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Fleming I: Thrilling Cities

Thrilling Cities

Fourteen Cities Seen Through the Eyes of Ian Fleming, the Creator of James Bond

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse. With illustrations by Forsyth Harmon.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure,&nbsp;Sweet Nothings&nbsp;is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy?&nbsp;And in The Lion, the Witch and the Wardrobe, how could Edmund sell out his siblings for, of all things, Turkish delight? She rejects the dreaded “What is your favorite candy?” question and counters: Under what circumstances? F The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives.&nbsp; Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings&nbsp;is a tart and sweet ode to finding small joys where you can.&nbsp;Yes, even in black licorice.&nbsp;

Confessions of a Candy Lover

Sweet Nothings

The definitive, career-spanning collection of writing from Anthony Bourdain, assembled for the first time in book form, with an Introduction by Patrick Radden Keefe.

The definitive, career-spanning collection of writing from Anthony Bourdain, assembled for the first time in book formAnthony Bourdain represented many things to many people—and he had many sides. But no part of his identity was more important to him, and more longlasting, than that of a writer. The Anthony Bourdain Reader is a collection of his best and most fascinating writing, and touches on his many pursuits and passions, from restaurant life to family life to the “low life,” from TV to travel through places like Vietnam, Buenos Aires, Paris, and Shanghai.The Anthony Bourdain Reader is also a showcase for new and never-before-seen material, like diary entries from Bourdain’s first trip to France as a teenager and “It’s Cruel and Unforgiving Terrain,” a piece on the New York restaurant scene, as well asunpublished short fiction like “I Quit My Job Yesterday” and chapters from No New Messages, his unfinished novel. These newly discovered pieces all contribute to give the fullest picture of the man behind the books.The Anthony Bourdain Reader is a testament to the enduring and singular voice Bourdain crafted, with eclectic and curated chapters that encapsulate the unique brilliance of his restless mind. Edited by Bourdain’s longtime agent and friend Kimberly Witherspoon and with a foreword by Patrick Radden Keefe, this is an essential reader for any Bourdain fan as well as a vivid and moving recollection of the life and legacy ofone of our most distinctive writers.

New, Classic, and Rediscovered Writing

The Anthony Bourdain Reader

In her first book, the popular From the Front Porch podcast host and independent bookstore owner challenges the idea that loud lives are the ones that matter most, reminding us that we don't have to leave the lives we have in order to have the lives of which we've always dreamed. Can life be an adventure, even when it’s just . . . ordinary?Annie Jones always assumed adulthood would mean adventure: a high-powered career; life in a big, bustling city; and travels to far-flung places she’d longed to see. But her reality turned out differently. As the years passed, Annie was still in the same small town running an independent bookstore —the kind of life Nora Ephron dreamed.During that time, she hosted friends’ goodbye parties and mailed parting gifts; wrote recommendation letters and wished former shop staffers well. She stayed in her small town, despite her love of big cities; stayed in her marriage to the guy she met when she was 18; and she stayed at her bookstore while the world outside shifted steadily toward digital retailers. And she stayed loyal to a faith she sometimes didn’t recognize.After ten years, Annie realized she might never leave. But instead of regret, she had an epiphany. She awakened to the gifts of a quiet life spent staying put.In Ordinary Time, Annie challenges the idea that loud lives matter most. Rummaging through her small-town existence, she finds hidden gifts of humor and hope from a life lived quietly. Staying, can itself be a radical act. It takes courage to stay in the places we’ve always called home, Jones argues, as she paints a portrait of possibility far away from thriving metropolises and Monica Gellar-inspired apartments.We’ve long been encouraged to follow our dreams, to pack up and move to new places and leave old lives—and past selves—behind. While there is beauty in these kinds of adventures, Ordinary Time helps us see ourselves right where we are: in the middle of messy, mundane lives, maybe not too far from where we grew up. We don’t have to leave to find what we yearn—we can choose to stay, celebrating and honoring our ordinary lives, which might turn out to be bigger and better than we ever imagined.&nbsp;

