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Currie Justin: The Tremolo Diaries

The Tremolo Diaries

Never before has Marcia Lucas sat down for an interview about Star Wars until now! Pulling all the extra content from The Nacelle Company's hit docuseries Icons Unearthed, comes the Marcia Lucas Interview, the expanded interviews and extra content that never made it to screen. This collection of interviews covers it all from Marcia's humble beginnings as an assistant editor, to her meeting George Lucas while he was in film school, to ultimately working with the likes of Francis Ford Coppola and eventually her pivotal role in the making of Star Wars. This is the story of a woman whose behind the scenes presence turned a little sci-fi film into the incredible franchise that we know it as today.&nbsp;

Never before has Marcia Lucas sat down for an interview about Star Wars until now! Pulling all the extra content from The Nacelle Company's hit docuseries Icons Unearthed, comes the Marcia Lucas Interview, the expanded interviews and extra content that never made it to screen. This collection of interviews covers it all from Marcia's humble beginnings as an assistant editor, to her meeting George Lucas while he was in film school, to ultimately working with the likes of Francis Ford Coppola and eventually her pivotal role in the making of Star Wars. This is the story of a woman whose behind the scenes presence turned a little sci-fi film into the incredible franchise that we know it as today.&nbsp;

Marcia Lucas, The Icons Unearthed Star Wars Interview

From the Samuel Johnson Prize shortlisted author, a powerful literary memoir about life in rural Nairobi, one of the last true wildernesses of the world. Aidan Hartley grew up in Kenya, moving from farm to farm across Africa with his family. As an adult he moved to England to study, then became a war correspondent in Africa, and then, when he couldn't resist it any longer, a farmer in his own right. Aidan's farm today sits in view of the Kenyan Mountain. His work is dosing sheep, dipping cattle, fixing machinery, responding to the night alarms of rustlers entering the valley on elephant raids. Living here, injury means relying on a manual called Where There is No Doctor, and the home medicine chest complete with blood coagulants for gunshot wounds. Laikipia is a beautiful, wild place. Sometimes peaceful, and sometimes dangerous. It is also a landscape tragically at risk. Across the course of Aidan's life, the nature around him has changed. The wild hunting dog, cheetah, rhinos, elephants - even the giraffe and lion - face oblivion. Whole forests have been torn down. Kenya Mountain on the horizon is losing its tropical icefields - they will be gone in a handful of years. Paradise of Thorns is a restlessly inventive literary memoir: the story of Aidan's departure from cities and the irresistible move back to his real home. It is part glorious testament to the extraordinary heart of rural Africa as a place which is fast becoming lost; part antidote to the false impressions imposed on the country over the years; and part adventure story of drug trade, cattle raids, gunfights, tragic losses, ambushes, posses and battles.

From the Samuel Johnson Prize shortlisted author, a powerful literary memoir about life in rural Nairobi, one of the last true wildernesses of the world.

Paradise of Thorns

Unravelling the Threads of a Marriage

Dirty Laundry

My Memories Of Public Image Ltd

POPTOME

Motherhood, Identity, Love and F*ckery

New Approaches to Sound, Music, and Media

Recorded music creation and consumption underwent a huge shift in the first two decades of the 20th century: from physical artifacts to digital; from fixed personal computers to mobile devices; from downloading and owning to streaming and access. This had a significant impact on the music 'assemblage' - the audio, performances, videos, films, books, games - that make up what we think of as 'music,' and gave rise to new forms of musical new media. Björk's Biophilia, widely acclaimed as the first 'app album,' is one response to this context. Drawing on her direct experience as part of the creative team who made Biophilia musicologist Nicola Dibben investigates how popular music practices intersect with digital technologies at their moment of emergence in two domains: music software applications ('apps') for touchscreen technologies of tablet computer and smartphone, and in extended reality. She shows the way these new media formats maintain musical traditions as much as they innovate, explores the future of the album as a musical artifact in the digital age, and identifies emerging new music forms and engagements which may come to define our digital musical futures.

Recorded music creation and consumption underwent a huge shift in the first two decades of the 20th century: from physical artifacts to digital; from fixed personal computers to mobile devices; from downloading and owning to streaming and access. This had a significant impact on the music 'assemblage’ – the audio, performances, videos, films, books, games – that make up what we think of as ‘music,’ and gave rise to new forms of musical new media. Björk's Biophilia, widely acclaimed as the first ‘app album,’ is one response to this context. Drawing on her direct experience as part of the creative team who made Biophilia musicologist Nicola Dibben investigates how popular music practices intersect with digital technologies at their moment of emergence in two domains: music software applications (‘apps’) for touchscreen technologies of tablet computer and smartphone, and in extended reality. She shows the way these new media formats maintain musical traditions as much as they innovate, explores the future of the album as a musical artifact in the digital age, and identifies emerging new music forms and engagements which may come to define our digital musical futures.

Björk’s Biophilia App and Music in Extended Reality

Musical New Media

Electronic Dreams, Desiring Machines and Tomorrow’s Music Today

Futuromania

33 1/3 Japan

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese "city pop" revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO's debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Widely recognized as the most innovative and influential Japanese group since the Second World War, Yellow Magic Orchestra (YMO) is seeing a revival among music listeners around the world, along with the works of its three members: Academy Award-winning composer Sakamoto Ryuichi, Hosono Haruomi as the central figure of the Japanese “city pop” revival, and Takahashi Yukihiro, who plays drums for METAFIVE with Towa Tei and Oyamada Keigo (Cornelius). This is the first book in English on Yellow Magic Orchestra, positioning its first album as the nexus of jazz fusion, new wave, and hip hop music. YMO’s debut album provides a lens on transpacific dialogue on technology, race, and intellectual history. Examining the cultural negotiations between African American and Japanese musicians since the 1970s, this book considers the album as a nascent work of Afro-Asian futurism.

Yellow Magic Orchestra’s Yellow Magic Orchestra

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. `Moving. Salted with intelligence and empathy¿ New York Times Book Review `A page-turner¿ New Yorker `Really shines¿ San Francisco Chronicle `Gorgeous¿ Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together ¿ over dinner, beers, pool games ¿ they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- `A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend¿ NPR `Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths¿ Los Angeles Times `A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take¿ Wall Street Journal `Schwalbe¿s memoir shines. Written like a true friend¿ Daily Mail

PRE-ORDER THE PAPERBACK NOW From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving' NEW YORK TIMES ''Schwalbe's memoir shines...Written like a true friend' DAILY MAIL ------------- in his last year of university, Will thought he knew everyone he cared to know. A per-haired, out gay young man, working at an AIDS helpline in the early days of the crisis, Will found community amongst the theatre students, artists and writers. He also knew who he wanted to avoid: the jocks. Wearing sporty clothes and moving in boisterous packs, the jocks seemed to be a different species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will was brought into a secret society at Yale, aimed to bring together a group of opposites. On his first day, he was faced with Chris Maxey - a physically imposing, loud, star wrestler who seemed to be uncomfortable around Will and embodied everything he disliked and feared. But through months of mandated dinners, and many beers, the two swapped life-stories and forged an unexpected bond that became a ballast in each other's lives for forty years. A real-life The Breakfast Club story, We Should Not Be Friends is a testament to the miracle of human connection, if only we see past our differences.

The Tremolo Diaries

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