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Fleming I: Thrilling Cities

Thrilling Cities

Fourteen Cities Seen Through the Eyes of Ian Fleming, the Creator of James Bond

"Nothing I've read has cut to the heart of the '00s like&nbsp;Y2K." -&nbsp;BustlePerfect for fans of Jia Tolentino and Chuck Klosterman,&nbsp;Y2K&nbsp;is a delightfully nostalgic and bitingly told exploration about how the early 2000s forever changed us and the world we live in. THE EARLY 2000s&nbsp;conjures images of inflatable furniture, flip phones, and low-rise jeans. It was a new millennium and the future looked bright, promising prosperity for all.&nbsp;The internet had arrived, and technology was shiny and fun.&nbsp;For many, it felt like the end of history: no more wars, racism, or sexism. But then history kept happening. Twenty-five years after the ball dropped on December 31st, 1999,&nbsp;we are still living in the shadows of the Y2K Era. In&nbsp;Y2K, one of our most brilliant young critics Colette Shade offers a darkly funny meditation on everything from the pop culture to the political economy of the period. By close reading Y2K artifacts like the Hummer H2, Smash Mouth's "All Star," body glitter, AOL chatrooms, Total Request Live,&nbsp;and early internet porn, Shade produces an affectionate yet searing critique of a decade that started with a boom and ended with a crash. In one essay Colette unpacks how hearing Ludacris's hit song "What's Your Fantasy" shaped a generation's sexual awakening; in another she interrogates how her eating disorder developed as rail-thin models from the collapsed USSR flooded the pages of&nbsp;Vogue; in another&nbsp;she&nbsp;reveals how the McMansion became an ominous symbol of the housing collapse. Perfect for fans of Jia Tolentino and Chuck Klosterman,&nbsp;Y2K&nbsp;is the first book to fully reckon with the mixed legacy of the Y2K Era-a perfectly timed collection that holds a startling mirror to our past, present, and future.

“Nothing I’ve read has cut to the heart of the ’00s like&nbsp;Y2K.” —&nbsp;BustlePerfect for fans of Jia Tolentino and Chuck Klosterman,&nbsp;Y2K&nbsp;is a delightfully nostalgic and bitingly told exploration about how the early 2000s forever changed us and the world we live in.THE EARLY 2000s&nbsp;conjures images of inflatable furniture, flip phones, and low-rise jeans. It was a new millennium and the future looked bright, promising prosperity for all.&nbsp;The internet had arrived, and technology was shiny and fun.&nbsp;For many, it felt like the end of history: no more wars, racism, or sexism. But then history kept happening. Twenty-five years after the ball dropped on December 31st, 1999,&nbsp;we are still living in the shadows of the Y2K Era.In&nbsp;Y2K, one of our most brilliant young critics Colette Shade offers a darkly funny meditation on everything from the pop culture to the political economy of the period. By close reading Y2K artifacts like the Hummer H2, Smash Mouth’s “All Star,” body glitter, AOL chatrooms, Total Request Live,&nbsp;and early internet porn, Shade produces an affectionate yet searing critique of a decade that started with a boom and ended with a crash.In one essay Colette unpacks how hearing Ludacris’s hit song “What’s Your Fantasy” shaped a generation’s sexual awakening; in another she interrogates how her eating disorder developed as rail-thin models from the collapsed USSR flooded the pages of&nbsp;Vogue; in another&nbsp;she&nbsp;reveals how the McMansion became an ominous symbol of the housing collapse.Perfect for fans of Jia Tolentino and Chuck Klosterman,&nbsp;Y2K&nbsp;is the first book to fully reckon with the mixed legacy of the Y2K Era—a perfectly timed collection that holds a startling mirror to our past, present, and future.

