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Hirst Martin: There’s no good news

There’s no good news

Journalism, crisis, and philosophy of praxis

Twelve Chapters in the History of the French Far Right

The Dark Side of France

30 Years on from the Best Year of Our Lives

1996

Monumenta Sirletana Romanae Curiae

Section A: Epistularium

Guglielmo Sirleto’s Early Correspondence, 1539-1545

Section A: Epistulae, vol. 1

The Politics of Test-Bed Urbanism

Smart as a City

Feminist Lessons From Five Revolutionary Women

Red Valkyries

The Norse Warrior's (Unofficial) Manual

Viking:The Norse Warrior's (Unofficial) Manual

Routledge Research in Art History

Focusing on the first four films about Moore's sculpture in the 1940s and 1950s, The Making of Henry Moore on Film: A Cultural History considers how these films played a role in the consolidation of the sculptor's public identity and broke new ground in the exploration of sculptural aesthetics through film. The book draws on extensive archival research in the production files of these films and on detailed contextual research.

Art historians have recognised the relationship between photography and sculpture as a fertile ground for the study of sculpture's intermedial relations. In the case of Henry Moore, the role of photography (both as source material and form of documentation) has recently become a new terrain for researching and interpreting his work. Film, however, remains absent from Moore scholarship. Focusing on four films about Moore's sculpture in the 1940s and 1950s,  The Making of Henry Moore on Film: A Cultural History considers how these films broke new ground in the specialised genre of the "film on art," which throve in these decades.  Katerina Loukopoulou places the relationship between sculpture and film within the relevant historical and cultural contexts of post-war Britain (1945-1959), the period during which Moore's public identity was consolidated. The book draws on extensive archival research in the production files of these films and on detailed contextual research (press cuttings, periodicals, festival pamphlets) of contemporaneous writings about the remediation of works of art  and about the reception of these films on Moore. By revealing overlooked aspects of what these films stood for at this historical conjuncture, Loukopoulou examines the specific aesthetic and political meanings of Moore's sculpture as explored by each film.

A Cultural History

The Making of Henry Moore on Film

Nanotechnology

Representations, Iconographies, and Meanings in Media and Culture

Poison and the Popular Imagination

The book surveys the history and teachings of Taoism (Daoism) over the course of Chinese civilization, and explores themes and ideas that interest modern minds. The religions of Asia continually fascinate people around the world. During the 20th century, the Taoist (Daoist) tradition of China became well-known. But even at the century's end, our understandings of Taoism was limited to what scholars of Asia and Western lands had revealed. Few knew of the probing researches also being conducted by scholars of Russia, particularly Evgeny Torchinov (1956-2003). Torchinov, Russia's leading authority on Taoism, died suddenly before completing the final English edition of his comprehensive introduction, Daosizm: Opyt Istoriko-religioznogo Opisaniia. Here at last is that English edition and we see Taoism through fresh eyes, revealing new insights into the minds and lives of centuries of Chinese Taoists.

The book surveys the history and teachings of Taoism (Daoism) over the course of Chinese civilization, and explores themes and ideas that interest modern minds.  The religions of Asia continually fascinate people around the world.  During the 20th century, the Taoist (Daoist) tradition of China became well-known.  But even at the century's end, our understandings of Taoism was limited to what scholars of Asia and Western lands had revealed.  Few knew of the probing researches also being conducted by scholars of Russia, particularly Evgeny Torchinov (1956-2003).  Torchinov, Russia's leading authority on Taoism, died suddenly before completing the final English edition of his comprehensive introduction, Daosizm: Opyt Istoriko-religioznogo Opisaniia.  Here at last is that English edition and we see Taoism through fresh eyes, revealing new insights into the minds and lives of centuries of Chinese Taoists.

There’s no good news

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