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"A spry collection of poems reflecting on art, the aging body, and the experiences of a lifetime"--

An exuberant collection celebrating the body and the soul of language, wringing delights and amazements out of the latter years of life.In his seventh decade and seventh full length collection, poet James P. Lenfestey dazzles with a suite of odes to parts of the body—heart, belly, ankle, teeth, ears, and more—and astonishment at the powers of language: “the sound of ‘n,’” our ancient alphabet, “the terror of publishing.” Known for his exuberant Chinese-style lyrics, now inspired by Neruda’s cascading&nbsp;Elemental Odes, Lenfestey praises Hewlett and Packard, Bruce Springsteen, “the language of crow,” fruit flies, and cabbages while recalling the “forgiveness of the Catbird” and random acts of kindness, all with his superb ear for sound, rhythm, and leaping figurative language.Rhythmic, jovial, and eminently approachable, this collection embraces the Cetacean mind and the fearless left hand. Here, Lenfesty writes love songs to the world “as it really is: bizarro, curious, inelegant, unclean, / unfaithful, filled with delight.”

Lenfestey James P.: Time Remaining

Time Remaining

Poems

"A collection of poems by Alberto Râios"--

Every Sound Is Not a Wolf

"In this follow-up to her award-winning collection, Toxicon and Arachne, Joyelle McSweeney proposes a link between style and survival, even in the gravest of circumstances. Setting herself the task of writing a poem a day and accepting a single icon as her starting point, however unlikely--River Phoenix, Mary Magdalene, a backyard skunk--McSweeney follows each inspiration to the point of exhaustion and makes it through each difficult day. In frank, mesmeric lyrics, Death Styles navigates the opposing forces of survival and grief, finding a way to press against death's interface, to step the wrong way out of the grave."--Provided by publisher.

Death Styles

A scintillating debut meditating on love, parental addiction and loss, from a new voice in British poetry.

In But &amp; Though, Jake Hawkey scrutinizes the impact of parental addiction on families, its title a nod to the language of dependency, its circles of prevarication and excuse. Hawkey’s poems chart the loss of a father and the resilient love between siblings, and take an unflinching look at a parent–child relationship sometimes painfully inverted through alcoholism. Hawkey’s fresh perspective and playful style introduces a vital, authentic new voice in British poetry. It will appeal also to those interested in the wider literature of addiction and the complexities of urban working-class life in Britain. Hawkey approaches these subjects from highly original and personal angles, breathing life into his characters and settings. Ultimately, we come to know a young writer attempting to ‘detach with love’ as he strides forward into his own life.

But & Though

"A tender and provocative collection of poems interrogating the troubles and wonders of both childhood and parenthood against the backdrop of global violence"--

The End of Childhood

A deft, musical debut poetry collection about the disabling effects of illness, rupture, and inheritance—informed both by Yoruba divinatory systems and violent Western medical understandings of the Black body.&nbsp;If I Gather Here and Shout summons Yoruba divinatory rituals into a hospital room. Incantatory verses accumulate alongside personal and historical “figures” of illness and death to illuminate the tensions between legibility and meaning-making that emerge when an ill Black body is processed through a Western medical context. With intimate knowledge of how ancestral memory aches and sings in the body, Funto Omojola invokes a lamenting chorus in the ceremony of survival.

A deft, musical debut poetry collection about the disabling effects of illness, rupture, and inheritance—informed both by Yoruba divinatory systems and violent Western medical understandings of the Black body.&nbsp;If I Gather Here and Shout summons Yoruba divinatory rituals into a hospital room. Incantatory verses accumulate alongside personal and historical “figures” of illness and death to illuminate the tensions between legibility and meaning-making that emerge when an ill Black body is processed through a Western medical context. With intimate knowledge of how ancestral memory aches and sings in the body, Funto Omojola invokes a lamenting chorus in the ceremony of survival.