In her first book, the popular From the Front Porch podcast host and independent bookstore owner challenges the idea that loud lives are the ones that matter most, reminding us that we don't have to leave the lives we have in order to have the lives of which we've always dreamed.Can life be an adventure, even when it’s just . . . ordinary?Annie B. Jones always assumed adulthood would mean adventure: a high-powered career; life in a big, bustling city; and travels to far-flung places she’d longed to see. But her reality turned out differently. As the years passed, Annie was still in the same small town running an independent bookstore —the kind of life Nora Ephron dreamed.During that time, she hosted friends’ goodbye parties and mailed parting gifts; wrote recommendation letters and wished former shop staffers well. She stayed in her small town, despite her love of big cities; stayed in her marriage to the guy she met when she was eighteen; and she stayed at her bookstore while the world outside shifted steadily toward digital retailers. And she stayed loyal to a faith she sometimes didn’t recognize.After ten years, Annie realized she might never leave. But instead of regret, she had an epiphany. She awakened to the gifts of a quiet life spent staying put.In Ordinary Time, Annie challenges the idea that loud lives matter most. Rummaging through her small-town existence, she finds hidden gifts of humor and hope from a life lived quietly. Staying, can itself be a radical act. It takes courage to stay in the places we’ve always called home, Annie argues, as she paints a portrait of possibility far away from thriving metropolises and Monica Gellar-inspired apartments.We’ve long been encouraged to follow our dreams, to pack up and move to new places and leave old lives—and past selves—behind. While there is beauty in these kinds of adventures, Ordinary Time helps us see ourselves right where we are: in the middle of messy, mundane lives, maybe not too far from where we grew up. We don’t have to leave to find what we yearn—we can choose to stay, celebrating and honoring our ordinary lives, which might turn out to be bigger and better than we ever imagined.&nbsp;

Lessons Learned While Staying Put

Ordinary Time

Essays and Outtakes

Songs on Endless Repeat

A collection of the year’s top food and travel writing, selected by the&nbsp;James Beard Award–winning chef, food justice activist, and bestselling author Bryant Terry.The innovative and celebrated chef, food activist, and writer Bryant Terry selects the best&nbsp;twenty pieces published in 2024 that celebrate and explore how food and travel shape our culture.

A collection of the year’s top food and travel writing, selected by the&nbsp;James Beard Award–winning chef, food justice activist, and bestselling author Bryant Terry.The innovative and celebrated chef, food activist, and writer Bryant Terry selects the best&nbsp;twenty pieces published in 2024 that celebrate and explore how food and travel shape our culture.

The Best American Food and Travel Writing 2025

The Acclaimed International Bestseller “It is impossible to do justice to the beauty of Returning Light. The whole book is a poem.” — New York Times Book ReviewBy the lighthouse keeper on the remote, otherworldly Irish island of Skellig Michael, a "profound memoir about the importance of place and what it really means to belong" (Belfast Telegraph)“On Skellig Michael, thousands of birds appear and disappear, erecting towers, coming together in wings of movement which build and unravel over the empty sea. Often, no one else is there to stand beside me on the island. The mind wanders; links with the past are easily made; ancient ways of viewing things come alive.”In 1987, Robert Harris happened upon an unusual job posting in&nbsp;the local paper—a new warden service was being set up on the island of Skellig Michael, and the deadline was imminent. Just weeks later he was on his way to set up camp in one of Ireland’s most remote locations, unaware that he would be making that same journey every May for the next 30 years.Here he transports us to the otherworldly island, a place that is teeming with natural life, including curious puffins that like to visit his hut. From the precipice he has observed a coastline that is relatively unchanged for the last thousand years—a beacon of equilibrium in an ever-changing world.But the island can be fierce too. It’s inhabitable for only five months of the year, and solitude can quickly become isolation as bad weather rolls in to create a veil between Skellig Michael and the rest of the world, when the dizzying terrain can become a very real threat to life.A beautiful and evocative work of nature writing, Returning Light&nbsp;is an extraordinary memoir about the profound effect a place can have on us, and how a remote location can bring with it a great sense of belonging.

The Acclaimed International Bestseller “It is impossible to do justice to the beauty of Returning Light. The whole book is a poem.” — New York Times Book ReviewBy the lighthouse keeper on the remote, otherworldly Irish island of Skellig Michael, a "profound memoir about the importance of place and what it really means to belong" (Belfast Telegraph)“On Skellig Michael, thousands of birds appear and disappear, erecting towers, coming together in wings of movement which build and unravel over the empty sea. Often, no one else is there to stand beside me on the island. The mind wanders; links with the past are easily made; ancient ways of viewing things come alive.”In 1987, Robert Harris happened upon an unusual job posting in&nbsp;the local paper—a new warden service was being set up on the island of Skellig Michael, and the deadline was imminent. Just weeks later he was on his way to set up camp in one of Ireland’s most remote locations, unaware that he would be making that same journey every May for the next 30 years.Here he transports us to the otherworldly island, a place that is teeming with natural life, including curious puffins that like to visit his hut. From the precipice he has observed a coastline that is relatively unchanged for the last thousand years—a beacon of equilibrium in an ever-changing world.But the island can be fierce too. It’s inhabitable for only five months of the year, and solitude can quickly become isolation as bad weather rolls in to create a veil between Skellig Michael and the rest of the world, when the dizzying terrain can become a very real threat to life.A beautiful and evocative work of nature writing, Returning Light&nbsp;is an extraordinary memoir about the profound effect a place can have on us, and how a remote location can bring with it a great sense of belonging.

