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An exciting new title coming soon from Penguin Random House

Anon J: Untitled 326610

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Coming Soon

A Fashion Revolutionary

Vivienne Westwood

The tender memoir of the forty-three years Siri Hustvedt spent with her husband, writer, poet and filmmaker Paul Auster - from their first encounter in 1980s New York to his death in 2024 Ghost Stories is Siri Hustvedt's most personal work yet, a searing and intimate meditation on grief, memory, and enduring love, written in the aftermath of the death of her husband, writer, poet and filmmaker Paul Auster. It is a patchwork-quilt book that stitches together memories from over forty years of love and life together: journal entries Siri wrote between early November 2023, when Paul first became ill, and 3 May 2024, the day of his funeral; e-mails Siri sent to friends during Paul's cancer treatment; notes Paul sent her over the course of their relationship; and three love letters Siri wrote to him in 1981, when he left her for a period of nine or ten days to return to his former life with his first wife and son. The book also contains Paul Auster's last ever piece of writing - the first thirty-five pages of what he hoped would be a small book of letters to Siri's and his grandson, Miles Auster Hustvedt Ostrander, born on 1st January 2024. The result is an emotional, full-bodied story of Siri Hustvedt and Paul Auster's life together, an exploration of how grief unmoors time and how the intimacy of a shared life continues to mark the everyday. 'I began writing Ghost Stories shortly after my husband, Paul Auster, died on April 30th 2024. My meditations on Paul's cancer, his death, my grief, the potent feeling I had of his presence on the day he was buried, and my memories from the years we spent together are interwoven with several texts that were written before he died: twelve letters I wrote to friends during his cancer treatment; journal entries I wrote between early November, 2023 and May 3, 2024; and three love letters I wrote to Paul in 1981, when he left me for a period of nine or ten days to return to his former life. Although I knew Paul had saved those letters, I hadn't read them since they were written and had only a foggy recollection of their content. In the last month of his life, Paul began writing what he hoped would be a small book of letters to our grandson, Miles Auster Hustvedt Ostrander, who was born on January 1st, 2024. Paul was too weak to finish it as planned, but the thirty-five pages he did manage to write are interwoven in this book. I want to stress that Paul's text is not an appendix to mine but an integral part of the book as a whole. Because the memoir turns on attachment, betweenness, and dialogue, all crucial to the love affair that lasted forty-three years, the insertion of one author's text into another's, is, in this case, essential to the memoir's overall meaning.'

A memoir

Ghost Stories

The Meaning of George Michael

Tonight the Music Seems So Loud

Her Life and Music, Era by Era

Ariana Grande

A prevailing narrative goes: Bob Dylan, the voice of Sixties counterculture, disappeared in the 1970s, then released arguably the worst music of his career in the 1980s-only to be resurrected in 2016, when he was awarded the Nobel Prize in Literature. Dylan's concerts once began with an announcer intoning a deadpan version of just such a narrative. That is not this story. 
 
Drawing on thousands of pages of archival materials, After the Flood reveals Dylan's output during the last three decades as his most ambitious yet. Across an abecedarium of chapters surveying his albums, performances, films, and books since the early 1990s, celebrated poet and biographer Robert Polito shows how Dylan evolved a late musical style that has embodied and resisted its era-interweaving Ovid and Americana, film noir and the Civil War. Imaginatively researched, After the Flood is both an essential revision and continuation of the Dylan saga.

Inside Bob Dylan's Memory Palace

After the Flood

A thrilling new biography of Pyotr Ilyich Tchaikovsky—composer of some of the world’s most popular orchestral and theatrical music &nbsp; “A lively, argumentative and thoughtful reflection on one of the 19th century’s most important musical figures.”—Michael O’Donnell, Wall Street Journal &nbsp; Tchaikovsky is famous for all the wrong reasons. Portrayed as a hopeless romantic, a suffering melancholic, or a morbid obsessive, the Tchaikovsky we think we know is a shadow of the fascinating reality. It is all too easy to forget that he composed an empire’s worth of music, and navigated the imperial Russian court to great advantage. &nbsp; In this iconoclastic biography, celebrated author Simon Morrison re-creates Tchaikovsky’s complex world. His life and art were framed by Russian national ambition, and his work was the emanation of an imperial subject: kaleidoscopic, capacious, cosmopolitan, decentred. &nbsp; Morrison reexamines the relationship between Tchaikovsky’s music, personal life, and politics; his support of Tsars Alexander II and III; and his engagement with the cultures of the imperial margins, in Ukraine, Poland, and the Caucasus. Tchaikovsky’s Empire unsettles everything we thought we knew—and gives us a vivid new appreciation of Russia’s most popular composer.

A New Life of Russia's Greatest Composer

Tchaikovsky's Empire

Marking the fortieth anniversary of the duo's first release--"West End Girls"--Pet Shop Boys Volume presents the group's entire visual output to date in a contemporary literary format.

PS Volume

Jewish Lives

A revelatory look at the complex inner world of one of the twentieth century’s most beloved theatrical composers &nbsp; Stephen Sondheim (1930–2021) was a towering figure in American musical theater. Celebrated for his iconic Broadway shows such as Company, Sweeney Todd, and Into the Woods, his accolades include eight Tony Awards, multiple Grammy Awards, an Academy Award, and a Pulitzer Prize. In this intimate biography, Daniel Okrent follows Sondheim through the tumult of his upbringing and his parents’ divorce, his acquaintance with Oscar Hammerstein II and subsequent discovery of musical theater, and his rise to fame as both a lyricist and composer. &nbsp; Okrent shines new light on Sondheim’s tormented emotional life, wavering self-confidence, and alcoholism, drawing on the artist’s intimate correspondence with such notable figures as Hal Prince, Leonard Bernstein, and Arthur Laurents; exclusive interviews with his close friends and collaborators, including James Lapine and John Weidman; and Sondheim’s own oral history, which remained closed until his death. As Okrent explores the ways Sondheim’s music and lyrics express the inner man, he reveals a life that was defined by two parallel arcs: the movement from alienation to connection, and from ambivalence to resolution.

Art Isn’t Easy

Stephen Sondheim

A Cartoonist's Life

Crumb

A True Story of Death and Desire in 1920s Provence

That Dark Spring

Russia has more trees than there are stars in our galaxy, and the forest lies at the heart of this vast nation's history and culture.The Oak and the Larchtells the story of the northern Eurasian forests which have, over the centuries, been part of the territories of Chinggis Khan's Golden Horde, the Russian Empire, the Soviet Union and now the Russian Federation, Ukraine, Belarus, Poland, and Mongolia. Ranging from the medieval era to the present, Pinkham draws on literature - from indigenous legends to canonical works by Tolstoy and Turgenev - as well as political history, art, music, and original reportage. As she traces the forest's role as a wellspring of national identity, a place of shelter, conflict and survival against the odds, Pinkham also shows the threats facing the forests - and what we stand to lose when nature is depleted.

A Forest History of Russia and its Empires

The Oak and The Larch

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