If I Gather Here and Shout

Taking its title from lossless data compression algorithms, Lossless transmits through time and space those 'stabs of self' that intensify with loss of relationships, of faith, of childhood, of people.&nbsp;The qualities of light, colour, and movement in the book's forty-eight sonnets conjure a sense of arrested time, of motes in the air, while chapters of Borgesian prose poems extract knowledge from information to reconstruct a subjectivity, a personality, and a life. "Tierney tracks and backtracks in the realm of dispossession like a cross between a physicist and a magician from a future era. These poems are new forms for human heart and quiddity." -&nbsp;Anne-Marie Turza, author of&nbsp;Fugue with Bedbug"In this wise, wonky, poignant avowal of error and losslessness, Matthew Tierney geotags his 'freefall of associative memory,' where the past flickers presently and futures bend toward the start. Invoking the dogmas of digital media, quantum mechanics and philosophy,&nbsp;Lossless&nbsp;is the devlog of a child becoming father of the man. A 'greybeard &amp; tweener' at once, Tierney conjures his Gen Xer youth-neighborhood bullies, the first kiss, jogging with a Walkman on-to tweak his hi-fi output as a husband and fumbling dad. Given a spacetime continuum offering 'viaducts of alternate choices,' in which everyone, at the molecular level, is 'swappable soma' at best, Tierney parses 'compossible paths' from 'incompatibilism,' trying to track the quirks and quarks of multidimensional life. In troubleshot sonnets and corrupted prose, this book is an ode to the lost art of losing gracefully." -&nbsp;Andrew Zawacki, author of&nbsp;Unsun

Taking its title from lossless data compression algorithms, Lossless transmits through time and space those ‘stabs of self’ that intensify with loss of relationships, of faith, of childhood, of people.&nbsp;The qualities of light, colour, and movement in the book’s forty-eight sonnets conjure a sense of arrested time, of motes in the air, while chapters of Borgesian prose poems extract knowledge from information to reconstruct a subjectivity, a personality, and a life. "Tierney tracks and backtracks in the realm of dispossession like a cross between a physicist and a magician from a future era. These poems are new forms for human heart and quiddity.” –&nbsp;Anne-Marie Turza, author of&nbsp;Fugue with Bedbug"In this wise, wonky, poignant avowal of error and losslessness, Matthew Tierney geotags his 'freefall of associative memory,' where the past flickers presently and futures bend toward the start. Invoking the dogmas of digital media, quantum mechanics and philosophy,&nbsp;Lossless&nbsp;is the devlog of a child becoming father of the man. A 'greybeard &amp; tweener' at once, Tierney conjures his Gen Xer youth—neighborhood bullies, the first kiss, jogging with a Walkman on—to tweak his hi-fi output as a husband and fumbling dad. Given a spacetime continuum offering 'viaducts of alternate choices,' in which everyone, at the molecular level, is 'swappable soma' at best, Tierney parses 'compossible paths' from 'incompatibilism,' trying to track the quirks and quarks of multidimensional life. In troubleshot sonnets and corrupted prose, this book is an ode to the lost art of losing gracefully." –&nbsp;Andrew Zawacki, author of&nbsp;Unsun

Lossless

Raegan Fordemwalt--poet and author of the runaway hit Lover Girl--is back with the highly anticipated follow-up collection of poetry and art, Prince of Hearts. Following the success of Lover Girl, Raegan Fordemwalt returns with Prince of Hearts. An indirect sequel to her bestselling debut, this all-new collection of art and poetry takes readers along the narrator's journey through abandonment and dismantled trust following the loss of significant relationships, both platonic and romantic. A far-too-relatable retelling of the courage required to survive young love, first heartbreaks, and your early-20s, Prince of Hearts is a look through both the rearview and the windshield along the journey to self-love.

Raegan Fordemwalt—poet and author of the runaway hit Lover Girl—is back with the highly anticipated follow-up collection of poetry and art, Prince of Hearts.

Prince of Hearts

The long-anticipated third collection from the revered Richard Siken delivers his most personal and introspective collection yet.
Richard Siken’s long-anticipated third collection, I Do Know Some Things, navigates the ruptured landmarks of family trauma: a mother abandons her son, a husband chooses death over his wife. While excavating these losses, personal history unfolds. We witness Siken experience the death of a boyfriend and a stroke that is neglectfully misdiagnosed as a panic attack. Here, we grapple with a body forgetting itself—“the mind that / didn’t work, the leg that wouldn’t move…”. Meditations on language are woven throughout the collection. Nouns won’t connect and Siken must speak around a meaning: “dark-struck, slumber-felt, sleep-clogged.” To say “black tree” when one means “night.”Siken asks us to consider what a body can and cannot relearn. “Part insight, part anecdote,” he is meticulous and fearless in his explorations of the stories that build a self. Told in 77 prose poems, I Do Know Some Things teaches us about transformation. We learn to shoulder the dark, to find beauty in “The field [that] had been swept clean of habit.”