How the 2000s Became Everything (Essays on the Future That Never Was)

A debut essay collection by the inimitable cultural critic Maris Kreizman—an introspective, searing account of the life experiences that have pushed this former “good Democrat” even further to the political leftAt the heart of this funny, acerbic, and bravely honest book of essays is Maris Kreizman, a former rule follower and ambition monster who once believed the following truths to be self-evident: that working very hard would lead to admission to a good college, which would lead to a good job at a good company, which would then lead to personal fulfillment and a sense of purpose, along with adequate health care and eventual home ownership and plenty of money waiting in a retirement account. Like any good Democrat and feminist, she believed that if she just worked hard and played by the rules, she was guaranteed a safe and comfortable life.Now in her forties, the only thing Maris Kreizman knows for sure is that she no longer has faith in American institutions or any of their hollow promises. Now she knows that the rules are meant to serve some folks better than others; and, actually, they serve no one all that well—not even Kreizman. Disturbed by the depth and scope of the liberal myths in which she once so fervently believed, Kreizman takes readers on an intimate journey that revisits some of her most profound revelations, demonstrating that it’s never too late to become radicalized.With Kreizman’s signature wit and blunt self-reflection, and more than a little transformative rage, I Want to Burn This Place Down is a book for anyone who wishes they could go back in time to give their younger selves the real truth about the fractured country they have inherited—and the encouragement to rebuild something better in its place.

A debut essay collection by the inimitable cultural critic Maris Kreizman—an introspective, searing account of the life experiences that have pushed this former “good Democrat” even further to the political leftAt the heart of this funny, acerbic, and bravely honest book of essays is Maris Kreizman, a former rule follower and ambition monster who once believed the following truths to be self-evident: that working very hard would lead to admission to a good college, which would lead to a good job at a good company, which would then lead to personal fulfillment and a sense of purpose, along with adequate health care and eventual home ownership and plenty of money waiting in a retirement account. Like any good Democrat and feminist, she believed that if she just worked hard and played by the rules, she was guaranteed a safe and comfortable life.Now in her forties, the only thing Maris Kreizman knows for sure is that she no longer has faith in American institutions or any of their hollow promises. Now she knows that the rules are meant to serve some folks better than others; and, actually, they serve no one all that well—not even Kreizman. Disturbed by the depth and scope of the liberal myths in which she once so fervently believed, Kreizman takes readers on an intimate journey that revisits some of her most profound revelations, demonstrating that it’s never too late to become radicalized.With Kreizman’s signature wit and blunt self-reflection, and more than a little transformative rage, I Want to Burn This Place Down is a book for anyone who wishes they could go back in time to give their younger selves the real truth about the fractured country they have inherited—and the encouragement to rebuild something better in its place.

I Want to Burn This Place Down

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure, Sweet Nothings is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Truffle in the Whitman's Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone's favorites--and least favorites--are carefully considered, including Snickers and Trader Joe's Peanut Butter Cups, as well as the benighted Good n' Plenty and Werther's Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy? And how could Edmund sell out his siblings for, of all things, Turkish delight, in The Lion, the Witch and the Wardrobe? Meanwhile, she rejects the dreaded question posed to all candy connoisseurs: what is your favorite candy? The question itself is flawed--favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives. Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of "junk" food and posits taking pleasure seriously as a means of survival.Sarah Perry's pure love of candy weaves together elegiac glimpses of her 90s childhood--and the loss at its center--with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings is a tart and sweet ode to finding small joys where you can. Yes, even in black licorice.

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure,&nbsp;Sweet Nothings&nbsp;is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Truffle in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the benighted Good n’ Plenty and Werther’s Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy?&nbsp;And how could Edmund sell out his siblings for, of all things, Turkish delight, in&nbsp;The Lion, the Witch and the Wardrobe? Meanwhile, she rejects the dreaded question posed to all candy connoisseurs: what is your favorite candy? The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives.&nbsp; Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings&nbsp;is a tart and sweet ode to finding small joys where you can.&nbsp;Yes, even in black licorice.&nbsp;

Sweet Nothings

The definitive, career-spanning collection of writing from Anthony Bourdain, assembled for the first time in book form, with an Introduction by Patrick Radden Keefe.

