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Tiffany Wall Calendar 2026 (Art
Calendar)

Tiffany Wall Calendar 2026 (Art Calendar)

Philip Webb, Morris & Co. and the Creation of an Arts and Crafts Home

Standen

Routledge Art History and Visual Studies Companions

This companion comprises essays that analyze interactions between art and global imperial relationships from 1800 to World War II.

The Routledge Companion to Art and the Formation of Empire

Routledge Research in Art History

Diversifying the current art historical scholarship, this edited volume presents the untold story of modern art by exposing global voices and perspectives excluded from the privileged and uncontested narrative of "isms."

Historical Narratives of Global Modern Art

Published to mark the 150th anniversary of the founding of Liberty, this book celebrates the extraordinary range of innovative fabric designs that have been at the forefront of the business and its global reputation for well over a century.

Design. Pattern. Colour

Liberty

"Lavishly illustrated and filled with rich new insights that are the product of decades' worth of research, Cubism and Reality challenges the commonly-held view of Cubism as either a retreat from reality into abstraction, arguing instead that Georges Braque, Pablo Picasso, and Juan Gris wanted to find ways of intensifying and expanding painting's capacity to give viewers more, not less, of their lived experience of the world. It explores how Cubist artworks ask us to reflect on visual art's relationship to everyday visual experience, tackling a fundamental issue that has preoccupied artists and critics for over a century: the survival of hand-made representational artworks in the epoch of photography, film and, in the present age, digital reproduction"--

What was Cubism? How did this strange new way of making paintings and sculptures enable artists so decisively to change the trajectory of ‘Modern Art’? In responding to these questions, distinguished art historian Christopher Green presents a bold new interpretation of the movement and three of its key protagonists.
 
Stemming from a critical re-evaluation of the author’s own first responses to Cubist artworks, as a student of the late artist and critic John Golding, Cubism and Reality challenges the commonly-held view of Cubism as either a retreat from reality into abstraction, or an invitation to convert the real into the ‘surreal’, arguing instead that Georges Braque, Pablo Picasso, and Juan Gris wanted, above all, to find ways of intensifying and expanding painting’s capacity to give viewers more, not less, of their lived experience of the world.

Lavishly illustrated and filled with rich new insights and approaches to the artwork that are the product of decades’ worth of research, Green argues that, for the three artists, ‘reality’ was not objectively always there, but was created by their own perceptions, and could be transformed by their imaginations. The artwork becomes not merely a dead material fact, but somewhere into which wishes, lived experiences and memories can enter – ours, over a century later, as well as theirs. Green explores how Cubist artworks ask us to reflect in far-reaching ways on visual art’s relationship to everyday visual experience and questions how it is that we still believe that drawings, paintings and sculptures can represent the world as we see and know it. In doing so Cubism and Reality tackles a fundamental issue that has preoccupied artists, critics and art enthusiasts for over a century, well into our present age: the survival of hand-made representational artworks in the epoch of photography, film and, latterly, digital reproduction.

Braque, Picasso, Gris

Cubism and Reality

Artists In Focus

A charming gift book devoted to the art and design of Vanessa Bell, a central figure in the internationally popular Bloomsbury group.

Modern Living

Vanessa Bell

Some people's passion for sea glass goes beyond collecting--they use it to create something of beauty. Carole Lambert, author of Sea Glass Chronicles, gives us entree into the studios of those who do everything from gathering and amassing sea glass mulch for landscaping to designing stained-sea-glass windows. This volume will arouse a renewed sense of wonder in those who already possess a passion for sea glass and win legions of new sea-glass devotees.

A Passion for Sea Glass

Material Culture of Art and Design

"The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of ¹5,199,822 in today's currency. As someone who made, but didn't sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 which featured copies of well-known paintings by these popular artists. Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery's focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion. This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. By examining Linwood's replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century"--

The Art of Mary Linwood is the first book on Leicester textile artist Mary Linwood (1755-1845) and catalogue of her work. 

