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An unforgettable tribute to the unbreakable bond between a father and son

An unforgettable tribute to the unbreakable bond between a father and son

McDermott S: The Songs That Saved Us / B

The Songs That Saved Us

My Dad, Dementia and Me

What role do subcultures play in the radicalisation of Islamist, right-wing and left-wing groups? How are the norms of subcultures adopted by radicalised individuals and reflected in their lifestyle, identity and choices? Violent radicalisation is often portrayed as a deviant behaviour resulting from social and political dissociation. At the same time Islamist, right-wing and left-wing terrorist groups have all found sections of the population to sympathise with their aims and provide them with moral and logistical support. Through comprehensive systematic research, rigorous analysis of the empirical data and a range of interviews with active and former radicals Daniela Pisoiu construct a theoretical framework to explain the transition to radicalisation and political violence in Germany. Her conclusions provide us with a wider understanding of the role of subcultures in violent radicalisation and demonstrates that, far from a marginal and abnormal phenomenon, this radicalisation is a matter of traceable long term and holistic socialisation.

What role do subcultures play in the radicalisation of Islamist, right-wing and left-wing groups? How are the norms of subcultures adopted by radicalised individuals and reflected in their lifestyle, identity and choices?  Violent radicalisation is often portrayed as a deviant behaviour resulting from social and political dissociation. At the same time Islamist, right-wing and left-wing terrorist groups have all found sections of the population to sympathise with their aims and provide them with moral and logistical support.  Through comprehensive systematic research, rigorous analysis of the empirical data and a range of interviews with active and former radicals Daniela Pisoiu construct a theoretical framework to explain the transition to radicalisation and political violence in Germany.  Her conclusions provide us with a wider understanding of the role of subcultures in violent radicalisation and demonstrates that, far from a marginal and abnormal phenomenon, this radicalisation is a matter of traceable long term and holistic socialisation.

Subcultures and Violent Radicalisation

Society disables us more than autism ever could

A Memoir and Manifesto About Autism

Danny's People

Secret / unusual guides

Far from the crowds and the usual clichés, Tuscany still reserves any number of hidden treasures for those who know how to wander off the beaten track.

A 15th century stained glass window with an image of Mussolini, a forgotten sculpture by Leonardo da Vinci, a luxurious hotel converted into a public bath, a "milk distributor” 17th century, a frog that drinks wine, a unique astronomical phenomenon in the world, the imprints of Santa Caterina's teeth on a stairway in Siena, a shield with the blood of Christ, the place where the amphora of the Cana Wedding is preserved, one extraordinary anatomical theater in Pistoia, the fountain of the youth of fairy Morgana, an unusual walk along the marble monorail ...
Far away from people and cliches, Tuscany still has hidden treasures which it is ready to unveil to its inhabitants and travellers willing to abandon the beaten paths.  An indispensable guide for those who think they know it well Tuscany or for those who wish to discover the secret face of the region.

Secret Tuscany

Architects of the Soul

The Instant Sunday Times Bestseller

The Age of Diagnosis

Neuer Pauly Supplemente

Imperium Romanum 700 Jahre gemeinsame Geschichte von Römern und Germanen. Wie haben sich die Kulturen gegenseitig beeinflusst? Gab es Konflikte? Die Betrachtungen beginnen mit dem ersten Auftauchen der Germanen in römischem Gebiet im 2. Jh. v. Chr. bis zum 6. Jh. n. Chr., als die Franken das Imperium Romanum ablösten. Die Artikel behandeln Begriffe wie Kleidung, Christianisierung, Schriftlichkeit und Fürstengrab; Völker und Kulturen wie die Teutonen, Goten, Vandalen und Alamanen; Orte wie Kalkriese, Rhein und Trier.

Imperium Romanum 700 Jahre gemeinsame Geschichte von Römern und Germanen. Wie haben sich die Kulturen gegenseitig beeinflusst? Gab es Konflikte? Die Betrachtungen beginnen mit dem ersten Auftauchen der Germanen in römischem Gebiet im 2. Jh. v. Chr. bis zum 6. Jh. n. Chr., als die Franken das Imperium Romanum ablösten. Die Artikel behandeln Begriffe wie Kleidung, Christianisierung, Schriftlichkeit und Fürstengrab; Völker und Kulturen wie die Teutonen, Goten, Vandalen und Alamanen; Orte wie Kalkriese, Rhein und Trier.

Historisch-archäologisches Lexikon

Die Germanen und das Römische Reich

Routledge Studies in Evangelicalism

This book is the first major study of the constellation of evangelists, mission halls, tent revivals, children's clubs, Bible institutes, musicians, advertising strategies, publishing enterprises, and philanthropic activity that constituted a vibrant substratum of British Evangelical Christianity between the mid-nineteenth and mid-twentieth centuries. This populist Protestant subculture has been well-charted in North America but virtually ignored in Britain. This lacuna is part due to a common assumption that secularization? corroded traditional religious communities during this era. By contrast, this book argues that this panoply of pan-denominational affinities and endeavours in fact represented an adaptation of the British Evangelical Protestant tradition to the age of mass democracy. In exploring the beliefs, worship and spirituality, gender roles, mission networks, revival events, material culture, and social protocols and taboos of popular Evangelicalism, the book presents a religious movement well-attuned to an age of popular politics, metropolitan culture, demotic advertising, and mass entertainment.

This book is the first major study of the constellation of evangelists, mission halls, tent revivals, children’s clubs, Bible institutes, musicians, advertising strategies, publishing enterprises, and philanthropic activity that constituted a vibrant substratum of British Evangelical Christianity between the mid-nineteenth and mid-twentieth centuries. This populist Protestant subculture has been well-charted in North America but virtually ignored in Britain. This lacuna is part due to a common assumption that secularization corroded traditional religious communities during this era. By contrast, this book argues that this panoply of pan-denominational affinities and endeavours in fact represented an adaptation of the British Evangelical Protestant tradition to the age of mass democracy. In exploring the beliefs, worship and spirituality, gender roles, mission networks, revival events, material culture, and social protocols and taboos of popular Evangelicalism, the book presents a religious movement well-attuned to an age of popular politics, metropolitan culture, demotic advertising, and mass entertainment.

Popular Evangelicalism in the Age of Mass Democracy

A memoir of good girls, obedient wives and doing the impossible

A Dutiful Daughter

Growing up in 1970s Britain

The Colour of Home

SOAS Studies in Music

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book's second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author's own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict, in a search of methodology for improving the effectiveness of current practices

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book’s second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author’s own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict,in a search of methodology for improving the effectiveness of current practices.

Music as Cultural Diplomacy: Using Improvisation as a Creative Tool

With the abrogation of the Zen Buddhist Fuke sect during Japan's modernisation process in the late nineteenth century, the raison d'être for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and 'improved' has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be 'the real thing' as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players. In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Essays on Life, Love and Loss

Every Moment Was You

The Songs That Saved Us

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