The definitive, career-spanning collection of writing from Anthony Bourdain, assembled for the first time in book formAnthony Bourdain represented many things to many people—and he had many sides. But no part of his identity was more important to him, and more longlasting, than that of a writer. The Anthony Bourdain Reader is a collection of his best and most fascinating writing, and touches on his many pursuits and passions, from restaurant life to family life to the “low life,” from TV to travel through places like Vietnam, Buenos Aires, Paris, and Shanghai.The Anthony Bourdain Reader is also a showcase for new and never-before-seen material, like diary entries from Bourdain’s first trip to France as a teenager and “It’s Cruel and Unforgiving Terrain,” a piece on the New York restaurant scene, as well asunpublished short fiction like “I Quit My Job Yesterday” and chapters from No New Messages, his unfinished novel. These newly discovered pieces all contribute to give the fullest picture of the man behind the books.The Anthony Bourdain Reader is a testament to the enduring and singular voice Bourdain crafted, with eclectic and curated chapters that encapsulate the unique brilliance of his restless mind. Edited by Bourdain’s longtime agent and friend Kimberly Witherspoon and with a foreword by Patrick Radden Keefe, this is an essential reader for any Bourdain fan as well as a vivid and moving recollection of the life and legacy ofone of our most distinctive writers.

New, Classic, and Rediscovered Writing

The Anthony Bourdain Reader

“Full of heart and wisdom, Daughters of Latin America sheds a brilliant light on Latine and Caribbean women writers across time, space, languages, and genres.”—World Literature TodaySpanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume.Daughters of Latin America collects the intergenerational literary voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 sections representing the 13 holy moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón; lyric essays from New York Times bestselling author Elizabeth Acevedo, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book.More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them.&nbsp;In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Giannina Braschi, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more.

“Full of heart and wisdom, Daughters of Latin America sheds a brilliant light on Latine and Caribbean women writers across time, space, languages, and genres.”—World Literature TodaySpanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world—from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuña—gathered in one magnificent volume.Daughters of Latin America collects the intergenerational literary voices of Latine women across time and space, capturing the power, strength, and creativity of these visionary writers, leaders, scholars, and activists—including 24 Indigenous voices. Several authors featured are translated into English for the first time. Grammy, National Book Award, Cervantes, and Pulitzer Prize winners as well as a Nobel Laureate and the next generation of literary voices are among the stars of this essential collection, women whose work inspires and transforms us.An eclectic and inclusive time capsule spanning centuries, genres, and geographical and linguistic diversity, Daughters of Latin America is divided into 13 sections representing the 13 holy moons, each cycle honoring a different theme. Within its pages are poems from U.S. Poet Laureate Ada Limón; lyric essays from New York Times bestselling author Elizabeth Acevedo, Pulitzer prize-winning playwright Quiara Alegría Hudes, and Guggenheim Fellow Maryse Condé; rousing speeches from U.S. Representative Alexandra Ocasio-Cortez, and Lencan Indigenous land and water protector Berta Caceres; and a transcendent Mazatec chant from shaman and poet María Sabina testifying to the power of language as a cure, which opens the book.More than a collection of writings, Daughters of Latin America is a resurrection of ancestral literary inheritance as well as a celebration of the rising voices encouraged and nurtured by those who came before them.&nbsp;In addition to those mentioned above, contributors include Elizabeth Acevedo, Julia Alvarez, Albalucia Angel, Marie Arana, Ruth Behar, Gioconda Belli, Miluska Benavides, Carmen Bouollosa, Giannina Braschi, Norma Cantú, Ana Castillo, Sandra Cisneros, Ingrid Rojas Contreras, Angie Cruz, Edwidge Danticat, Julia de Burgos, Lila Downs, Laura Esquivel, Conceição Evaristo, Mayra Santos Febres, Sara Gallardo, Cristina Rivera Garza, Reyna Grande, Sonia Guiñasaca, Georgina Herrera, María Hinojosa, Claudia Salazar Jimenez, Jamaica Kincaid, María Clara Sharupi Jua, Amada Libertad, Josefina López, Gabriela Mistral, Celeste Mohammed, Cherrié Moraga, Angela Morales, Nancy Morejón, Anaïs Nin, Achy Obejas, Alejandra Pizarnik, Yolanda Arroyo Pizarro, Elena Poniatowska, Laura Restrepo, Ivelisse Rodriguez, Mikeas Sánchez, Esmeralda Santiago, Rita Laura Segato, Ana María Shua, Natalia Toledo, Julia Wong, Elisabet Velasquez, Karla Cornejo Villavicencio, Helena María Viramontes, and many more.