When British textile artist and gallery owner Mary Linwood died in 1845 just shy of 90 years old, her estate was worth the equivalent of £5,199,822 in today’s currency. As someone who made, but did not sell, embroidered replicas of famous artworks after artists such as Gainsborough, Reynolds, Stubbs, and Morland, how did she accumulate so much money? A pioneering woman in the male-dominated art world of late Georgian Britain, Linwood established her own London gallery in 1798 that featured copies of well-known paintings by these popular artists. 

Featuring props and specially designed rooms for her replicas, she ensured that her visitors had an entertaining, educational, and kinetic tour, similar to what Madame Tussaud would do one generation later. The gallery’s focus on picturesque painters provided her London visitors with an idyllic imaginary journey through the countryside. Its emphasis on quintessentially British artists provided a unifying focus for a country that had recently emerged from the threat of Napoleonic invasion.

This book brings to the fore Linwood's gallery guides and previously unpublished letters to her contemporaries, such as Birmingham inventor Matthew Boulton and Queen Charlotte. It also includes the first and only catalogue of Linwood’s extant and destroyed works. By examining Linwood’s replicas and their accompanying objects through the lens of material culture, the book provides a much-needed contribution to the scholarship on women and cultural agency in the early 19th century.

Embroidery, Installation, and Entrepreneurship in Britain, 1787-1845

The Art of Mary Linwood

This study overhauls canonical accounts of Surrealism, demonstrating how one woman artist expanded its activity and expression in bold new ways for the modern age

A Surrealist World

Dorothea Tanning

Explores Wayne Thiebaud's career as a self-described "thief" who appropriated and reinterpreted old and new European and American artworks. Although artist Wayne Thiebaud (1920-2021) earned acclaim for his poetic renderings of the prosaic particulars of American life, he openly admitted that "it's hard for me to think of artists who weren't influential on me, because I'm such a blatant thief." Wayne Thiebaud: Art Comes from Art features the artist's virtuosic appropriations and reinterpretations of old and new European and American artworks, spanning from Andrea Mantegna to Édouard Manet, Henri Matisse to Richard Diebenkorn, offering crucial insights into his creative process. Thiebaud's exploration of art, artists, and art history--along with the practices of copying, appropriation, and reinterpretation--allowed him not only to see through the eyes of other artists but also to commune with them through their work, expanding his own vision. This career-long engagement with the concept of appropriation illustrates his perception of art history as an encyclopedic "bureau of standards"--a rich repository and resource that offers working artists community with their predecessors and communion with their artworks. Published in association with the Fine Arts Museums of San Francisco Exhibition dates: Legion of Honor: March 22-August 17, 2025

Art Comes from Art

Wayne Thiebaud

A richly illustrated sourcebook of two-dimensional pattern and three-dimensional ornamentation, presenting more than one thousand historic and contemporary examples from around the world.

The V&A Sourcebook of Pattern and Ornament

Iranian artists have been producing some of the world's most thought-provoking and intellectually grounded artworks. In this landmark compendium, renowned art historian Hamid Keshmirshekan provides a thorough review of contemporary art in Iran and shows that the twentieth century was a crucial period in the country's art and culture, when the legacies of tradition and modernism where critically reassessed. Contemporary Iranian Art is an unprecedented introduction to Iran's vibrant art history over the past one hundred years. This fully revised and updated edition features more than 370 colour illustrations by the country's leading artists, including Mahmoud Bakhshi, Shadi Ghadirian, Barbad Golshiri, Marcos Grigorian, Farhad Moshiri, Shirin Neshat, Sohrab Sepehri, Mitra Tabrizian, Parviz Tanavoli and Charles Hossein Zenderoudi.

The definitive book about 20th and 21st century Iranian art renowned art historian, Hamid Keshmirshekan, the editor-in-chief of the bilingual Quarterly, Art Tomorrow, and a visiting professor at the University of Oxford. This book contains 379 full colour images, covering a broad range of artists residing both in and outside Iran.

New Perspectives

Contemporary Iranian Art

Tiffany Wall Calendar 2026 (Art Calendar)

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