Thirty Years on the Island of Skellig Michael

Returning Light

"With equal parts candor and humor, Jerald Walker--a recipient of the PEN Award for nonfiction and finalist for the National Book Award--sharply examines and explains Black life and culture in Magically Black and Other Essays"--

In this engaging follow up to How to Make a Slave and Other Essays, the recipient of PEN New England Award for nonfiction and finalist for the National Book Award sharply examines and explains Black life and culture with equal parts candor and humor.In Magically Black and Other Essays Jerald Walker elegantly blends personal revelation and cultural critique to create a bracing and often humorous examination of Black American life. He thoughtfully addresses the inherent complexities of topics as eclectic as incarceration, home renovations, gentrification, the crip walk, pimping, and the rise of the MAGA movement, approaching them through various Black perspectives, including husband, father, teacher, and writer. The collection’s overarching theme is captured in the titular essay, which examines the culture of heroic action African Americans created in response to their enslavement and oppression, giving proof to Albert Murray’s observation that the “fire in the forging process . . . for all its violence, does not destroy the metal that becomes the sword.”

Magically Black and Other Essays

"A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure, Sweet Nothings is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman's Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone's favorites--and least favorites--are carefully considered, including Snickers and Trader Joe's Peanut Butter Cups, as well as the beloved Good n' Plenty and Werther's Originals"--

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse. With illustrations by Forsyth Harmon.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure,&nbsp;Sweet Nothings&nbsp;is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy?&nbsp;And in The Lion, the Witch and the Wardrobe, how could Edmund sell out his siblings for, of all things, Turkish delight? She rejects the dreaded “What is your favorite candy?” question and counters: Under what circumstances? F The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives.&nbsp; Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings&nbsp;is a tart and sweet ode to finding small joys where you can.&nbsp;Yes, even in black licorice.&nbsp;

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure, Sweet Nothings is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Truffle in the Whitman's Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone's favorites--and least favorites--are carefully considered, including Snickers and Trader Joe's Peanut Butter Cups, as well as the benighted Good n' Plenty and Werther's Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy? And how could Edmund sell out his siblings for, of all things, Turkish delight, in The Lion, the Witch and the Wardrobe? Meanwhile, she rejects the dreaded question posed to all candy connoisseurs: what is your favorite candy? The question itself is flawed--favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives. Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of "junk" food and posits taking pleasure seriously as a means of survival.Sarah Perry's pure love of candy weaves together elegiac glimpses of her 90s childhood--and the loss at its center--with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings is a tart and sweet ode to finding small joys where you can. Yes, even in black licorice.

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure,&nbsp;Sweet Nothings&nbsp;is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Truffle in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the benighted Good n’ Plenty and Werther’s Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy?&nbsp;And how could Edmund sell out his siblings for, of all things, Turkish delight, in&nbsp;The Lion, the Witch and the Wardrobe? Meanwhile, she rejects the dreaded question posed to all candy connoisseurs: what is your favorite candy? The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives.&nbsp; Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings&nbsp;is a tart and sweet ode to finding small joys where you can.&nbsp;Yes, even in black licorice.&nbsp;

A collection of the year’s top food and travel writing, selected by the trailblazing&nbsp;New York Times&nbsp;bestselling author and Emmy-nominated host of Taste the Nation and Top Chef Padma Lakshmi.“Food and travel are natural companions,” writes guest editor Padma Lakshmi. From this pairing comes “the possibility of seeing anew, of examining how we make and assign meaning.” The essays in this year’s Best American Food and Travel Writing circle the world—from Dakar in Senegal, to Michoacán in south-central Mexico, to the Camino de Santiago in Spain—and deepen our understanding of our place in it. An ode to the American grilled cheese spurs the desire to find beauty in the smallest daily activities. An obsessive odyssey for the perfect Chinese food blossoms into a heart-wrenching search for a lost childhood. Bold and insightful, joyful and moving, this collection celebrates the experiences that connect us all.The Best American Food and Travel Writing 2024 includes C PAM ZHANG • LIGAYA MISHAN • KIESE LAYMON • MARIAN BULL • MAYUKH SEN • BEN TAUB • AND OTHERS