An International Anthology of Writing by Latine Women

Daughters of Latin America

A Queer Revolt Against Evangelicalism, Empire, and the Lies We Are Sold

Heretic

"Spanning the 1950s to today, the fourteen pieces in this collection are a time capsule of what New York once was and still is-- Talese proves time and time again that, even as the city changes, his view of it remains as timeless as ever"--

From legendary journalist Gay Talese, a collection of his greatest reporting on New York City.“Along with Joan Didion, Norman Mailer, Tom Wolfe and others, Mr. Talese has been acclaimed as a virtuoso of the novelistic New Journalism.”&nbsp;—Wall Street Journal“They fly in quietly—unnoticed, like the cats, the ants, the doorman with three bullets in his head, and most of the other offbeat wonders in this town without time.” —from&nbsp;“New York Is a City of Things Unnoticed,” Talese’s first&nbsp;Esquire&nbsp;story,&nbsp;1960For over six decades, Gay Talese has told New York stories. They are the stories of daring bridge builders, disappearing gangsters, intrepid&nbsp;Vogue&nbsp;editors, unassuming doormen who’ve seen too much. They are&nbsp;set in&nbsp;the star-studded salons of George Plimpton’s apartment, in&nbsp;the tense newsroom of a still burgeoning&nbsp;New York Times, in an&nbsp;electric studio session with Tony Bennett and Lady Gaga recording their debut.With the wit, elegance, and depth of insight that has long characterized his work, Talese’s New York reporting showcases a master of the form at his finest, making intelligible the city’s vibrant beating pulse, capturing the charming, the eccentric, and the overlooked. Whether prowling the night streets to discover the social hierarchy of alley cats, or uncovering the triumph and terror of building the Verrazano-Narrows Bridge, or plunging into the hidden, sordid world of a recently blown-up apartment building, Talese excavates the city around him with a reporter’s eye and an artist’s flair, crafting delightful, profound, indelible portraits of the people who live there. Spanning the 1950s to today, the fourteen pieces in this collection are a time capsule of what New York once was and still is—Talese proves time and time again that, even as the city&nbsp;changes, his view of it remains as timeless as ever.&nbsp;

Gay Talese's New York

A Town Without Time

Susan Orlean?the beloved&nbsp;New Yorker&nbsp;staff writer&nbsp;and the author of the&nbsp;New York Times&nbsp;bestsellers Rin Tin Tin,&nbsp;The Orchid Thief, and On Animals?selects twenty science and nature essays that represent the best examples of the form published in 2024.

Susan Orlean—the beloved&nbsp;New Yorker&nbsp;staff writer&nbsp;and the author of the&nbsp;New York Times&nbsp;bestsellers Rin Tin Tin,&nbsp;The Orchid Thief, and On Animals—selects twenty science and nature essays that represent the best examples of the form published in 2024.The Best American series, launched in 1915, is the premier annual showcase for the country’s finest short fiction and nonfiction, and it is the most respected—and most popular—of its kind.New York Times bestselling author Susan Orlean selects&nbsp;twenty pieces that represent the best science and nature writing published&nbsp;the previous year and explores our ever-changing world.

