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John Walsh: The Texas Chain Saw
Massacre: The Official Story of the Fil

The Texas Chain Saw Massacre: The Official Story of the Film

This book explores the relationship between dissent and social media to understand the role both play in enacting cultural change.&nbsp;

The Role of Social Media in Facilitating Cultural Change

Dissent and Social Media

The Politics of Form in Contemporary British Performance

Proper Theatre

Routledge Focus on Business and Management

This book focusses on the European comics industry to explore the complex impact of organizational and cultural differences in audience behaviors, both in the comics industry specifically, and in the creative industries in general.

Contrasting Cultures in France, Belgium, and the Netherlands

Comparative Dynamics in the Comics Industry

The Definitive Guide to Horror Movies

Celebrating Shrigley's absurd, deadpan sensibility through both his signature drawing style and accompanying text, this art book is an ideal addition to any bookshelf or coffee table for those who appreciate wry, sardonic humor, and distinct, artistic brilliance by one of our most prolific and unique artists.

Now in paperback: Get Your Sh*t Together is the first book that exclusively features recent artwork in color by beloved British artist David Shrigley. Celebrating Shrigley's absurd, deadpan sensibility through both his signature drawing style and accompanying text, this art book is an ideal addition to any bookshelf or coffee table for those who appreciate wry, sardonic humor, and distinct, artistic brilliance by one of our most prolific and unique artists. <ul><li> Organized by chapters with titles such as Stupid, Nonsense, Dirt, Fear, Paranoia, Love, and Self Delusion, this collection is sure to delight die-hard Shrigley fans and new ones alike. </li><li> This is the first full-color book to date on Shrigley's prolific work, curated from his abundant archive. It features over 200 original works of art and handwritten, humorous essays throughout. </li><li> It also includes a custom, detachable bookmark with the quote, “I’M IN THE MIDST OF IT.” </li></ul> The layouts in Get Your Sh*t Together pair distinctive individual pieces of artwork, forming quirky and unexpected relationships between each facing page. Irony, satire, playfulness, sarcasm, and even downright positivity all exist within the realm of Shrigley’s imagination and philosophy, and all are on display here. This is no ordinary monograph, but instead, it is a clever, colorful, and exuberant celebration of Shrigley’s singular sensibility and unique aesthetic that juxtaposes text and image provocatively and irresistibly.

Get Your Sh*t Together

The iconic Star Trek character's lifestory appears for the first time in his own words; perfect for fans of the upcoming Star Trek: Strange New Words.

The iconic Star Trek character's lifestory appears for the first time in his own words; perfect for fans of the upcoming Star Trek: Strange New Words.

The Autobiography of Mr. Spock

The official art book for the movie Ant-Man, the 11th title reissue of the 24-book Marvel Studios: The Infinity Saga series published as a resized matching set.

The official art book for the movie Ant-Man, the 11th title reissue of the 24-book Marvel Studios: The Infinity Saga series published as a resized matching set.

Marvel Studios' The Infinity Saga - Ant-Man: The Art of the Movie

In Visual Effects Foundations, celebrated visual effects veteran and VES member Noel Hooper offers a thorough explanation of the tools, techniques, and workflows aspiring visual effects artists and students require to create engaging visual effects and break into today's film, television, and wider entertainment industries. Accessible, full-color tutorials examine pre-production considerations, visual effects on set, imaging data, color management, lighting, integration concepts, postproduction workflows, career skills, and visual effects artistry. An extensive companion website features video demonstrations of the techniques described in the book, project materials, and instructor resources.

In Visual Effects Foundations, celebrated visual effects veteran and VES member Noel Hooper offers a thorough explanation of the tools, techniques, and workflows aspiring visual effects artists and students require to create engaging visual effects and break into today’s film, television, and wider entertainment industries. Accessible, full-color tutorials examine pre-production considerations, visual effects on set, imaging data, color management, lighting, integration concepts, postproduction workflows, career skills, and visual effects artistry. An extensive companion website features video demonstrations of the techniques described in the book, project materials, and instructor resources.

Core Concepts, Techniques, and Workflows

Visual Effects Foundations

Elements in the Gothic

This Element explores twenty-first century Black Gothic literature and film as it responds to American anti-Blackness and as they illustrate a mode of Black Gothic fiction. It also examines the costs of waging war against racial oppression and the power of embracing 'monstrosity'.

This Element explores twenty-first century Black Gothic literature and film as it responds to American anti-Blackness and as they illustrate a mode of Black Gothic fiction. It also examines the costs of waging war against racial oppression and the power of embracing 'monstrosity'.

African American Gothic in the Era of Black Lives Matter

Isms

The description for this book, Lennon-isms, will be forthcoming.

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

This collection analyzes Joshua Oppenheimer's diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. 

Featuring a new interview with Joshua Oppenheimer himself, On the Act of Looking affirms Oppenheimer's use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.

This collection analyzes Joshua Oppenheimer’s diptych The Act of Killing and The Look of Silence as a cinematic event that invites interrelated questions on historical memory, truth and reconciliation, and the limits of documentary filmmaking. 

Featuring a new interview with Joshua Oppenheimer himself, On the Act of Looking affirms Oppenheimer’s use of fiction and manipulation as a technique to expose, contrary to the classic documentary form, not so much a reality behind the appearance of things, but how appearance as such can become a site of intervention or truth-telling. Contributors to this collection, including film scholars, art historians, historians, political scientists, philosophers, and Indonesian human rights activists, answer why Oppenheimer's documentary films not only have received near universal praise and admiration, but also why this praise is often qualified by surprise and fascination.

Reading Joshua Oppenheimer’s Diptych: The Act of Killing and The Look of Silence

On the Act of Looking

Routledge Companions

Digital Humanities has emerged in recent years as a new paradigm within theatre and performance studies. This is the first volume to compile scholarly and best practice knowledge from around the globe, and to address both the history and future of this new field. Contributors examine a range of projects documenting, reconstructing and visualizing theatre and performance practices both past and present; discuss a new methodology for theatre scholarship, and for archiving and preserving works; and consider the impact of the Digital Humanities on higher education in theatre and performance studies.

Digital Humanities has emerged in recent years as a new paradigm within theatre and performance studies. This is the first volume to compile scholarly and best practice knowledge from around the globe, and to address both the history and future of this new field. Contributors examine a range of projects documenting, reconstructing and visualizing theatre and performance practices both past and present; discuss a new methodology for theatre scholarship, and for archiving and preserving works; and consider the impact of the Digital Humanities on higher education in theatre and performance studies.

The Routledge Companion to Digital Humanities in Theatre and Performance

The Texas Chain Saw Massacre: The Official Story of the Film

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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