal truths that were there all along' Christia Mercer, Gustave M. Berne Professor of Philosophy, Columbia University

Mouth

A brilliant new collection from a leading poet and performer, exploring the story of his adoption

Later Life Letter

Words of Dark Love & Eternal Devotion

Our Hearts Entangled

A smoldering collection of 100 love poems by master poet Rumi that will set fire to even the iciest of hearts. Accompanied by charming illustrations throughout, The Flame of Love explores the depths of passion, longing, and loss through Rumi's timeless verses.

Rumi's 100 Most Passionate Poems

The Flame of Love

SEDUCTIVE, SINISTER, GLAMOROUS, HORRIFIC: this collection brings together the best poems inspired by the undead, from Goethe and Byron to Emily Dickinson and Ishmael Reed A nest of vampires literal and metaphorical, this poetry collection ranges across centuries and languages to bring readers a bevy of dark delights. The undead have long provided the perfect vessel for humanity's fears and desires--from spine-tingling chills to sinister sexiness, vampires are the ultimate representation of the most frightening and alluring parts of ourselves. They've inspired poems that tell stories, proffer warnings, and imagine life from inside the eternal night, by authors like J.W. Goethe, Lord Byron, Emily Dickinson, Charles Baudelaire, Anna Laetitia Barbauld, Delmira Agustini, and Ishmael Reed, brought together with many more in this one-of-a-kind collection. With an introduction by Claire Kohda, author of Woman, Eating. Contents include: <ul><li>CHILLING TALES: poems by Gottfried August Burger, Johann Wolfgang von Goethe, Robert Southey, Anne Bannerman ("The Dark Ladie"), John Stagg ("The Vampyre"), Lord Byron, Samuel Taylor Coleridge, Alfred Lord Tennyson, Rafael Campo</li><li> DIRE WARNINGS: poems by Heinrich August Ossenfelder ("The Vampire"), John Keats, Henry Thomas Liddell ("The Vampire Bride"), James Clerk Maxwell, Charles Baudelaire, Christina Rossetti, Madison Julius Cawein, Rudyard Kipling, Conrad Aiken, Edna St Vincent Millay ("The Witch-Wife"), James Weldon Johnson</li><li> THE VAMPIRE WITHIN: poems by Anna Laetitia Barbauld, Emily Brontë ("Ah! Why, Because the Dazzling Sun"), Emily Dickinson ("A Death blow is a Life blow to Some [816]"), Walter Pater, Delmira Agustini, William Butler Yeats ("Oil and Blood"), Ishmael Reed ("I Am a Cowboy in the Boat of Ra"), Dorothy Barresi ("Pocket Vampire"), John Yau</li></ul>

Selected Vampiric Verses

White Teeth, Red Blood

Radiant poems from the bestselling author of Memphis

Magic Enuff

The Distance of a Shout: Selected Poems

Picador Collection

Say Something Back &amp; Time Lived, Without Its Flow, Denise Riley's exacting meditations on loss, grief, and life thereafter, are published together for the first time.

Say Something Back and Time Lived, Without Its Flow

Pushkin Deluxe Classics

A fresh translation of the poetry of German Romantic and polymath Johann Wolfgang von Goethe "Germany's greatest man of letters... and the last true polymath to walk the earth" -- George Eliot Here, in this selection of his poetry, is a representation of Goethe's life from childhood to old age: full of travel, romantic fixations, curiosity, nostalgia, deep thought, and above all, writing. Goethe is undoubtedly Germany's greatest poet, as Shakespeare is England's. This fresh translation offers the reader an introduction to Goethe's genius. And what a genius! Novelist, dramatist, philosopher and above all poet; a scientist with deep interests in Nature, in particular the human body, forestry, geology, botany and light; a courtier and in later life considered a sage, he was also a very frequent letter writer, no mean artist, and a man who was able throughout his life to renew and rejuvenate himself creatively, working out many of his life's problems through his writings. For English speakers he is probably best known as the author of Faust, a vast dramatic work mainly in verse which occupied him on and off throughout his long life, as well as The Sorrows of Young Werther, a novel of youthful despair which became the sacred text of the Romantic movement. This volume brings together his very personal lyric poetry, hewing as close to the original form, content, and rhyme schemes as possible in English.

The Wanderer's Song: Essential Poems

Little Passenger

"Selected Poems of Philip Lamantia reflects each facet of the poet's development up to the point of its publication. "Revelations of a Surreal Youth (1943-1945)" includes the incendiary poems from his teenage years which brought him early avant-garde fame, including his signature "Touch of the Marvelous." "Trance Ports (1948-1961)" covers the Beat years, evincing increasing involvement with mysticism, esoterism, and religion. Finally, "Secret Freedom (1963-1966)" heralds his return to surrealism, cementing his countercultural bona fides with the LSD-fueled "Blue Grace," the zig-zagging Kundalini-inspired "What Is Not Strange?" and the Aquarian Age ode "Astro-Mancy," which prefigures his later engagement with Native American culture. This new edition includes an afterword by poet and editor Garrett Caples, recounting the book's genesis through correspondence between Lamantia and Ferlinghetti and including archival images. A much-needed restoration to the Pocket Poets Series of today, Selected Poems of Philip Lamantia glows like a red-hot coal still burning with the revolutionary fervor of its time"--

The original American surrealist returns in a new edition of the 1967 classic."I am eager to do a book of yours," Lawrence Ferlinghetti wrote to Philip Lamantia in Nerja, Spain in 1966. "What about SELECTED POEMS OF PHILIP LAMANTIA?" The missive came at the right time, as Lamantia had recently reembraced the surrealism of his youth and sought to publish his current work alongside his key poems of the 1940s, when the then-15-year-old poet was published by war-exiled leader of the Surrealist Movement, André Breton. For Breton, the young poet was a new Rimbaud, but Lamantia also became known as a poet of the Beat Generation, participating in the 1955 Six Gallery Reading where Allen Ginsberg debuted "Howl." A pioneer of San Francisco's psychedelic culture, Lamantia reemerged through City Lights at the crest of the Summer of Love.Selected Poems of Philip Lamantia reflects each facet of the poet's development up to the point of its publication. "Revelations of a Surreal Youth (1943–1945)" includes the incendiary poems from his teenage years which brought him early avant-garde fame, including his signature "Touch of the Marvelous." "Trance Ports (1948–1961)" covers the Beat years, evincing increasing involvement with mysticism, esoterism, and religion. Finally, "Secret Freedom (1963–1966)" heralds his return to surrealism, cementing his countercultural bona fides with the LSD-fueled "Blue Grace," the zig-zagging Kundalini-inspired "What Is Not Strange?" and the Aquarian Age ode "Astro-Mancy," which prefigures his later engagement with Native American culture.This new edition includes an afterword by poet and editor Garrett Caples, recounting the book's genesis through correspondence between Lamantia and Ferlinghetti and including archival images. A much-needed restoration to the Pocket Poets Series of today, Selected Poems of Philip Lamantia glows like a red-hot coal still burning with the revolutionary fervor of its time.

Pocket Poets No. 20

Selected Poems of Philip Lamantia, 1943-1966

Time Remaining

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