The Best American Science and Nature Writing 2025

El extraordinario debut literario de Robin Wall Kimmerer, autora del bestseller internacional Una trenza de hierba sagradaViviendo en los límites de nuestra percepción ordinaria, los musgos son un elemento común del mundo natural, que sin embargo suele pasar desapercibido. Reserva de musgo es una fascinante mezcla de ciencia y reflexión personal que invita a los lectores a explorar y aprender de la vida elegante y sencilla de los musgos. En esta serie de ensayos personales encadenados entre sí, Robin Wall Kimmerer acompaña a sus lectores a comprender cómo viven los musgos y cómo sus vidas se entrelanzan con las de innumerables seres en el mundo natural, entre ellos, los seres humano. Con la precisión científica de su formación como botánica, Kimmerer explica la biología de los musgos con claridad y profundidad, al tiempo que, desde su experiencia como madre, maestra y mujer indígena, nos invita a reflexionar sobre lo que estos fascinantes y humildes organismos tienen para enseñarnos. Una historia natural y cultural que se convierte en una poderosa metáfora que nos ilumina otras maneras en las que podemos existir en el mundo.———The acclaimed literary debut of Robin Wall Kimmerer, author of the New York Times bestseller Braiding Sweetgrass.Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. Gathering Moss is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses.Robin Wall Kimmerer's book is not an identification guide, nor is it a scientific treatise. Rather, it is a series of linked personal essays that will lead general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings, from salmon and hummingbirds to redwoods and rednecks. Kimmerer clearly and artfully explains the biology of mosses, while at the same time reflecting on what these fascinating organisms have to teach us.Drawing on her diverse experiences as a scientist, mother, teacher, and writer of Native American heritage, Kimmerer explains the stories of mosses in scientific terms as well as in the framework of indigenous ways of knowing. In her book, the natural history and cultural relationships of mosses become a powerful metaphor for ways of living in the world.Gathering Moss will appeal to a wide range of readers, from bryologists to those interested in natural history and the environment, Native Americans, and contemporary nature and science writing.

El extraordinario debut literario de Robin Wall Kimmerer, autora del bestseller internacional Una trenza de hierba sagradaViviendo en los límites de nuestra percepción ordinaria, los musgos son un elemento común del mundo natural, que sin embargo suele pasar desapercibido. Reserva de musgo es una fascinante mezcla de ciencia y reflexión personal que invita a los lectores a explorar y aprender de la vida elegante y sencilla de los musgos. En esta serie de ensayos personales encadenados entre sí, Robin Wall Kimmerer acompaña a sus lectores a comprender cómo viven los musgos y cómo sus vidas se entrelanzan con las de innumerables seres en el mundo natural, entre ellos, los seres humano. Con la precisión científica de su formación como botánica, Kimmerer explica la biología de los musgos con claridad y profundidad, al tiempo que, desde su experiencia como madre, maestra y mujer indígena, nos invita a reflexionar sobre lo que estos fascinantes y humildes organismos tienen para enseñarnos. Una historia natural y cultural que se convierte en una poderosa metáfora que nos ilumina otras maneras en las que podemos existir en el mundo.———The acclaimed literary debut of Robin Wall Kimmerer, author of the New York Times bestseller Braiding Sweetgrass.Living at the limits of our ordinary perception, mosses are a common but largely unnoticed element of the natural world. Gathering Moss is a beautifully written mix of science and personal reflection that invites readers to explore and learn from the elegantly simple lives of mosses.Robin Wall Kimmerer's book is not an identification guide, nor is it a scientific treatise. Rather, it is a series of linked personal essays that will lead general readers and scientists alike to an understanding of how mosses live and how their lives are intertwined with the lives of countless other beings, from salmon and hummingbirds to redwoods and rednecks. Kimmerer clearly and artfully explains the biology of mosses, while at the same time reflecting on what these fascinating organisms have to teach us.Drawing on her diverse experiences as a scientist, mother, teacher, and writer of Native American heritage, Kimmerer explains the stories of mosses in scientific terms as well as in the framework of indigenous ways of knowing. In her book, the natural history and cultural relationships of mosses become a powerful metaphor for ways of living in the world.Gathering Moss will appeal to a wide range of readers, from bryologists to those interested in natural history and the environment, Native Americans, and contemporary nature and science writing.

Una historia natural y cultural de los musgos

Gathering Moss / Reserva de musgo (Spanish Edition)