A collection of the year’s top food and travel writing, selected by the trailblazing&nbsp;New York Times&nbsp;bestselling author and Emmy-nominated host of Taste the Nation and Top Chef Padma Lakshmi.“Food and travel are natural companions,” writes guest editor Padma Lakshmi. From this pairing comes “the possibility of seeing anew, of examining how we make and assign meaning.” The essays in this year’s Best American Food and Travel Writing circle the world—from Dakar in Senegal, to Michoacán in south-central Mexico, to the Camino de Santiago in Spain—and deepen our understanding of our place in it. An ode to the American grilled cheese spurs the desire to find beauty in the smallest daily activities. An obsessive odyssey for the perfect Chinese food blossoms into a heart-wrenching search for a lost childhood. Bold and insightful, joyful and moving, this collection celebrates the experiences that connect us all.The Best American Food and Travel Writing 2024 includes C PAM ZHANG • LIGAYA MISHAN • KIESE LAYMON • MARIAN BULL • MAYUKH SEN • BEN TAUB • AND OTHERS

The Best American Food and Travel Writing 2024

“A poignant, innovative, and urgent blend of memoir and criticism that has replenished my belief in how art and love can save your life.”—Torrey Peters“This lyrical, thoughtful essay collection is as gripping as any horror movie.” —Rax KingA sharply personal and expansive essay collection dedicated to the strange and absurd beauty of horror films, exploring the complications of gender, the insidiousness of class ascension, and the latent violence hidden in our own uncanny reflections.This is how it worked: first I loved them, and then I loved myself.At twenty-seven, poet Zefyr Lisowski found herself in the place she feared most: a locked psych ward. While inside, she turned to horror movies—her deepest, most constant comfort.Rather than disturb, scary movies have always provided solace and connection for Lisowski, as they do many others—offering a vision of a world filled equally with beauty and pain, and a reason to reach out to others and hold them tight. After all, as Lisowski argues, what terrifies us most about these movies is our own uncanny reflection—and at the root of that fear, a desperate desire to love and be loved.In these wide-ranging essays, Lisowski weaves theory and memoir into nuanced critiques of films such as The Texas Chain Saw Massacre and Saint Maud. From fears about sickness and disability, to trans narratives and the predator/victim complex, to the struggle to live in a world that wants you dead, she explores horror’s reciprocal impact on our culture and—by extension—our lives. Through it all, Lisowski lays bare her own complex biography—spanning from a trans childhood in the South to the sweaty dancefloors of Brooklyn—and the family, friends, and lovers that have bloomed with her into the present.Deeply felt, blood-spattered, and brimming with care and wonder, Uncanny Valley Girls thrusts this seasoned poet to centerstage.

Essays on Horror, Survival, and Love

Uncanny Valley Girls

"A little book of the Korean art of self care: a simple, life changing guide, rooted in centuries-old Korean wisdom, to living a longer, happier, healthier life"--

A charming, life-changing guide to living a longer, happier, healthier life, rooted in Korean self-care. From the country scientists predict will top longevity charts in 2030.Ssukgat, or Chrysanthemum greens, are treasured in Korean culture for their healing abilities. You can coax its withered stalks to bloom again, with sun, water, soil, and care. It’s a fitting metaphor for eco-entrepreneur and CEO Michelle Jungmin Bang, who found herself in excruciating pain due to the constant sacrificing of her health and wellness for work—a trade many of us make daily.Thus started her fascinating journey to overhaul her health and reconnect with her heritage in South Korea. She found answers in the mountains with Buddhist nuns and the keys to microbiome health, a seaside village with haenyeo (female free divers who forage for seafood) and their practice of healing with breath, centenarians with easily adoptable daily habits, and Korean bathhouse culture and its “wellness for everyone” approach to youthful skin. Natural, effective, and environmentally conscious, these traditions have been passed down for centuries in Asia, like gifted heirlooms, and they quietly and radically shift our philosophies on well-being towards preventative care.Informed by her travels, research, and East-West nutrition training, Michelle reflects on how we can eat for healing, live sustainably, reconnect with nature, form deeper relationships with the Korean concept of Jeong (the warm, invisible connection between loved ones and places), and more. Also included are simple and delicious healing recipes that can be used for recovery, like a mushroom broth the Buddhist nuns turn to for colds; her grandmother’s secret Myeolchi (anchovy) broth; Samgyetang (chicken and ginseng soup) for combatting fatigue; as well as Hoedeopbap (raw fish bibimbap), her most-requested dish that requires no cooking.Stunningly written and accompanied by Michelle’s gorgeously hand-drawn illustrations and infographics, Sun &amp; Ssukgat is on a mission to empower anyone stuck in the unhealthy whirlwind of modern life to transform our well-being in the little things we do every single day.This beautifully designed book is perfect for:<ul><li>Fans of Korean and Asian food and culture</li><li>Gifting to friends and family</li><li>Food-as-medicine enthusiasts seeking natural ways to improve their health</li><li>Travel aficionados and environmentally-conscious readers</li><li>Professionals and students looking to boost performance and wellness</li></ul>

The Korean Art of Self-Care, Wellness & Longevity

Sun & Ssukgat

Thrilling Cities

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