I Do Know Some Things

"A collection of poems by Philip Metres"--

Dynamically pairing traditional and experimental forms, Philip Metres traces ancient and modern migrations in an investigation of the ever-shifting idea of home.In Fugitive/Refuge, Philip Metres follows the journey of his refugee ancestors—from Lebanon to Mexico to the United States—in a vivid exploration of what it means to long for home. A book-length qasida, the collection draws on both ancient traditions and innovative forms—odes and arabics, sonnets and cut-ups, prayers and documentary voicings, heroic couplets and homophonic translations—in order to confront the perils of our age: forced migration, climate change, and toxic nationalism.&nbsp;Fugitive/Refuge pronounces the urge both to remember the past and to forge new poetic forms and ways of being in language. In one section, Metres meditates on the Arabic greeting—ahlan wa sahlan—and asks how older forms of welcome might offer generous and embodied ways of responding to the challenges of mass migration and digital alienation in postmodern societies. In another, he dialogues with Dante to inform new ways of understanding ancestral and modern migrations and the injustices that have burdened them. Ultimately, Metres uses movement to create a new place—one to home and dream in—for all those who seek shelter.

Fugitive/Refuge

A book of poems written out of a depressive episode, in which a devotional approach to music and desire reestablishes communication between the poet’s body and the world. In pleasureis amiracle, the poems invoke the lyric and refuse it, moving between time and sound—words re-connect and re-cohere, resisting separation and challenging readers to feel their way to meaning. Perception becomes a many-limbed entanglement from which the reader is never let go. Music is both divine and accessible, a sublimation of everyday movements into an erotics of sensation.&nbsp;An experiment in form as much as content, it asks what can be cured by music, what is trans about desire, and how can one allow the body to feel what the mind sees, or vice versa.

A book of poems written out of a depressive episode, in which a devotional approach to music and desire reestablishes communication between the poet’s body and the world. In pleasureis amiracle, the poems invoke the lyric and refuse it, moving between time and sound—words re-connect and re-cohere, resisting separation and challenging readers to feel their way to meaning. Perception becomes a many-limbed entanglement from which the reader is never let go. Music is both divine and accessible, a sublimation of everyday movements into an erotics of sensation.&nbsp;An experiment in form as much as content, it asks what can be cured by music, what is trans about desire, and how can one allow the body to feel what the mind sees, or vice versa.

pleasureis amiracle

The Art of Falling in Love Again is the highly anticipated second collection from poet and internet personality Franny Arrieta that speaks on heartbreak and resurfacing after pain with vulnerably and unbreakable hope. Franny Arrieta has made a name for herself as a poet and creator who speaks openly on the universal experiences of heartbreak and the courage it takes to love in a world of opposition. Relatable in its vulnerability, and guided by Franny's gentle and soothing words, The Art of Falling in Love Again takes readers on a deep dive into the struggles of falling in love again--with someone new and with yourself--and the rollercoaster of emotions we all face along the way from heartbreak to healing. The Art of Falling in Love Again is an earnest reminder that it's okay to not be okay after experiencing deep pain; It's okay to have a heart half full or not full at all; It's okay to feel completely broken and unrecognizable. And even if it feels like it never will, love will find you, and you will fall again.

The Art of Falling in Love Again is the highly anticipated second collection from poet and internet personality Franny Arrieta that speaks on heartbreak and resurfacing after pain with vulnerably and unbreakable hope.

The Art of Falling in Love Again

"A collection of poems by Nikki Wallschlaeger"--

In her fourth collection, Nikki Wallschlaeger further proves herself as a singular poet of astonishing emotional depth and formal range. Hold Your Own is a steadfast search for peace, self acceptance, and pleasure in a world that makes those basic rights an everyday challenge for Black women. Through her signature blend of sharp social critiques and tender lyric supplications, Nikki Wallschlaeger plumbs the depths of emotional experience with fearless agency and exciting poetic experimentation. She brings the public into the personal and vice versa, intimately revealing—like a livewire into the soul—a singular entity, a person, profoundly impacted by family, community, nation, and world.And she does it all through staggeringly diverse approaches to writing. Whether excavating childhood injustices in probing prose sequences or crafting formally energized declarations that could be just as easily shouted as sung, Wallschalaeger proves, yet again, the multitudes of the self, how it can flourish in the face of all that tries to stymy it. The result is exhilarating resilience, love beating at the center of incredible strength.

Hold Your Own

Time Remaining

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