A Literary Hub Most Anticipated Book of the Year"In Uncanny Valley Girls, horror is more than a genre—it is a language, a sensibility, a lifeline, a semaphore between culture and our own grief and pain and longing. In these extraordinary essays, Lisowski reads the entrails of her life like a witch and invites you along for the ride. How could you say no?" —Carmen Maria MachadoA sharply personal and expansive essay collection dedicated to the strange and absurd beauty of horror films, exploring the complications of gender, the insidiousness of class ascension, and the latent violence hidden in our own uncanny reflections.This is how it worked: first I loved them, and then I loved myself.At twenty-seven, poet Zefyr Lisowski found herself in the place she feared most: a locked psych ward. While inside, she turned to horror movies—her deepest, most constant comfort.Rather than disturb, scary movies have always provided solace and connection for Lisowski, as they do many others—offering a vision of a world filled equally with beauty and pain, and a reason to reach out to others and hold them tight. After all, as Lisowski argues, what terrifies us most about these movies is our own uncanny reflection—and at the root of that fear, a desperate desire to love and be loved.In these wide-ranging essays, Lisowski weaves theory and memoir into nuanced critiques of films such as The Texas Chain Saw Massacre and Saint Maud. From fears about sickness and disability, to trans narratives and the predator/victim complex, to the struggle to live in a world that wants you dead, she explores horror’s reciprocal impact on our culture and—by extension—our lives. Through it all, Lisowski lays bare her own complex biography—spanning from a trans childhood in the South to the sweaty dancefloors of Brooklyn—and the family, friends, and lovers that have bloomed with her into the present.Deeply felt, blood-spattered, and brimming with care and wonder, Uncanny Valley Girls thrusts this seasoned poet to centerstage.

Essays on Horror, Survival, and Love

Uncanny Valley Girls

A fun, sophisticated illustrated collection of essays that catalogs the simple and not so simple pleasures of the eclectic world of candy from the award-winning author of After the Eclipse. With illustrations by Forsyth Harmon.A taxonomy of sweetness, a rhapsody of artificial flavors, and a multi-faceted theory of pleasure,&nbsp;Sweet Nothings&nbsp;is made up of one hundred illustrated micro essays organized by candy color, from the red of Pop Rocks to the purple Jelly Bonbon in the Whitman’s Sampler. Each entry is a meditation on taste and texture, a memory unlocked. Everyone’s favorites—and least favorites—are carefully considered, including Snickers and Trader Joe’s Peanut Butter Cups, as well as the beloved Good n’ Plenty and Werther’s Originals.An expert guide and exquisite writer, Sarah Perry asks such pressing questions as: Twizzlers or Red Vines? Why are Mentos eaters so maniacally happy?&nbsp;And in The Lion, the Witch and the Wardrobe, how could Edmund sell out his siblings for, of all things, Turkish delight? She rejects the dreaded “What is your favorite candy?” question and counters: Under what circumstances? F The question itself is flawed—favorite under what circumstances? In what weather? On the road, or at home? In what mood? For candy is inextricably tied to the seasons of our lives.&nbsp; Sweet Nothings moves associatively, touching on pop culture, art, culinary history, philosophy, body image, and class-based food moralism. It challenges the very idea of “junk” food and posits taking pleasure seriously as a means of survival.Sarah Perry’s pure love of candy weaves together elegiac glimpses of her 90s childhood—and the loss at its center—with stories of love and desire. Surprisingly smart and frequently funny, Sweet Nothings&nbsp;is a tart and sweet ode to finding small joys where you can.&nbsp;Yes, even in black licorice.&nbsp;

Confessions of a Candy Lover

Clinical psychologist and bestselling author Dr. Julie Smith (@drjulie) returns with this highly anticipated handbook full of "break in case of emergency? advice for dealing with mental health challenges in the moment they occur.

“C. S. Lewis is the ideal persuader for the half-convinced, for the good man who would like to be a Christian but finds his intellect getting in the way.”—Anthony Burgess, New York Times Book ReviewA beautiful keepsake edition of the revered spiritual classic from one of the greatest writers and thinkers of the twentieth century whose insights continue to influence us today.Our moral consciousness and moral judgements are proof to the human race that a moral being exists—God.Mere Christianity makes available to both believers and nonbelievers C. S. Lewis’s powerful and rational argument for the Christian faith. Recognized as one of the most important Christian books of the twentieth century, Mere Christianity brings together Lewis’ legendary broadcast talks during World War II, in which he explored the core beliefs of Christianity—timeless topics that continue to engage us—right and wrong, human nature, morality, marriage, sin, forgiveness, faith, hope, generosity, and kindness.Now in a deluxe edition featuring gilded pages, C. S. Lewis’s brilliant and enduring work remains fresh and vital for readers today.

Mere Christianity (Deluxe Edition)

Thrilling Cities

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